Searching for a missing student, two private investigators break into his house and find collection of VHS tapes. Viewing the horrific contents of each cassette, they realize there may be dark motives behind the student's disappearance.
Two best friends see their trip of a lifetime take a dark turn when one of them is struck by a mysterious affliction. Now, in a foreign land, they race to uncover the source before it consumes him completely.
A POV, found footage horror film from the perspective of America's top genre filmmakers. A group of misfits are hired by an unknown third party to burglarize a desolate house in the countryside and acquire a rare tape. Upon searching the house, the guys are confronted with a dead body, a hub of old televisions and an endless supply of cryptic footage, each video stranger than the last.Written by
Tuesday the 17th would take place right after Friday the 13th. The name and camping setting is a reference to the Friday the 13th (1980) series. See more »
On the "10/31/1998" segment when the guys are heading over to the Halloween party, the cars on the highway are obviously more modern for the late 1990s - early 2000s; a Ford Edge is also visible. See more »
Back up. Back up, back up. Turn around, turn around.
[the men wearing masks drive by a couple walking, then the men get out of their vehicle to confront the couple]
[the cameraman tells the other assailiant]
Show her tits! Ha ha ha! Whoo!
[the cameraman notices the boyfriend of the girl charge after them]
Oh, shit! Run, run, run! Go, go go!
[the camera cuts to the footage afterwards of the men destroying a building]
It's cool, huh?
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The 10/31/98 segment has an alternate ending, where the guys cheat death by escaping from their car. See more »
What we have in V/H/S are a bunch of prolonged horror moments that in usual cases would be the climax to any average horror movie. The movie manages to throw 5 of these 'money shots' at the viewer without the need to tell any real story, build any of the characters or introduce their personality's to the audience. Whether this is a stroke of genius originality or just laziness is the question. You'd be forgiven for thinking that V/H/S is the result a brain storming session where five writers pitched five stories, with one 'Eureka' moment of making a movie of the ending of all five. What they seemingly failed to spend any real time on though was the glue to bind the five stories together. It is completely irrelevant, in fact I would go as far as to say the movie would be better without it, a "Here are five tapes that were found, now watch them" instead. I have to say I am a fan of 'found footage movies'. To me they achieve the desired effect and can, at times, create some truly chilling moments. This movie does have it's moments but after a while it all gets too much, the 'found footage' angle is somehow lost with the constant change of story. You are never really allowed to reach the same level of suspense as with other films in this genre. 6/10. It passed the time but I eventually found myself wanting it to end and asking myself "How many stories to go?"
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