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Five Broken Cameras (2011)

Not Rated | | Documentary , War | 2011 (Israel)
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A documentary on a Palestinian farmer's chronicle of his nonviolent resistance to the actions of the Israeli army.

Directors:

Emad Burnat, Guy Davidi
Nominated for 1 Oscar. Another 18 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Emad Burnat ... Himself - Narrator
Soraya Burnat Soraya Burnat ... Herself - Wife of Emad
Mohammed Burnat Mohammed Burnat ... Himself - Son of Emad
Yasin Burnat Yasin Burnat ... Himself - Son of Emad
Taky-Adin Burnat Taky-Adin Burnat ... Himself - Son of Emad
Gibreel Burnat Gibreel Burnat ... Himself - Son of Emad
Muhammad Burnat Muhammad Burnat ... Himself - Father of Emad
Bassem Abu-Rahma Bassem Abu-Rahma ... Himself - Protester (as Phil)
Adeeb Abu-Rahma Adeeb Abu-Rahma ... Himself - Protester
Ashraf Abu-Rahma Ashraf Abu-Rahma ... Himself - Protester (as Daba)
Intisar Burnat Intisar Burnat ... Herself - Mother of Emad
Eyad Burnat Eyad Burnat ... Himself - Brother of Emad
Riyad Burnat Riyad Burnat ... Himself - Brother of Emad
Khaled Burnat Khaled Burnat ... Himself - Brother of Emad
Jafar Burnat Jafar Burnat ... Himself - Brother of Emad
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Storyline

When his fourth son, Gibreel, is born, Emad, a Palestinian villager, gets his first camera. In his village, Bil'in, a separation barrier is being built and the villagers start to resist this decision. For more than five years, Emad films the struggle, which is led by two of his best friends, alongside filming how Gibreel grows. Very soon it affects his family and his own life. Daily arrests and night raids scare his family; his friends, brothers and himself are either shot or arrested. One camera after another is shot at or smashed. Each of the 5 cameras tells part of his story. Written by Guy Davidi

Plot Summary | Add Synopsis

Genres:

Documentary | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Language:

Hebrew | Arabic

Release Date:

2011 (Israel) See more »

Also Known As:

5 Broken Cameras See more »

Filming Locations:

Tel Aviv-Yafo, Israel See more »

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Box Office

Opening Weekend USA:

$6,674, 3 June 2012, Limited Release

Gross USA:

$109,983

Cumulative Worldwide Gross:

$283,292
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Quotes

Emad Burnat - Narrator: Healing is a challenge in life. It's a victim sole obligation. By healing, you resist oppression. But when I'm hurt over and over again, I forget the wounds that rule my life. Forgotten wounds can't be healed. So I film to heal. I know they may knock at my door at any moment. But I'll just keep filming. It helps me confront life. And survive.
See more »

Connections

Edited into P.O.V.: 5 Broken Cameras (2013) See more »

Soundtracks

Karanlik
Composed and Performed by Gökhan Tümkya
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User Reviews

Power and Innocence
24 February 2013 | by bassammaelbornoSee all my reviews

Retributive Justice...Oh How Sweet It Is !!

Today, Sunday, February 24, 2013, the Oscars will be hosting this first ever Oscar nominated Palestinian documentary, whose content, we all know full well, will never be shared with the estimated one billion worldwide viewing audience, nor will it ever be permitted to win.

Nevertheless, it just happens to fall on the Jewish Holiday of Purim, which commemorates the deliverance of the Jewish people in ancient Persia, in the wake of a plot by Haman. It is a story recorded in the Biblical Book of Esther. Understandably, this day of deliverance has become a day of Jewish feasting and rejoicing. It is celebrated by the giving of mutual gifts of food and drink, the offering of charity to the poor, the consumption of a celebratory meal, and in addition to the prayers and the grace after the meals, there is often a public recitation of the Scroll of Esther. Other customs include the drinking of wine, the wearing of masks and costumes, as well as the exuberant display of celebrations in public. Like Hanukkah, Purim has more of a 'national' (Israel) than a 'religious' (Judaic) character, and its status as a holiday is on a lesser stature than those days ordained by the Torah. Accordingly, business transactions (including the Oscars), and even manual labor are allowed on Purim.

As early as the 5th century, there was a custom to "BURN AN EFFIGY" of Haman on Purim.

However, the first religious ceremony ordained in the celebration of Purim, is the reading of the Book of Esther (Megillah) in Synagogues. The Megillah is read with a scintillation (a traditional chant) differing from that used in the customary reading of the Torah. When Haman's name is read out during the public chanting of the Megillah in the Synagogues, which by the way occurs 54 times, the congregation engages in boisterous noise-making to "BLOT OUT THE NAME".

Over time, a custom developed of writing the name of Haman on two smooth stones, thereafter knocking them together until the name was blotted out. Others write the name of Haman on the soles of their shoes, and then at the mention of the name, loudly and repeatedly stomp their feet as a sign of contempt. Most though, employ the use a loud and noisy ratchet, called a ra'ashan, or in Yiddish a grager. Although some rabbis have protested against these uproarious excesses (raucous stomping and deafening ratcheting), considering them to be a disturbance of public worship, nevertheless, these two customs in particular, have continued to be universally carried out in almost all Synagogues on Purim.

Just a thought ?!

I wonder if during the Oscars, the Zionists of Hollywood plan to conduct an 'L.A. Festival of Burning', wherein all copies of the "Un-Israeli" film '5 Broken Cameras' will be incinerated, not unlike that conducted by the Nazis in May of 1933, during which upwards of 25,000 volumes of "Un-German" books (predominantly Jewish) were burned ?!

Or worse yet, publicly humiliate themselves during the announcement of the film's nomination for an Oscar award, by stomping their feet and twirling permitted Ra'ashans, in a feeble attempt to 'Blot It Out'?!

After all, just the other day, they did attempt to prevent the film-maker Emad Burnat, together with his wife and 8 year old son, from attending, by way of harassment and intimidation at the hands of Immigration Officials at L.A.X.

Perhaps, it was because a 'Film' or even a 'Broken Camera' in the hands of a Palestinian now constitutes a potential 'Terrorist Threat' ?!


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