After an apocalyptic event, a buoy designed to record water temperature (Kristen Stewart) and a communications satellite (Steven Yeun) are the only sentient beings left on earth. In the opening of "Love Me," they make contact through what remains of the internet. The two start out chatting, relying on their existing programming. Eventually, they create primitive avatars that interact in a world they've created. Both really want this relationship to work. They scan available data sources to discover what it takes to create and sustain a relationship. In a tragic development, Stewart's character, who imaginatively identifies herself as "Me," comes across a too-cute self-absorbed vlogger named Deja, whose relationship with boyfriend Liam is hardly a role model for anything constructive. Fortunately, Yeun's character, called "Iam" (see what they did there?!), isn't into over-sharing.
"Love Me" is the feature film debut for Co-Writers/Co-Directors Sam and Andrew Zuchero, a husband and wife team. For this film, they've obviously developed a bold, audacious and completely unique concept. I wish the ideas here were more fully developed.
It's more than a little ironic that "Love Me," a film so decidedly out-of-the-box, brings to mind so many other works. In its creation and execution, "Love Me" reminds me a little of "Wall-E." In its exploration of what it means to be human, it evokes "The Creator" and "After Yang." The "New York Times" points out that "Love Me" is superficially similar to another current show, the Broadway musical "Maybe Happy Ending." (Full disclosure: my nephew co-wrote the musical.) But while the musical is tightly focused on a couple of key themes - love, death, the risks/rewards of relationships - "Love Me" is all over the place.
This film has a dizzying array of ideas spinning around in its orbit. Perhaps it's just too much, because it fails to explore anything fully. That's too bad, because some of the ideas in "Love Me" show real promise. The film implies that looking to TikTok for relationship advice may not be the best option. Fair point. It clearly supports the notion that before developing a healthy bond with another, one must do the hard work of gaining self-respect and a sense of self-worth. Terrific. "Love Me" also does an excellent job depicting the palpable need for connection with others that occurs when these inanimate objects meet. Inspired. But the film does nothing to excavate these ideas in ways that offer greater depth or a new point of view. As a result, the final product is surprisingly soulless. While I was intrigued to see how this story unfolded, I had no emotional investment in what happened between these two characters.
There are, however, some funny moments. Apparently, the story takes place over six billion years (or 6000 years, if you're a Young Earth Creationist). At one point, Me and Iam become estranged because the buoy sinks and the signal is lost. The two have to wait a few eons for all the water on earth to evaporate so connection can be restored. As they work to rekindle the relationship, Iam observes that he's had several million years to reflect on what's gone wrong in the past and what he really needs in a relationship.
Ultimately, "Love Me" is a wonderful concept that's never fully realized. Although some elements of the film don't work, it's an exhilarating diversion from the steady diet of slasher films and superhero movies Hollywood is force-feeding us. More Zucheros, please!
