"Elsa and Fred" is the story of two people who at the end of the road, discover that it's never too late to love and make dreams come true. Elsa has lived for the past 60 years dreaming of ...
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"Elsa and Fred" is the story of two people who at the end of the road, discover that it's never too late to love and make dreams come true. Elsa has lived for the past 60 years dreaming of a moment that Fellini had already envisaged: the scene in 'La Dolce Vita' at the Fontana di Trevi. The same scene without Anita Ekberg in it, but with Elsa instead. Without Marcello Mastroianni but with that love that took so long to arrive. Fred has always been a good man who did everything he was supposed to do. After losing his wife, he feels disturbed and confused and his daughter decides that it would be best if he moves into a smaller apartment where he ends meeting Elsa. From that moment on, everything changes. Elsa bursts into his life like a whirlwind, determined to teach him that the time he has left to live -- be it more or less -- is precious and that he should enjoy it as he pleases. Fred surrenders to Elsa's frenzy, to her youth, to her boldness, to her beautiful madness. And this is ...Written by
Elsa (Shirley MacLaine) is obsessed with the Federico Fellini's "La Dolce Vita" and its stars Marcello Mastroianni and Anita Ekberg. In reality, Shirley MacLaine co-starred with Mastroianni in "Used People" in 1992 and with Ekberg in "Artists and Models" in 1955 and in "Woman Times Seven" in 1967. MacLaine also starred in "Sweet Charity" in 1969, a musical version of Fellini's "Nights of Cabiria" made in 1957. See more »
Life is long, and when you've lived so many years, and you do things, and you don't think when you're doing them, that they matter all that much. And then one day you wake up and you realize that you managed quite a bit, and so much so that you can't even remember all of it.
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I was so looking forward to this movie, but halfway through it, I actually considered turning it off. In general, I really like the "old folks get a second chance at love" movies, but this one really fell flat.
A lonely widower and a kooky, slightly older vivacious woman hit it off. Newly Oscar-ed Christopher Plummer and an always delightful Shirley MacLaine—what could go wrong? The bad news: the plot went wrong. The good news: there was nothing wrong with the veteran actors' performances.
If you're a hopeless fan of either actor, you'll probably end up seeing this one. After all, I did. But it's really not very good. Christopher Plummer's character just doesn't make any sense; he's cranky, he's hopeful, he's lusting after his maid, he's in love with Shirley MacLaine, he couldn't care less about Shirley MacLaine, he's capable, he's getting senile—See what I mean? And Shirley MacLaine's character is one feather shy of a loon. She's grandiose and full of life, and for absolutely no fathomable reason other than "new blood" she pursues her neighbor. She recreates the classic fountain scene from La Dolce Vita and expects the fuddy-duddy to break free of his shell and join in her eccentric behavior, when he's made it perfectly clear he has no such intention. I struggled to understand her character as well, and let me tell you, when you're battling confusion from both leads and boredom from the plot, it's not very fun.
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