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The Wee Man (2013)

Not Rated | | Drama | 18 January 2013 (UK)
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1:21 | Trailer
The true-life story of Paul Ferris.

Director:

Ray Burdis

Writer:

Ray Burdis
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2 wins & 2 nominations. See more awards »

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Cast

Credited cast:
Christina Andrew ... Johnny's Girlfriend
Bhrina Bache ... Air Hostess
Patrick Bergin ... Arthur Thompson
Hannah Blamires Hannah Blamires ... WPC
Steven Borrie Steven Borrie ... Prison Officer
Lewis Brand Lewis Brand ... Prison Guard
Mark Burdis Mark Burdis ... Comedian
Nick Byatt Nick Byatt ... Prison Officer
Karl Churchill Karl Churchill
Harriet Collings ... Party goer
Martin Compston ... Paul Ferris
Chris Cowlin Chris Cowlin ... Police Officer
Steve Daly ... George
Simon DeSilva ... Arthurs Cronie - Body Guard
Paul Donnelly Paul Donnelly ... Bobby Glover
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Storyline

The true-life story of Paul Ferris.

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Official Sites:

Official site

Country:

UK

Language:

English

Release Date:

18 January 2013 (UK) See more »

Also Known As:

Gangster See more »

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Box Office

Opening Weekend:

$165,735 (United Kingdom), 18 January 2013, Limited Release
See more on IMDbPro »

Company Credits

Production Co:

Carnaby International See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

The film won the BAFTA Scotland Cineworld Audience Award at the 2013 British Academy Scotland Awards. See more »

Connections

Featured in Dream Me Up Scotty! (2013) See more »

Soundtracks

Dead Mans Shoes
written and performed by Scott Peden. Courtesy of SM Records,
Copyright Scott Peden/SM Records 2012. From the Album, The Complete and Utter Confidence of Ignorance.
See more »

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User Reviews

 
Ferris wheels within wheels
20 February 2015 | by jc-osmsSee all my reviews

As a Glaswegian, I was certainly aware of the real-life main criminal characters in this film without knowing all the ins and outs of who did what to whom, when and why. I largely looked in vain however for actual Glasgow locations, although the notes here tell me that's because the local police refused cooperation, which isn't hard to understand, watching the film.

The film itself is a tough, often violent look at turf wars in Glasgow and in particular the rival bosses fighting it out for control and centres on Paul Ferris, a very well known character in these parts. It tells his story using childhood flashbacks to demonstrate the influence of his old-fashioned tough-love father, his friendship with two childhood buddies, whose fates at the end of the film help convince Ferris to go straight at last and of course his introduction to violence amongst both police and thieves which helped lead him on his criminal path.

The story itself of a gangster's rise and fall isn't original and doesn't really aim for any great dynamism or originality in the direction either. Its striving for realism is limited by the afore-mentioned substitution for Glasgow by London, the noticeable (but not unwelcome) tempering of the way brutal beatings-up and shootings are depicted, plus the character acting in the cast isn't completely consistent.

Martin Compston is slightly restricted in his portrayal of the titular character Paul Ferris by his baby-face demeanour but otherwise carries off a tricky, if clichéd part with plenty of conviction. John Hannah as a scheming would-be kingpin and Denis Lawson as Ferris's father lend experience to their parts and probably stand out accordingly from the rest of the cast.

One could argue that the film is skewered too much in favour of Ferris's viewpoint and indeed the criminal lifestyle and modus-operandi altogether with the police and prison officials invariably shown as corrupt, barbaric and above the law they supposedly serve. Nevertheless the story, though hindered by the intrusive insertions of flashbacks to young Paul, in a failed attempt to demonstrate the child being father to the man, has a kinetic energy which keeps you watching until the bitter end.

Not an easy watch or even a great watch, but otherwise a good attempt at a contemporary true-crime story.


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