A 21-year-old girl is released from prison, only to deal with the neighborhood gossip about her and family conflicts. She decides to save one million yen, move to where no one knows her and keep repeating the process.
Takemura has no friends and no family. He's a student but he doesn't have any particular ambitions. In other words, he isn't going anywhere fast. Were all this not enough, the sorry sad ... See full summary »
After losing everything in a tsunami, 10-year-old Hana is taken in by 26-year-old distant relative Jungo Kusarino. They live as father and daughter but share a profound sense of loss. Jungo... See full summary »
Naive and awkward Gu-chang is on his seventh year of college, constantly failing job interviews and living off of an allowance from his divorced sister. The almost 30-year-old virgin has ... See full summary »
Members of a cult, modeled on Aum Shinrikyo, sabotage a city's water supply, then commit mass suicide near the shores of a lake. Family members of those affected by it meet at the lake to observe the anniversary of their loved ones' deaths.
When people finish their day and hurry home, his day starts. His diner is open from midnight to seven in the morning. They call it "Midnight Diner". Pork, Miso soup combo, Beer, Sake and ... See full summary »
Seeking to relieve the pressures of a depressing family and the boredom and the listless living in a small town a married woman joins a cosplay event as dressed as her favourite character. There she spots and meets a teenager whom she believes resembles her fantasy hero. The two begin a torrid affair that instead of staying discreet ends up on the Internet in video format.Written by
A handsome high school boy begins an affair with an older married woman. When their sex tape ends up on the internet, various lives are changed forever.
The themes of adolescent coming of age, socioeconomic class divisions in Japan, and family dysfunction, are all common concerns of modern-day Japanese cinema. Protagonist Takumi, too damn good-looking for his own good, seems surrounded by women - a doe-eyed classmate, his married sex friend, and a single-mother at a home which doubles as a Natural Birth clinic. Takumi gets to have the unusual experience for a teenage boy of experiencing the sweat, stench and tears of life coming into being first-hand.
The sexual politics are wryly observed and the sexual encounters framed in a manner that strips them of their eroticism and makes them touching and vulnerable. Tomoko Tabata as Anzu is perfect as the needy housewife trapped with a useless husband and a (slightly overdrawn) domineering mother-in-law. Another story intrudes late in the narrative, that of Takumi's friend Ryota (Masataka Kubota). Less blessed in the looks department than Takumi, and with a mother who cares little about her offspring, unlike Takumi's devoted and wise mother, Ryota's fickle mix of jealousy and loyalty towards Takumi proves destructive.
The characters are strong and engaging and the story would draw you in, were it not for the odd decision to structure this as a triptych, with an overlong final third devoted to Ryota's plight. This leaves Takumi and Anzu off-screen for a good half-hour right when we are most interested in seeing their reactions. Cut by at least 20 minutes, and telling all these characters tales chronologically, this would be a much more involving film. As it is the structure is a massive flaw in an otherwise mature and admirable film.
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