| Cast overview, first billed only: | |||
| Stephen 'Sugar' Segerman | ... | Self - Record Shop Owner | |
| Dennis Coffey | ... | Self - Co-Producer, Cold Fact 1970 | |
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Mike Theodore | ... | Self - Co-Producer, Cold Fact 1970 |
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Dan DiMaggio | ... | Self - Bartender, The Brewery |
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Jerome Ferretti | ... | Self - Bricklayer |
| Steve Rowland | ... | Self - Producer, Coming from Reality 1971 | |
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Willem Möller | ... | Self - Musician |
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Craig Bartholomew Strydom | ... | Self - Music Journalist (as Craig Bartholomew-Strydom) |
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Ilse Assmann | ... | Self - Former Apartheid Archivist |
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Steve M. Harris | ... | Self - Teal Trutone |
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Robbie Mann | ... | Self - RPM Records |
| Clarence Avant | ... | Self - Former Chairman of Motown Records | |
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Eva Rodriguez | ... | Self - Rodriguez's Eldest Daughter |
| Rodriguez | ... | Self (as Sixto Rodriguez) | |
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Regan Rodriguez | ... | Self - Rodriguez's Youngest Daughter |
In the early 1970s, Sixto Rodriguez was a Detroit folksinger who had a short-lived recording career with only two well received but non-selling albums. Unknown to Rodriguez, his musical story continued in South Africa where he became a pop music icon and inspiration for generations. Long rumored there to be dead by suicide, a few fans in the 1990s decided to seek out the truth of their hero's fate. What follows is a bizarrely heartening story in which they found far more in their quest than they ever hoped, while a Detroit construction laborer discovered that his lost artistic dreams came true after all. Written by Kenneth Chisholm (kchishol@rogers.com)
This film was by far our favorite at the True/False Film Festival in Columbia Missouri this past spring.
The delights of "Searching for Sugar Man" are revealed along the way, as the story unspools over decades and continents. I BEG YOU to cover your eyes and ears if you happen to see a trailer at your local indie theater - the art of the trailer is apparently a lost one, and most of the surprises are spoiled in the promotion prepared for this film.
The director received a well-earned standing ovation at True/False, and wept - he and other directors said that T/F was the first audience of "real people" to see their respective films, apparently Sundance is peopled with "not real people"?
And be prepared to have the music playing in your head for some time to come.