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| Cast overview, first billed only: | |||
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Priit Loog | ... | Tõnis / Tõnn |
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Ott Lepland | ... | Leemet / Leemet |
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Hasan Steinberg | ... | Linnar |
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Risto Proosa | ... | Glen |
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Mart Müürisepp | ... | Risto |
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Taavi Teplenkov | ... | Kärn |
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Priit Võigemast | ... | Lihunik |
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Ivo Uukkivi | ... | Tough Crook |
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Hendrik Toompere Jr. | ... | The Accountant |
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Ago Roo | ... | Boss |
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Martin Algus | ... | Weird Drug Addict |
| Sten Karpov | ... | Head Punk | |
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Madis Veltman | ... | Silent Drug Addict |
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Lauri Pedaja | ... | Young Drug Addict |
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Raivo Trass | ... | Veteran |
At an ever-accelerating pace, this thriller / dark comedy tells the story of 8 very different groups whose paths cross in the space of 24 hours. We meet a wide range of characters - from spoiled rich brats to real bottom-feeding criminal scum, and everyone in-between. In the best traditions of Commedia dell'arte, the characters each have easily recognizable roles - although there are a few twists to throw the audience off and keep things fresh. The story revolves around a few odd coincidences and a ****load of bad decisions, which all result in a really messed-up Friday. It starts out innocently enough with jokes, fun and a bit of alcohol, but given the level of intellectual capacity in our leading characters, you can see the train wreck coming. And when some drugged out punks - who have a rather tenuous relationship with reality during best of days - go all Clockwork Orange on an opera loving cankerous old man, it can only end up in tears (and blood, guts and bit of rather literal ... Written by Tallinn Skyline Productions
This film, however, is among the Top10 Estonian films I have seen this century. The characters are peculiar and notable, quite realistic (perhaps with some artistic touch added) - performed both by professionals and amateurs, having "good" and "not so good" performances in both categories. Definitely, the stars of this film are Taavi Teplenkov and Priit Võigemast as vicious punishers, but I was also pleasantly surprised how unconventionally our famous singer Ott Lepland did his part (I have to mention that I do not like his songs and him on stage). Female characters are weaker and have less scene time, and none of them could be mentioned as undoubtedly better/memorable than the others.
The biggest shortcoming of the plot are monotonous and cyclic club scenes.
Recommended to younger and youthful audience fond of painful realism, but due to strong language, violence and sexual topics it is not a family film. And probably not the film appreciated by film critics seeking profundity.