A husband and wife, it was the time of child marriage when girl child was refused education and pushed into marriage, he chose to educate his wife and were a social reformer they went to cam... Read allA husband and wife, it was the time of child marriage when girl child was refused education and pushed into marriage, he chose to educate his wife and were a social reformer they went to campaign for increased rights for underprivileged.A husband and wife, it was the time of child marriage when girl child was refused education and pushed into marriage, he chose to educate his wife and were a social reformer they went to campaign for increased rights for underprivileged.
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Phule is a moving cinematic salute to the life and work of Jyotirao Phule, which is rich in historical detail yet full of emotional depth. The movie beautifully depicts his struggle as a reformer who battled social discrimination, and with outstanding performances by the cast that bring each character to life. The performance of the lead actor as Jyotirao is both poignant and inspiring, whereas the supporting cast, particularly the portrayal of Savitribai Phule, brings warmth and vigor to the story. Breathtaking visuals and a soulful soundtrack take audiences to 19th-century India, situating them in its struggle and glory. Universal themes of justice, perseverance, and equality make the film a relevant experience for audiences across generations. Must go with family and watch this movie.
"Phule" is a sincere but flawed biopic about Jyotirao and Savitribai Phule, 19th-century reformers fighting caste and gender oppression. Pratik Gandhi and Patralekhaa deliver strong performances, but the slow, overstuffed screenplay dulls the impact. It educates on the Phules' legacy, yet lacks narrative fire. Phule" is a heartfelt tribute to Jyotirao and Savitribai Phule, 19th-century pioneers who challenged caste and gender injustices. Pratik Gandhi and Patralekhaa shine, embodying the couple's courage and compassion with nuance. The film's strength lies in its unflinching portrayal of their struggle and educational reforms, inspiring modern audiences. Though pacing occasionally lags, the evocative cinematography and soulful score elevate the storytelling. "Phule" educates while celebrating the couple's enduring legacy, reminding us of their revolutionary spirit in dismantling systemic oppression. It's a must-watch for those who value historical dramas with emotional depth and social relevance.
Phule is not just a movie - it's an eye-opener. Every woman in India must watch this film to truly understand the harsh reality of where we come from, and what could have been if visionaries like Jyotirao and Savitribai Phule hadn't fought relentlessly for women's education.
The film sheds light on the brutal oppression faced by women, regardless of their caste - even Brahmin women - and how deeply entrenched the system was in denying them the basic right to education. Had Phule not challenged the orthodoxy and dared to fight against the system, the lives of Indian women today could have been drastically different - far worse and far more suppressed.
Phule serves as a stark reminder that rights like education, dignity, and equality were hard-won, not granted easily. It's a warning too - if women today do not stay vigilant and assert their rights, there is always the danger of slipping back into the same dark times, where, under the guise of religion and tradition, women's freedoms could again be curtailed.
The right to life, liberty, and education is not just for men - women must recognise this and fight to protect it. Watch Phule not just as a movie, but as a call to action.
The film sheds light on the brutal oppression faced by women, regardless of their caste - even Brahmin women - and how deeply entrenched the system was in denying them the basic right to education. Had Phule not challenged the orthodoxy and dared to fight against the system, the lives of Indian women today could have been drastically different - far worse and far more suppressed.
Phule serves as a stark reminder that rights like education, dignity, and equality were hard-won, not granted easily. It's a warning too - if women today do not stay vigilant and assert their rights, there is always the danger of slipping back into the same dark times, where, under the guise of religion and tradition, women's freedoms could again be curtailed.
The right to life, liberty, and education is not just for men - women must recognise this and fight to protect it. Watch Phule not just as a movie, but as a call to action.
I just watched Phule and honestly, I'm surprised how so many bad reviews have piled up against it. It doesn't feel organic. Looks like there's a campaign going on.
I just watched Phule and honestly, I'm surprised how so many bad reviews have piled up against it. It doesn't feel organic. Looks like there's a campaign going on.
I went to the theatre pulled by the lure of Pratik Gandhi, Anant Mahadevan, and the legend of Jyotiba Phule. But when I came out, it was Savitribai (Patralekha) who stayed with me the most. What a performance. Strong, tender, fierce - everything Savitribai deserved.
The best best movie in the film industries.
I just watched Phule and honestly, I'm surprised how so many bad reviews have piled up against it. It doesn't feel organic. Looks like there's a campaign going on.
I went to the theatre pulled by the lure of Pratik Gandhi, Anant Mahadevan, and the legend of Jyotiba Phule. But when I came out, it was Savitribai (Patralekha) who stayed with me the most. What a performance. Strong, tender, fierce - everything Savitribai deserved.
The best best movie in the film industries.
I just watched Phule and honestly, I'm surprised how so many bad reviews have piled up against it. It doesn't feel organic. Looks like there's a campaign going on.
I went to the theatre pulled by the lure of Pratik Gandhi, Anant Mahadevan, and the legend of Jyotiba Phule. But when I came out, it was Savitribai (Patralekha) who stayed with me the most. What a performance. Strong, tender, fierce - everything Savitribai deserved.
Phule is a beautiful, honest telling of Jyotiba and Savitribai Phule's lives - their struggles, the amount of hate they had to eat just to do something as simple and pure as educating girls and the so-called 'lower castes'. Watching it, you realise how much of the modern, educated India we are proud of, actually rests on the shoulders of these two.
Yeah, I heard some groups forced the makers to tone down a few words. But even then, the message shines through, loud and unapologetic. It's a well-directed, splendidly-acted film. Very real.
The practices, the tensions, the way society was wired back then - I don't think I've seen that period captured this authentically before.
In fact, during the film, my mother kept telling me little things - like how 'shudra shadows' were a real thing, how zamindars thought of themselves as gods.
The theatre was packed for an evening show, and when the movie ended, there was applause. Some guys even started chanting "Jai Phule!" My mother said it delivered its message way better than Chhaava did.
And then there's Pratik Gandhi. Man has a hypnotic presence. There's a scene - a close-up - where Phule looks straight into the camera and says: "India is an emotional country. It's easy to divide us on religion and caste. And this won't stop. People will keep trying." You could hear a pin drop in the hall. It felt like he wasn't just warning people of that time - he was warning us.
Which is why I'm honestly shocked to see some people (like The Wire) call this a 'dull' or 'neutered' biopic. Were we watching the same film?
For me, Phule sits right next to OMG 2 - both using education as a weapon for rediscovering equality.
The film is clever too - it shows how Phule could see through the British agenda of using English education to convert Hindus to Christianity. He understood it, but still used English education to arm the oppressed, to build a better future. He didn't throw the baby out with the bathwater. He was smart about it.
First half went by so fast, my mum asked me, "Interval already?" That's how engaging it was.
More than anything, Phule planted something in me - a want to read more about the Satyashodhak Samaj, about the man who lit the torch that later Babasaheb Ambedkar carried forward.
At a time when students like Rohith Vemula are still being crushed for their caste, when religious extremists are still poisoning minds, when tensions between communities are being deliberately stoked - a film like Phule becomes necessary.
There's a brilliant scene where religious leaders accuse Phule of westernising society, and he simply says - "If your religion can give your children the power to become doctors and engineers, go ahead. Otherwise, let them learn." Chills.
It's a rare feeling when a movie feels like a personal win. For me, Phule did. And I'm glad I watched it.
I went to the theatre pulled by the lure of Pratik Gandhi, Anant Mahadevan, and the legend of Jyotiba Phule. But when I came out, it was Savitribai (Patralekha) who stayed with me the most. What a performance. Strong, tender, fierce - everything Savitribai deserved.
Phule is a beautiful, honest telling of Jyotiba and Savitribai Phule's lives - their struggles, the amount of hate they had to eat just to do something as simple and pure as educating girls and the so-called 'lower castes'. Watching it, you realise how much of the modern, educated India we are proud of, actually rests on the shoulders of these two.
Yeah, I heard some groups forced the makers to tone down a few words. But even then, the message shines through, loud and unapologetic. It's a well-directed, splendidly-acted film. Very real.
The practices, the tensions, the way society was wired back then - I don't think I've seen that period captured this authentically before.
In fact, during the film, my mother kept telling me little things - like how 'shudra shadows' were a real thing, how zamindars thought of themselves as gods.
The theatre was packed for an evening show, and when the movie ended, there was applause. Some guys even started chanting "Jai Phule!" My mother said it delivered its message way better than Chhaava did.
And then there's Pratik Gandhi. Man has a hypnotic presence. There's a scene - a close-up - where Phule looks straight into the camera and says: "India is an emotional country. It's easy to divide us on religion and caste. And this won't stop. People will keep trying." You could hear a pin drop in the hall. It felt like he wasn't just warning people of that time - he was warning us.
Which is why I'm honestly shocked to see some people (like The Wire) call this a 'dull' or 'neutered' biopic. Were we watching the same film?
For me, Phule sits right next to OMG 2 - both using education as a weapon for rediscovering equality.
The film is clever too - it shows how Phule could see through the British agenda of using English education to convert Hindus to Christianity. He understood it, but still used English education to arm the oppressed, to build a better future. He didn't throw the baby out with the bathwater. He was smart about it.
First half went by so fast, my mum asked me, "Interval already?" That's how engaging it was.
More than anything, Phule planted something in me - a want to read more about the Satyashodhak Samaj, about the man who lit the torch that later Babasaheb Ambedkar carried forward.
At a time when students like Rohith Vemula are still being crushed for their caste, when religious extremists are still poisoning minds, when tensions between communities are being deliberately stoked - a film like Phule becomes necessary.
There's a brilliant scene where religious leaders accuse Phule of westernising society, and he simply says - "If your religion can give your children the power to become doctors and engineers, go ahead. Otherwise, let them learn." Chills.
It's a rare feeling when a movie feels like a personal win. For me, Phule did. And I'm glad I watched it.
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Box office
- Gross worldwide
- $1,454
- Runtime2 hours 9 minutes
- Color
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