Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways... Read allFaced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.
- Nominated for 4 Oscars
- 90 wins & 135 nominations total
- Cabaret Singer
- (uncredited)
Featured reviews
If I have one quibble with the film it is the hand-held camera technique that at least in the early scenes is particularly annoying. It usually takes so much from my enjoyment of the film. I get it though, it gives it a more realistic feel and in this film it may have added to the overall experience. Still bugs me though.
Another plus at the screening tonight in Denver was a long Q and A with the talented director/screenwriter Benh Zeitlin, Dwight Henry who played the father Wink, and Quvenzhané Wallis. Lovely people all, and I hope to see their work in many films to come.
I wonder whether some viewers are so addicted to the rhythm of plot driven movies to render them unable to appreciate a story like this, a story that sees the world through the eyes of a child who knows nothing of what we know. If you are one of those, go read somewhere else. I am not going to give you a synapse but my humble opinion on its meaning and possibly its intent. Or more surely, what I got out of it.
The beauty of this movie lies in Hushpuppy, a child young enough to be nonjudgmental, and her vision of life and its inhabitants. She has her own wisdom and is, like all children, taking things quite literally.
At first the hand-held camera-work and insufficient light-fill to illuminate the deep shades gave me the impression that this was a documentary style movie, a story reporting the lives of a group of people living off the grid in some southern state of the United States. But when I understood that the "Beasts" of the title was not a judgment of the movie's humans and their poverty, their ignorance, their unsophistication- but only an alternate noun for "animals" which the protagonists calls both her pets and humans alike, I started seeing the movie for what it really is: A dream, a fantasy, an imaginary story that merged with the contemporary awareness of global warming, and so a low tech sci-fi prediction of how the world may soon become.
With that key I read most character's actions: the father figure who needs to train his child to survive, inciting her "to show her guns" and be self assured; the woman who teaches children the use of herbs to cure, the meaning of magic and mythology; the tolerance of the other adults for what, in a parallel reality, would definitively been child abuse. All this is righteously done to prepare the children to survive in a world that was(is?) going from merely hard to impossible.
Wink's seemingly unsentimental and insensitive behavior towards the little wee child makes then perfect sense and thus his letting go when she can keep at bay, the Aurochs (a metaphor for her still childlike imagination) and her ability to step out of that world and into that of an adult ("I've got to take care of mine now") is the proof that she had grown up enough to survive on her own.
Looking back to it, this movie is a miracle as improbable as that of La Vita é Bella, where Benigni infused humor in a story about the Holocaust without becoming offensive or demeaning. Beasts of a Southern Wild is able to merge a child's world with that of an adult; to make us see how the effects of global warming will challenge the lives of many; it is a comment and a reminder of Katrina, its victims and consequences; finally it is a poetic way of describing the world and its inhabitants, escaping the ugliness and despair of certain realities by converting it into hope, survival and beauty.
"Beasts of the Southern Wild" looks like a fairytale or fantasy adventure from the poster, but in fact the film cannot be further from it. The plot is impossible to follow, as it is just a random collection of scenes that are poorly bridged together. For example, how did the girls get from the prostitution rig to a beach all of a sudden? Things are so poorly explained in the film, that I did not understand a thing. The film also shows a lot of irresponsible parenting, and I dread to think whether this has adversely affected the little girl actress. And as for the beasts mentioned in the title, I do wonder if it is referring to the scanty animals we see, or to the father and his friends. I was thoroughly bored by "Beasts of the Southern Wild", and I appeal to all to avoid this film.
The movie does not deserve this few stars, don't be silly. The only reason you give 1 or 2 stars is to make the overall rating go lower and to get people to read your review.
Now to the movie:
It tells a very unique magical story while the fantasy part isn't as big as you could assume from the cover. It's more about the little girl Hushpuppy and her dad who live a simple life. There are some beautiful moments and if you give the movie a chance and actually watch it, there's not much to regret since it will take you on a journey worth seeing.
Storyline
Did you know
- TriviaOn the film's very first day of shooting in the fictional "Bathtub" location outside of New Orleans, the BP oil rig explosion and the start of the massive spill occurred. For most of the shoot in nearby waters, Benh Zeitlin and his crew had to maneuver in and around the clean-up operations.
- GoofsDuring the height of the hurricane scene, Wink challenges the storm, with his rifle, as a means of comforting Hushpuppy and alleviating her fears. While he is outside in the hurricane winds and rain, only the trees in his immediate vicinity are violently moving. Trees in the background (perhaps beyond the reach of a wind fan) are perfectly still.
- Quotes
[last lines]
Hushpuppy: When it all goes quiet behind my eyes, I see everything that made me lying around in invisible pieces. When I look too hard, it goes away. And when it all goes quiet, I see they are right here. I see that I'm a little piece in a big, big universe. And that makes things right. When I die, the scientists of the future, they're gonna find it all. They gonna know, once there was a Hushpuppy, and she live with her daddy in the Bathtub.
- ConnectionsFeatured in The Big Review: Summer Trailer Park Series (2012)
- SoundtracksValse De Balfa
Performed by The Lost Bayou Ramblers
Written by Will Balfa
Published by Flat Town Music Company (BMI)
- How long is Beasts of the Southern Wild?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Quái Vật Miền Nam Hoang Dã
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,800,000 (estimated)
- Gross US & Canada
- $12,795,746
- Opening weekend US & Canada
- $169,702
- Jul 1, 2012
- Gross worldwide
- $21,107,746
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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