World War II American Army Medic Desmond T. Doss, serving during the Battle of Okinawa, refuses to kill people and becomes the first man in American history to receive the Medal of Honor wit... Read allWorld War II American Army Medic Desmond T. Doss, serving during the Battle of Okinawa, refuses to kill people and becomes the first man in American history to receive the Medal of Honor without firing a shot.World War II American Army Medic Desmond T. Doss, serving during the Battle of Okinawa, refuses to kill people and becomes the first man in American history to receive the Medal of Honor without firing a shot.
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- Won 2 Oscars
- 57 wins & 115 nominations total
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Summary
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Some war films use a particular war from history to tell a fictional story, all three of the above for example however, a war film for me becomes something else entirely when it tells a true story, especially one as remarkable as the story that Hacksaw Ridge is based on.
Desmond T. Doss (Andrew Garfield) became the first Conscientious Objector in American history to be awarded the Medal of Honour even though he refused to kill or even carry a rifle while serving as a medic during the Battle of Okinawa in World War II. Doss' phenomenal story of courage saw him single-handedly save the lives of over 75 of his comrades while under constant enemy fire.
Hacksaw Ridge is very much a film of two halves; the first introducing us to Doss, exploring both his personal life and his motivations for choosing to become a Conscientious Objector and serve as a medic, the second depicting the Battle of Okinawa at Hacksaw Ridge, the site of one of the bravest human feats in history. Both tell the story of the determined individual that Doss was and Mel Gibson does a wonderful job in directing the film.
Gibson has attracted a lot of bad press over the years but there is no denying that he is a good director, and in Hacksaw Ridge, he may just have made his best film yet. It's the emotional power of the story that Gibson taps into so successfully that makes Hacksaw Ridge such compelling viewing, whether it be Doss' arduous journey through combat training or the visceral war sequences. I was an emotional wreck as the credits started to roll.
Speaking of war sequences, Hacksaw Ridge possesses some of the most brutal and harrowing you'll ever see, reminiscent of the opening to Saving Private Ryan. Due to the fact that Doss served as a medic, there are parts where a strong stomach is needed as he obviously has to tend to a number of seriously wounded soldiers. The relentlessness of the sequences is admirable from Gibson and they're wonderfully shot by Simon Duggan.
Coming to the performances, Hacksaw Ridge features an amazing lead performance from Andrew Garfield, who wanted to move away from his days as Spider-Man with a chance to play such an inspiring real life hero. I thought Garfield was always one of the best things about the Amazing Spider-Man films but it's great to see him really grow as an actor. His performance as Doss is one of the best of the year and I would love to see him get some form of recognition come awards season.
The supporting cast threw me a little but they all play their part in excelling the film, expected from the likes of Hugo Weaving and Teresa Palmer but the film surprised me with how good some of the cast were. Sam Worthington and Luke Bracey were two that come to mind but the real surprise was Vince Vaughn, who I never thought I'd see play a part in a war film, particularly that of an Army Sergeant.
Few films this year have hit me emotionally as Hacksaw Ridge did and that's why I have to say it's a most welcome return to filmmaking from Mel Gibson. It's right up there as one of the best films of the year and definitely one to see on the big screen.
It has been said about 'Hacksaw Ridge' that the second half is better than the first half, something that is agreed with by me. Not that the family/character study stuff is bad, far from it, it's beautifully filmed, even better acted and paints Doss as a very fascinating character that it's easy from the get go to identify with his wants to succeed against all catastrophic odds.
Just that the first third does take time to get going with a pedestrian pace, the dialogue is corny (in fact, to me the dialogue is the least good thing about 'Hacksaw Ridge' in general and the element that rings true the least) and the sentimentality is laid too thick (this is also particularly true in the slightly underdeveloped romance).
However this is made up for by the entertaining yet hard-hitting training scenes and in particular the truly jaw-droppingly brutal war/battle scenes that soar in nerve-shredding intensity and raw emotion, giving the first 30 minutes of 'Saving Private Ryan' a run for its money and perhaps making it tame in comparison (high praise for a film with one of the most gut-wrenching first 30 minutes on film, though to me the rest of the film isn't quite as good).
Throughout 'Hacksaw Ridge' has exceptional production values, in particular the cinematography in the battle scenes, and Gibson directs like his life was depending on it. Rupert Gregson-Williams' score has the right amount of pulsating energy and nuance, and the sound effects in the war/battle scenes have a terrifying authenticity.
For a vast majority of the time, the story is very compelling and makes the most of mature and very easy to relate with themes. It has a wide range of emotional impact, being for the second half intensely powerful, much of the film being poignant, some of it sardonically amusing (without it being out of place) and also all of it inspirational. Rather than straying from the facts for dramatic license, Gibson is surprisingly respectful this time round.
Andrew Garfield has yet to give a better performance than his astonishing turn here (though he is splendid too in Martin Scorsese's 'Silence'), and Gibson similarly brings the best out of Sam Worthington (often a charisma-free actor but here doubts were cast aside) and Vince Vaughn (at his sardonic best while also touchingly subdued, proof that he can be good if the material serves him all which too often in his career it hasn't but it does brilliantly here). Hugo Weaving is terrific, also giving some of his best work in some time. Teresa Palmer makes the most of her role.
In conclusion, a near-triumphant come-back. 8/10 Bethany Cox
If you consider yourself a true patriot of America, this movie portrays YOUR values in a blessed light. For ONE gentlemen, amidst extremely adverse treatment by his own comrades and even more deadly hated by his enemy to have save SO many men... is simply epic.
I watched the advanced screening with members of the military and faith community alike. At no time did anyone retract from the horrors of war or add asinine political commentary. We all understood that soldiers fight for one another before they fight for a cause and that hatred of war is universal; even among soldiers.
**** (out of 4)
The incredible true story of Desmond Doss (Andrew Garfield), a simple man from Virginia who grows up with a strong religious nature, which means that he can not kill anyone. WWII breaks out and Doss believes it's his duty to sign up but he's soon butting heads with the people in his troop as he refuses to pick up a gun. They believe him to be a coward and can't understand his feelings but soon he's going to have to prove his worth during the battle of Okinawa.
Mel Gibson's HACKSAW RIDGE is a story that probably would have been laughed off the page had it not been based on a true story. Obviously I'm not going to spoil the various plot points in the film but it's quite remarkable what this young man did. Not only the courage he showed but also the guts it took for him to stand up and do what he believed in. Gibson's direction is perfect and technically speaking there's not a single flaw to be found. There's no question that the film is one of the greatest war movies out there.
What makes the film work so wonderfully well is that the drama off the battle field is just as intense as what is on the battle field once we get there. The battle scenes themselves are downright horrific and there about as tense as you're ever going to witness on a screen. Gibson's direction through these scenes was terrific and I must say that he managed to put some of the most graphic war scenes that you're ever going to witness. There's also a jump scare that happens towards the end, which has to be one of the greatest of any film I've seen. There's no question that you feel the horror that these men felt and it's just amazing that anyone could go through that and survive.
Many people say SAVING PRIVATE RYAN has the greatest battle scenes and they're perfect but so are the ones here. What makes this film even greater for me is the fact that the story outside the battle is wonderful. I thought the training sequences were terrific and I thought the abuse that Doss goes through was terrific. Yes, we've seen this stuff in countless war movies but the story here is just so great and Gibson does such a wonderful job that you can't help but feel as if they're fresh and original. It also helps that the entire cast is so wonderful with Garfield leading the way. He's simply terrific here and not once do you ever feel as if you're watching an actor doing a part. You really do feel as if you're watching a real man battle with his beliefs. Sam Worthington, Vince Vaughn, Hugo Weaving and Teresa Palmer are all terrific as well.
I usually hate when a new movie opens and it gets labeled "the greatest" this or "the greatest" that. I honestly think films need time to grow and time to become a classic but I honestly have no reservation calling this film something truly special. It works on every level and it's really a masterful piece of filmmaking and it shows once again that Gibson is one of the greatest director's working.
Storyline
Did you know
- TriviaAccording to director Mel Gibson, Desmond T. Doss's son, Desmond Jr, attended the screening and was moved to tears by Andrew Garfield's accurate portrayal of his dad.
- GoofsHarold Doss wears an Army uniform at the kitchen table when in fact he enlisted in the Navy and served aboard the USS Lindsey.
- Quotes
Desmond Doss: Maybe I am prideful... but I don't know how I'm going to live with myself if I don't stay true to what I believe... much less how you could live with me. I'd never be the man that I wanna be in YOUR eyes.
- Crazy creditsThe real Desmond T. Doss is interviewed during the end credits and briefly describes his experiences during World War II, some of which have already been dramatized in the film.
- Alternate versionsA&E and History Channel versions mute the curse words with background noise or cut away from it. They also remove most of the graphic violence by either digitally editing or cutting out. When includes but is not limited to:
- Vito being shot twice in the chest.
- The screaming soldier's face being shot off is cut, it cuts to the blood hitting the other soldier's face. Then the other soldier being shot is cut out.
- The man in the beginning who injured his leg, his leg bleeding is sped up, only shown on screen for a part second.
- The Japanese ritual suicide scene is cut to remove the man who was decapitated's head being cut off.
- ConnectionsEdited from Oba: The Last Samurai (2011)
- SoundtracksTo God be the Glory
(Traditional Song)
Written by Fanny Crosby
Music by Howard Doane (as William Doane)
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Details
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- Also known as
- Hasta el último hombre
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Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $67,209,615
- Opening weekend US & Canada
- $15,190,758
- Nov 6, 2016
- Gross worldwide
- $180,563,636
- Runtime2 hours 19 minutes
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- Aspect ratio
- 2.35 : 1