Four college girls hold up a restaurant in order to fund their spring break vacation. While partying, drinking, and taking drugs, they are arrested, only to be bailed out by a drug and arms dealer.
Brit, Candy, Cotty, and Faith have been best friends since grade school. They live together in a boring college dorm and are hungry for adventure. All they have to do is save enough money for spring break to get their shot at having some real fun. A serendipitous encounter with rapper "Alien" promises to provide the girls with all the thrill and excitement they could hope for. With the encouragement of their new friend, it soon becomes unclear how far the girls are willing to go to experience a spring break they will never forget.Written by
Muse Productions
In between shots of Gomez and Franco during their confrontation, Faith's tear disappears and reappears. See more »
Quotes
Faith:
Grandma. It was really great. I think we found ourselves here. We finally got to see some other parts of the world. We saw some beautiful things here. Things we'll never forget. We got to let loose. God, I can't believe how many new friends we made. Friends from all over the place. I mean everyone was so sweet here. So warm and friendly. I know we made friends that will last us a lifetime. We met people who are just like us. People the same as us. Everyone was just trying to find themselves. It...
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Alternate Versions
To secure a "Not under 16" rating, the German distributor added some text panels to the end of the film. These panels tell the viewer that the girls were arrested, basically changing the moral outcome of the film. The DVD was released without the panels and with a "Not under 18" rating. See more »
Goin' In (Skrillex 'Goin' Down' Mix)
Written by Michael Dalmoro, Jean-Baptiste de Laubier, Teki Latex (as Julien Pradeyrol), D.J. Pone (as Thomas Parent), Nicolas Vadon, Deni Lebouvier, Skrillex (as Sonny Moore)
Performed by Birdy Nam Nam and Skrillex
Published by EMI Blackwood Music, Inc./COpaface
Administered by Kobalt Music Publishing America, Inc.
Courtesy of OWSLA Records See more »
This is a strange film. On the one hand, it looks likes an extended music video, filled with mindless scenes of teenagers having one big party. On the other hand, there's clearly more to it. Some characters are so one-dimensional and cartoon-like, that the whole film becomes a sort of mockery of the modern teenage culture. This ambiguity is very clever, because the film appeals to a teenage audience as well as to the art-house audience Harmony Korine is usually associated with.
But at the same time, this ambiguity stands in the way of 'Spring Breakers' being a really good film. Unlike other serious movies about teenage culture, like 'Thirteen', 'Ghost World', Korine's own 'Kids' or the recent 'The Perks of Being a Wallflower', this film looks too easy. The temptation of showing lots of girls in bikini has been stronger than the ambition of trying to tell something meaningful.
Still, there are some nice moments. The hold-up in the restaurant is beautifully filmed from the window of a car slowly passing by. It's nice that, later on in the film, the director shows some short moments of what happened inside the restaurant. I would have liked more ambitious film making like that, and less footage of wild parties.
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This is a strange film. On the one hand, it looks likes an extended music video, filled with mindless scenes of teenagers having one big party. On the other hand, there's clearly more to it. Some characters are so one-dimensional and cartoon-like, that the whole film becomes a sort of mockery of the modern teenage culture. This ambiguity is very clever, because the film appeals to a teenage audience as well as to the art-house audience Harmony Korine is usually associated with.
But at the same time, this ambiguity stands in the way of 'Spring Breakers' being a really good film. Unlike other serious movies about teenage culture, like 'Thirteen', 'Ghost World', Korine's own 'Kids' or the recent 'The Perks of Being a Wallflower', this film looks too easy. The temptation of showing lots of girls in bikini has been stronger than the ambition of trying to tell something meaningful.
Still, there are some nice moments. The hold-up in the restaurant is beautifully filmed from the window of a car slowly passing by. It's nice that, later on in the film, the director shows some short moments of what happened inside the restaurant. I would have liked more ambitious film making like that, and less footage of wild parties.