Pål dreams about success within the musical world, but he has an obstacle; himself. His deep thoughts keeps him end up in trouble. We follow Pål on a emotional inner travel to find his call on the swedish west coast of Gothenburg.
When the factory in Molkom shuts down, Robin leaves his beloved hometown to try his luck in Stockholm as a wedding photographer. This experience changes not merely his outlook on life but also his hairstyle.
Björn A. Ling,
Mona Bergström is a sweet euro-vision-obsessed woman in her 30's. She is married to a lazy husband and have 4 children, all named after her favorite Swedish euro-vision pop stars. Her ... See full summary »
After getting fired from his current job as a pilot and dumped by his current wife, he seeks to find a new job. Out of desperation on the job market he disguises himself as a woman in order... See full summary »
Set in the glamour and free spirit of the early sixties. Monica, a young Swedish small town girl is dreaming of the vibrant city jazz clubs of Stockholm. She embarks on an intense journey in the limelight as a celebrated singer and actress in the golden era of jazz. Among artists and hipsters her phenomenal success leaves a trail of broken love affairs and promises.Written by
The movie is supposed to take place during the very first years of the 1960's. However, as Monica Z. and the band tour the country in a bus you can hear the Swedish pop group Tages performing "Ms MacBaren" from the loudspeakers. This song was actually not released until 1966. See more »
Let's first make clear that Edda Magnason is fantastic as Monica Zetterlund, an icon in Swedish jazz music and entertainment. Not at least when she sings. It's almost scary.
But the script about her life outside stage is a melodrama on at best average level. The chronology is strange, 15 years pass and her daughter doesn't get older and nothing new is put to the common movie myth about the self-burning artist and her soul.
We're quite in love with the early 60s now. Both we who were where and the rest of us. Which doesn't mean we're so interested in this way of romanticizing it in this way, even the destructiveness it kept
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