Cast overview, first billed only: | |||
Christina Hendricks | ... | Natalie | |
Jodhi May | ... | Anoushka | |
Alessandro Nivola | ... | Roland | |
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Luke Cloud | ... | Rosa's Father |
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Poppy Bloor | ... | Young Ginger |
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Magdalene Mountford | ... | Young Rosa |
Elle Fanning | ... | Ginger | |
Ray Lonnen | ... | Radio Announcer | |
Alice Englert | ... | Rosa | |
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Brock Everitt-Elwick | ... | Beatnik |
Max Scully | ... | Beatnik | |
Marcus Shakesheff | ... | Teddy Boy in Car | |
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Charlie Smith | ... | Teddy Boy in Car |
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Rupert Rixon | ... | Boy on Beach |
Timothy Spall | ... | Mark |
London, 1962. Two teenage girls - Ginger and Rosa -- are inseparable; they play truant together, discuss religion, politics and hairstyles, and dream of lives bigger than their mothers' frustrated domesticity. But, as the Cold War meets the sexual revolution, and the threat of nuclear holocaust escalates, the lifelong friendship of the two girls is shattered - by the clash of desire and the determination to survive. Written by Adventure Pictures
GINGER & ROSA is a quiet, relatively uneventful coming-of-age tale about two British girls growing up during the time of the Cuban Missile Crisis. Those who want a conventional storyline with plenty of fast action will, understandably, find it rather dull: GINGER & ROSA is driven almost entirely by character, themes, and dialogue. Yet, there is an indescribable magic to this film. After a slow, uncertain start, GINGER & ROSA slowly hypnotizes its audience with very real characters and multiple issues. The "big" global issue of the "the Bomb" is juxtaposed very well with the "smaller" interrelationships between the characters.
Ginger, the protagonist, is an aspiring poet, and the film itself is structured a bit like a poem. It addresses the complexities of growing up, inseparable friendship, the pain that comes when something disrupts it, and many other things. As one who's battled with depression on and off for most of his life, I found GINGER & ROSA very illuminating about the nature of despair, melancholy, and all of that.
While intrigued, I still wondered for most of the first 80 or so minutes, "Where is all this supposed to be going?" Nothing terribly dramatic ever happens, but, like a good poem, the fine ending and resolution made me glad I'd stayed with it.