A young woman grieving the loss of her mother, a famous scream queen from the 1980s, finds herself pulled into the world of her mom's most famous movie. Reunited, the women must fight off the film's maniacal killer.
When Max (Taissa Farmiga) and her friends reluctantly attend a tribute screening of an infamous '80s slasher film that starred Max's late mother (Malin Akerman), they are accidentally sucked into the silver screen. They soon realize they are trapped inside the cult classic movie and must team up with the fictional and ill-fated "Camp Bloodbath" counselors, including Max's mom as the shy scream queen, to battle the film's machete-wielding, masked killer. With the body count rising in scene after iconic scene, who will be THE FINAL GIRLS left standing and live to escape this film?Written by
The lengthy sequence in which the kids first encounter Billy Murphy in the forest was shot over the course of one day. With 55 setups, tension was high and the crew continued to work after sunset, strategically lighting shots to make it appear as though it was still daytime. See more »
When Max is going into the killer's barn she grabs a lantern while holding the machete. The lantern accidentally hits a jar and it shows Max catching it before it hits the ground. This is not possible due the fact she is already holding both the lantern and the machete and has no free hand to catch the jar. See more »
Gertie, I'm sorry for that time in junior high when I told everyone to start calling you Ba-Chunk-a-Dunk, and then I covered your locker in bacon. That was so crappy and I'm so sorry! I'm such a bad person.
You're not, it's okay. If it makes you feel better, last summer I'm the one who spread the rumor that said you had a weird disease where you were always on your period.
Wow, that's evil!
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There are bloopers interspersed with the credits, including some of scenes not in the film. See more »
A spoof of the slasher genre, and a love letter to its absurdity.
The combination of horror and comedy is always a volatile recipe, and the failure to mix those ingredients just right can often result in disaster. But every once in awhile, a film comes along that manages to stumble upon the secret formula for success, with Cabin in the Woods being the most recent example. Now, three years after that film blew the roof off the Paramount Theater at the SXSW Film Festival, we have another SXSW debut that premiered to a cacophonous ovation: director Todd Strauss-Schulson's The Final Girls.
Max Cartwright (Taissa Farmiga) is struggling with loss after the tragic death of her mother, 80s slasher flick icon Amanda Cartwright (Malin Akerman). When she attends an anniversary screening of her mom's landmark film, Camp Bloodbath, a freak accident transports Max and her friends (Alia Shawkat, Alexander Ludwig, Thomas Middleditch and Nina Dobrev) into the film itself, where they're forced to abide by the rules of the movie's narrative in an attempt to survive.
Of course, everyone knows that anyone who has sex in an 80s horror film is bound to be butchered shortly after, so Max finds herself in the awkward position of trying to convince her mother's character not to sleep with the cocky, swaggering Kurt (Adam Devine), whose dialogue is almost entirely made up of sexual innuendo. Meanwhile, the attractive but vapid Tina (Angela Trimbur) is constantly trying to disrobe, which is a big no-no in this film, since a pair of bare breasts will bring the masked killer and his machete running.
Fans of the Friday the 13th or Sleepaway Camp series will find plenty to love here as the film gleefully pokes fun at genre tropes, and much of the fun comes from the fact that Max and her friends aren't just living in the world of the film - they're living in the actual film, complete with voiceovers, on screen credits, and flashbacks. There are so many hilarious moments that the film practically begs for repeated viewings, as audiences are bound to be laughing so hard that they'll miss some of the rapid-fire humor.
There are a few times when The Final Girls gets a little too stylish, such as poorly rendered early scene that involves a bottle of vodka rolling across the floor of a crowded theater, and there are a few moments where the film seems to forsake its own rules in favor of an extra laugh. But these are minor complaints, and the audience at the Paramount Theater certainly didn't allow these nitpicks to detract from the overall experience. The Final Girls is an immensely fun experience that finds a great balance between being a spoof of the genre, and a love letter to its absurdity.
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