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Djeca (2012)

Siblings Rahima and Nedim are the Bosnian war orphans. She works as a restaurant chef and earns just enough money to survive.


Aida Begic


Aida Begic
5 wins & 3 nominations. See more awards »


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Cast overview, first billed only:
Marija Pikic ... Rahima
Ismir Gagula ... Nedim
Bojan Navojec Bojan Navojec ... Davor
Sanela Pepeljak Sanela Pepeljak ... Vedrana
Vedran Djekic Vedran Djekic ... Ciza
Mario Knezovic Mario Knezovic ... Dino
Jasna Beri Jasna Beri ... Saliha
Nikola Djuricko ... Tarik
Stasa Dukic Stasa Dukic ... Selma
Aleksandar Seksan Aleksandar Seksan ... Rizo
Velibor Topic ... Mirsad Melic
Ravijojla Jovancic Ravijojla Jovancic ... Kira
Mirela Lambic Mirela Lambic ... Jasna
Sadzida Setic Sadzida Setic ... Branka
Semir Krivic Semir Krivic ... Inspektor


Siblings Rahima and Nedim are the Bosnian war orphans. She works as a restaurant chef and earns just enough money to survive.

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Release Date:

20 March 2013 (France) See more »

Also Known As:

Buon anno Sarajevo See more »

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Did You Know?


The official entry of Bosnia and Herzegovina to the Best Foreign Language Film at the 85th Academy Awards 2013. See more »


References Taxi Driver (1976) See more »

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User Reviews

A Testament to Strength of Spirit
12 January 2016 | by l_rawjalaurenceSee all my reviews

Set in post-Civil War Bosnia, DJECA (CHILDREN OF SARAJEVO) creates a dystopian world of perpetual darkness, dingy streets peopled with shady characters, anonymous concrete underpasses full of menace, and seedy clubs ruled by autocratic conpersons. The only way to survive, it seems, is by buying and selling things - mostly illegally.

Rahima (Marija Pikic) struggles to survive in this society by working long hours in a kitchen and using the proceeds to look after her brother Nedim (Ismir Gagula). The task is not an easy one, as her boss Melic (Velibor Topic) keeps asking her to work extra hours at very short notice. She becomes suspicious that Nedim is becoming involved in some criminal deals, and follows him one morning. She becomes embroiled in a complicated plot that ends up with Nedim being assaulted, and both she and her brother being arrested (wrongfully) for attacking Melic.

Aida Begic's film is quite difficult to watch, not least for the fact that her camera seldom moves away from the close-up. The action unfolds in a series of lengthy tracking shots, with the camera moving with the characters along the danger-laden streets of Sarajevo. We share their sense of foreboding as they have no idea of what might await them behind the next concealed corner.

The thriller aspect of the film is complicated by religion: Rahima has converted to Islam, a decision still not really accepted by her family, who believe that she has somehow rejected her upbringing. At one point we are asked to reflect on why she did it; was it a political decision? or was it simply an act of self-assertion? Director Begic offers no answers, although she does suggest that Rahima's conversion has helped her to deal with the trauma of the civil war that still haunts her mind.

The film opens and closes with an extract from Beethoven's Pastoral Symphony - an apt reminder of how some kind of stability can be forged, even in the most unprepossessing of situations. Rahima and Nadim end the film much closer to one another than they were at the beginning, as they realize that familial loyalties provide one form of protection against any form of corruption.

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