Pål dreams about success within the musical world, but he has an obstacle; himself. His deep thoughts keeps him end up in trouble. We follow Pål on a emotional inner travel to find his call on the swedish west coast of Gothenburg.
Bruised, the author Klas barricades himself in the eccentric Henry Morgan's huge apartment in Stockholm. It all started a year ago when Klas met Henry at the boxing Club Europe and was ... See full summary »
David Fukamachi Regnfors,
Ruth Vega Fernandez
Not all battles are violent. Meet a courageous group of women who takes on both the male rulers of the day and a corrupt grocery industry. Savvy is their strategy and cans of healthy food ... See full summary »
After high school graduation, life is finally going to begin...at least that's how best friends Sophie and Alice feel about their upcoming move to Berlin. But these dreams are shattered ... See full summary »
Set in the glamour and free spirit of the early sixties. Monica, a young Swedish small town girl is dreaming of the vibrant city jazz clubs of Stockholm. She embarks on an intense journey in the limelight as a celebrated singer and actress in the golden era of jazz. Among artists and hipsters her phenomenal success leaves a trail of broken love affairs and promises.Written by
The variety show that Monica plays in the movie is a mixture of different varieties she did with Hasse Alfredsson and Tage Danielsson. The venue, China Teatern (The China Theatre) and the actor with the turban is a reference to Gula Hund (Yellow Dog) from 1964. The musicians with the red sport coats are from the 1976 variety Svea Hund and lastly the number Monica performs ("Vad en liten gumma kan gno", roughly translated "What a little [old] lady can work") is from "Glaset i Örat" (The Glass in the Ear) from 1973. See more »
The movie is supposed to take place during the very first years of the 1960's. However, as Monica Z. and the band tour the country in a bus you can hear the Swedish pop group Tages performing "Ms MacBaren" from the loudspeakers. This song was actually not released until 1966. See more »
Let's first make clear that Edda Magnason is fantastic as Monica Zetterlund, an icon in Swedish jazz music and entertainment. Not at least when she sings. It's almost scary.
But the script about her life outside stage is a melodrama on at best average level. The chronology is strange, 15 years pass and her daughter doesn't get older and nothing new is put to the common movie myth about the self-burning artist and her soul.
We're quite in love with the early 60s now. Both we who were where and the rest of us. Which doesn't mean we're so interested in this way of romanticizing it in this way, even the destructiveness it kept
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