In Paris, a young American who works as a Michael Jackson lookalike meets Marilyn Monroe, who invites him to her commune in Scotland, where she lives with Charlie Chaplin and her daughter, Shirley Temple.
Brit, Candy, Cotty, and Faith have been best friends since grade school. They live together in a boring college dorm and are hungry for adventure. All they have to do is save enough money for spring break to get their shot at having some real fun. A serendipitous encounter with rapper "Alien" promises to provide the girls with all the thrill and excitement they could hope for. With the encouragement of their new friend, it soon becomes unclear how far the girls are willing to go to experience a spring break they will never forget.Written by
Director Harmony Korine cited Miami Vice (2006) as a primary influence on Spring Breakers: "The movie I watched most, believe it or not, was Michael Mann's "Miami Vice". The reason I love his movies, and that movie in particular, is I could feel the place. When I watch that film, I don't even pay attention to what they're saying or the storyline. I love the colors, I love the texture."  See more »
(around 44 min.) Before we go into the club and Faith's begging, the cameraman is momentarily reflected on a vehicle's shiny hubcap. See more »
Damn, baby. Feel like you're playing piano on my dick, like you're playing Mozart.
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To secure a "Not under 16" rating, the German distributor added some text panels to the end of the film. These panels tell the viewer that the girls were arrested, basically changing the moral outcome of the film. The DVD was released without the panels and with a "Not under 18" rating. See more »
This is a strange film. On the one hand, it looks likes an extended music video, filled with mindless scenes of teenagers having one big party. On the other hand, there's clearly more to it. Some characters are so one-dimensional and cartoon-like, that the whole film becomes a sort of mockery of the modern teenage culture. This ambiguity is very clever, because the film appeals to a teenage audience as well as to the art-house audience Harmony Korine is usually associated with.
But at the same time, this ambiguity stands in the way of 'Spring Breakers' being a really good film. Unlike other serious movies about teenage culture, like 'Thirteen', 'Ghost World', Korine's own 'Kids' or the recent 'The Perks of Being a Wallflower', this film looks too easy. The temptation of showing lots of girls in bikini has been stronger than the ambition of trying to tell something meaningful.
Still, there are some nice moments. The hold-up in the restaurant is beautifully filmed from the window of a car slowly passing by. It's nice that, later on in the film, the director shows some short moments of what happened inside the restaurant. I would have liked more ambitious film making like that, and less footage of wild parties.
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