Tammy, who was recently fired from a Topper Jack's fast food restaurant, returns home only to find her husband enjoying a romantic meal with the neighbor. She quickly packs her necessities, and travels down three houses to her parent's home. Upon denied use of her mom's car to drive to Niagara Falls, she quickly resorts to an "ailing" grandmother, who also lives in the home...Only instead of traveling alone, Grandma Pearl wants in on the road trip. After realizing Grandma Pearl has the funds, they hit the road. Pearl soon proves to be quite the alcoholic despite her diabetes, and Tammy quickly turns into the "baby-sitter." From finding love in a bar to robbing a Topper Jack's in order to bail Pearl out of jail,the quirky adventure will have you finding yourself riding along for the misadventures of Tammy.Written by
Shirley MacLaine was originally cast in the grandmother role, however scheduling conflicts with the fourth season of Downton Abbey (2010) required her to be replaced by Susan Sarandon. Before Sarandon was ultimately cast, Debbie Reynolds, who famously played the title role in Tammy and the Bachelor (1957), was also considered. Reynolds' rendition of the title song, "Tammy," spent 23 weeks on the Billboard Top 40 chart, beginning July 27, 1957, including five weeks at number one, and was nominated for a Best Song Academy Award for 1957. See more »
Keith Morgan Tammy's boss tells Tammy she was at least 40 seconds fired. She was actually fired 35 seconds by the time Keith told her this. See more »
I do blame you. I blame you for shoving me out of a hotel room last night and letting me sleep outside like a dog. I blame you 'cause you're already on your second bloody Mary. It's not even 10:00 A.M.
This is vegetables.
I blame you for packing up your shit and making me come home from school when I was ten years old and finding an empty fucking room. That's what I blame you for. You know how shitty that was for a little kid? You left me all alone.
Well, you weren't alone. ...
[...] See more »
There is a blooper from the scene when Tammy gets fired a minute into the credits. See more »
The Extended cut runs ~4 minutes longer. See more »
I Love You Period
Written by Terry Anderson
Performed by Dan Baird
Courtesy of American Recordings, LLC
Under license from Universal Music Enterprises See more »
This script needed some major work
I've been a huge supporter of comedic actress Melissa McCarthy so far, but this may be the break. I'll probably give her more chances, but this one's a bit of a flop. It's mostly due to the script, but it was written by McCarthy and her husband Ben Falcone (who also directed). They really needed some help with their script. Frankly, the movie is largely plot less, never getting its story off the ground, and, worst of all, it's laughless. Identity Thief had a pretty awful script, too, but at least it brought the funny. The biggest problem here is that the story, as they have written it, should have been a dramedy. Instead, McCarthy and Falcone are not brave enough to embrace the dramatic aspects of the script. They're dead-set on making a stupid, slapstick, R-rated comedy, and they aren't going to let the audience feel any genuine emotion. Tammy begins with the protagonist (McCarthy) getting fired from her crappy, fast-food job only to go home and find her husband cheating on her. She walks a few houses down to her mom's house, swearing she's going to just leave. Her alcoholic grandmother (Susan Sarandon) is sick of it at her daughter's house, too, so she decides to bankroll the operation. This movie would suck a whole lot more without Sarandon. She's actually quite excellent, and has some complexities (she's a major alcoholic, for one). What this movie needed to be about was the two of these people bonding. It has a certain charm when the two women are interacting. The problem is, neither of them is given enough background to characterize them. Every time they seem to be getting somewhere with either of the characters, like I said before, it feels like they get too afraid the audience might start to feel an emotion so they have Melissa McCarthy crash her jetski or something. And, again, like I said before, some of this crappiness in the script could have been alleviated if the film were just ever funny. There's one sequence, where McCarthy has to rob a fast food restaurant, which provides some laughs, but the entire sequence was played in the trailer. Since it was the only really funny sequence, I can't blame them. McCarthy's brazenness was funny in her last two movies, but she kind of cranks the obnoxiousness up to eleven, particularly near the beginning. Oh, and then there's the love interest, Mark Duplass. Man, are they ever unsure that they should allow him to have a romantic relationship with the overweight protagonist. Duplass himself always has a look on his face which says, "This is to fund my next mumblecore project," and the character only seems to exist to stand there and tell McCarthy that she's okay. He's very much equivalent to the personality-less, female love interests in every other movie that's been released this summer, except they seem to not be able to bring themselves to let the two form a romantic relationship on screen.
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