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Maximum Conviction (2012)

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When former black ops operative Cross (Seagal) and his partner Manning (Austin) are assigned to decommission an old prison, they must oversee the arrival of two mysterious female prisoners.... See full summary »

Director:

Keoni Waxman

Writer:

Richard Beattie
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1 win. See more awards »

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Cast

Cast overview, first billed only:
Steven Seagal ... Cross
Steve Austin ... Manning
Michael Paré ... Chris Blake (as Michael Pare)
Ian Robison Ian Robison ... Warden Samuels
Aliyah O'Brien ... Charlotte
Steph Song ... Samantha
Michael Adamthwaite ... Collins
Bren Foster ... Bradley
Toby Levins ... Davies
Dean Redman ... Jones
Richard Stroh ... Terrence
Teach Grant ... Max
Cindy Maines Cindy Maines ... Esmerelda
Zak Santiago ... MP Fields
Richard Jollymore Richard Jollymore ... Kaidonov
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Storyline

When former black ops operative Cross (Seagal) and his partner Manning (Austin) are assigned to decommission an old prison, they must oversee the arrival of two mysterious female prisoners. Before long, an elite force of mercenaries assault the prison in search of the new arrivals. As the true identities of the women are revealed, Cross realizes he's caught in the middle of something far bigger than he had imagined. Written by voltage

Plot Summary | Add Synopsis

Genres:

Action | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and language throughout | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

12 January 2013 (Japan) See more »

Also Known As:

Operações Especiais See more »

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Box Office

Budget:

$10,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

In the beginning of the movie, a garbage-truck can be seen entering the prison. On the back it says "Troy - Disposal services". The logo next to this is the head of a horse. This is a reference to the ancient Greek myth of the battle of Troy in which a big wooden horse plays a vital role. The lettering on the truck foreshadows events that await in the movie. See more »

Goofs

After Manning kills the henchman with the chain, you can see him move. See more »

Quotes

Cross: Remember man, it ain't over till we're dead.
See more »

Soundtracks

Happy Daze
Written by Alex Boye
Performed by Alex Boye
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User Reviews

 
"Being bored is the secret"

I had even expectations for this film. On one hand, this was not only one of the rare filmic team-ups between Steven Seagal and a fellow action hero of similar caliber, but it was also the longest time the former had taken to make a movie in almost ten years - something I hoped was the result of more effort being made in the production. On the other hand, it was directed by Keoni Waxman, the filmmaker who's now officially worked with Steven Seagal more times than any other but whose vehicles are among my least favorite of Seagal's filmography. Then again, I liked Waxman's outing with Steve Austin well enough, so I considered that perhaps MAXIMUM CONVICTION here could achieve some kind of acceptable balance. I was right: the movie is acceptable, but far from great. It doesn't make all it could have of the collaboration between Seagal and Austin, but is still an okay-enough DTV action outing.

The story: two private security contractors (Seagal and Austin) are caught up in a deadly situation when the two prisoners they had delivered to a secret prison are targeted by a lethal team of mercenaries led by an ex-CIA mastermind (Michael Pare).

It needs to be said: however good they may look on paper, Steven Seagal and Steve Austin do not make very exciting partners. Of course, one factor is the limited screen time they share, but even when they're both in the same scene, they seem relatively apathetic to each other and don't display any discernible chemistry. On their own, they do alright, with Austin as definitely the more charismatic of the two but Seagal getting more fight scenes. They have equal amounts of screen time. The co-stars do fine but are sort of wasted: B-movie staple performer Michael Pare clomps his way through a boring role, and even though Steph Song - one of the aforementioned prisoners - has a good deal of award nominations to her name, she's given no strong acting scenes and her role could've been played by most anybody. The script by TRUE JUSTICE-regular Richard Beattie is pretty passive, highlighted only by a couple particularly mean-spirited deaths and the occasional funny line by Austin.

The action is predominantly composed of shootouts, but there's nothing special to these. Seagal's stunt doubles are hidden relatively well, but at the expense of the editing, which is once again pretty choppy during his fight scenes - not as much as it has been in the past, but it's still pretty annoying. With that said, Seagal still gets the occasional cool move in, and the final brawl - though painfully one-sided - is fun to watch in a guilty way. Steve Austin only has one real fight, but prior to this he gets entertainingly innovative in the prison kitchen, turning a gas tank into a missile and attacking a mercenary with a pot of boiling water. The best fight in the movie doesn't belong to either of them, though: despite being stifled by the same editing present in Seagal's fights, Bren Foster brings an energy to his single brawl that the other encounters were sorely lacking. Overall, I deem the action content on the low side of passable.

That also counts as my synopsis for the movie in general. Amateurish post-production inserts can be found here and there but are otherwise restrained, and Steven Seagal is doing his own voiceovers again, but these plus points are deflated a bit by the lackluster story and ho-hum pacing of the film. While it's a good deal better than the previous BORN TO RAISE HELL and therefore a general step up for Seagal (I'm not as well-versed in Austin's output, so I can't speak for him), it's not nearly all I was hoping for during the year-and-a-half spent waiting for it. Consider it a rental.


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