User reviews

Thunderbolts* is unlike anything we've seen before in a superhero blockbuster. Its bold focus on mental health is the beating heart of the film, shaping the story in a way that's refreshingly original. We've had plenty of superhero (and anti-hero) movies, but none have tackled mental health as deeply or as honestly as this. This is as fresh as it gets, and the film hits its message squarely on the mark. Could that message have been louder or more powerful? Absolutely. But is it enough for audiences to understand, feel, and reflect on? Without a doubt. It's a gem that invites viewers to empathize, to look inward, and to recognize the struggles of those around them. In many ways, Thunderbolts feels like a superhero in its own right, delivering a powerful PSA that's woven seamlessly into the narrative rather than feeling tacked on.

We're in love with the concept here; an anti-hero film built around mental health. It makes the story and the character arcs far deeper and more meaningful than they'd be if these were just your typical caped crusaders. Thunderbolts* is the MCU's rawest exploration of mental health to date. We've heard the words "trauma" and "healing" tossed around in superhero flicks before like WandaVision, but this is different. This film doesn't just mention the weight of mental health, it lives in it. Yelena's story, in particular, has been carefully nurtured since Phase 4, and the decision to continue her journey down this road is nothing short of brilliant. Yelena, like Black Widow before her, isn't a superhero with powers. She's human. She's flawed, resilient, and painfully relatable and that makes her journey hit even harder.

We actually like the character dynamics between the anti-heroes. We like that every of their personality shines. Their dynamics push the film's mental health themes even further. These might have been the underdogs of previous movies, characters we barely remembered but here, they get their moment. And wow, do they deliver. Each one gets time to prove they're so much more than sidekicks or forgotten faces and by the end, you can't help but root for them.

What's especially moving is how much these characters matter both to themselves and to each other. They've all been torn down, denigrated, beaten back, and made to feel like the world is against them. They're loners by nature, forced into the uncomfortable space of working as a team for the first time. Watching them navigate that, to lean on each other when things fall apart, is both heartwarming and powerful. It's a clear reminder of the importance of friendship, of admitting when you need help, and of realizing that none of us can do it all alone.

The action sequences in this are great. It's a blast watching everyone throw down and show off their skills. But here's the thing, while the action is awesome, it's not what makes this film great. This movie proves that a superhero film doesn't need to lean on endless explosions to leave an impact. The story itself is raw, human, and beautifully told and that is more than enough. That's why Thunderbolts* stands tall in the post-Endgame era. The action is tight, but the storytelling is what really puts it over the top.

And guess what? They didn't rely on cameos. We could safely say that Deadpool vs Wolverine, Spider-Man: No Way Home and Thunderbolts* are the top 3 films after Avengers Endgame but what Thunderbolts* sets apart from the other two is it's the only one that doesn't rely on cameos. It doesn't need nostalgic bait, it doesn't need 'help' from anyone, it's just them trying to save the day and trying to figure out how to solve the problems they are in. And we love them for it.

Florence Pugh, as always, is a knockout. She's never missed a beat, and once again, she's phenomenal here. Her accent might not be perfect, but who cares? She's a powerhouse, carrying the weight of a character struggling with identity and searching for meaning. She's the voice of so many who feel lost or stuck, and Pugh brings that to life with so much heart. She's a beacon of hope, a reminder that even when it feels impossible, there's light at the end of the tunnel. The rest of the cast? Stellar too. Lewis Pullman deserves a special shoutout. He proves here that he's a force to be reckoned with. Forget the early skepticism about his casting. He owns it completely, and Hollywood seriously needs to give this guy more credit.

And yes, Malaysia plays a huge role in this film and the Menara Merdeka 118 shot is breathtaking. Instead of the usual sunny, warm tones we often see, the film opts for a moodier palette blue, dark, and cloudy which beautifully matches the film's somber, reflective theme. It just fits.

The third act really dives deep into the mental health themes, in a way that feels raw and personal. The true villain here isn't a monster or alien, it's the demons we all battle inside. It emphasizes this theme in a way that feels plausible, personable and relatable. A villain that lives within all of us. A villain that everyone of us has battled against in some way and some parts in our lives. How much you connect with the film might depend on how you view your life and how much experience you've dealt with but one thing's for sure, it'll leave you thinking long after the credits roll.

Was anything wasted in this film? There is one. One character didn't get nearly the spotlight they deserved. Everyone else got their moment to shine except for one and that felt like a missed opportunity.

As for the comedy, it's hit and miss. Some of it lands really well. The belly-laugh kind of good while other moments fall flat or feel a bit forced. Some jokes could've used a little more setup, and a few felt repetitive, but overall, there's enough good humor sprinkled in.

We did feel like the third act could have fleshed out more. It could have used more breathing room. It moves fast, too fast at times and some moments feel rushed or a bit disjointed. If they'd let things simmer just a bit longer, it could have been even more impactful.

And yes, Thunderbolts* has 2 credits scene. The first one is simply light and funny which is bearable enough but the second one will hype everyone up for what's to come. Not that it's important to reveal it at the end credits but with audience losing hope for the future of MCU, this will get everyone back on their feet, cheering and hoping that Phase 6 will be the same with what Phase 3 had to offer...or at least almost.

Verdict: Thunderbolts* is the anti-hero film we didn't know we needed. It delivers a story rooted in something we all face: mental health. This is raw. It's personal. And it feels relatable and real. It explores themes of isolation, trauma, and the power of asking for help, making it one of the MCU's most personal stories yet. It ditches the nostalgia bait and focuses on characters wrestling with their own demons, making their journeys relatable and impactful. The action is tight, but it's the emotional weight that truly lands (Yes, we did cry a bit). Florence Pugh leads with power and vulnerability, backed by a stellar cast and the famous Malaysia's Menara Merdeka 118 isn't just cinematic, it symbolizes the towering weight these characters carry. Thank you, Marvel.

"Thunderbolts" it's some of Marvel's darkest material to date, dealing with the emotional wreckage of broken individuals grappling with their past choices and finding camaraderie amidst the emptiness of their lives. This may be a team-up movie, but it very much belongs to Florence Pugh, who carries much of the dramatic weight of the movie on her back, while Lewis Pullman delivers a complex performance as a sympathetic character at war with himself. The imperfections somehow all feel fitting for this anti-hero team of misfits. Putting emphasis on the character work and practical action makes this feel like the old Marvel that has us for a decade plus. Wish we'd gotten this sooner.

"Thunderbolts*" it's a bold dive into trauma, healing, and redemption. Proof that even the so-called defective losers and disposable delinquents can rise above their past and become the heroes no one expected. It's gritty, emotional and unlike anything Marvel has done before - a must-see story that hits where it hurts and heals where it matters.

I can tell that the movie is one of Marvel's most enjoyable films in a while. It feels different than most of the studio's projects. Its bold, funny, filled with great action and an unexpected emotional punch. It has the rewatchable factor for sure. Has so much spark, charisma, and tells a genuinely emotional story you connect with.

It is truly fantastic, the cast has electric chemistry with each other (Florence Pugh & Lewis Pullman are the standouts) and the action sequences are very strong. But most of all, the movie's story is bold, important & so well-written. Florence Pugh brings the heart, David Harbour is consistently funny, & Lewis Pullman might be the stealth MVP.

This is probably one of he most if not the most humane movie filled with allowing their anti hero being flawed, broken and regretful. Sebastian Stan has an absolute scene stealing moment, yet Florence Pugh shows she is the true lead of the new generation and team. She is the star, that shines the brightest. There's a lot to love in this movie honestly.

A visually daring, emotionally resonant superhero movie that pushes mental health to the forefront. The MCU future is bright. Definitely stick around after the credits, there are 2 scenes and the last one will make you so hyped!

For a long time I've wanted marvel to allow the characters to truly feel the weight of their actions and come to grips with everything they do without some joke undercutting any and every emotional moment becuase they believe we can't handle seeing pain. This movie rectified that. Depression, suicidal ideation, apathy, loneliness and all of it was kept there without trying to make you turn away or think it funny.

They make you sit with the agony on yelenas face seeing how much her past affects her as well as everyone else. This gave me the emotional sincerity that's always been missing in the majority of mcu projects. The most human marvel has felt in a long time. Solid 8/10.

After a string of recent disappointments, this film was a genuinely pleasant surprise. I walked into the cinema with low expectations and came out a fan all over again-and the fact that it pulled that off without an A-list cast is impressive in itself.

And the best compliment I could give the movie: it didn't feel like a 2hr sit, more like 90 minutes.

The character development and storytelling are top-notch. While the plot isn't exactly full of twists, like many comics, it's less about surprises and more about enjoying the ride-and it absolutely delivers on that front.

If you enjoyed Thor: Ragnarok, this one's right up your alley: silly humor, stunning effects, and solid performances. I'm genuinely excited to see where this leads next.

Marvel's new film debuted in theaters with low expectations and no box office rivals.

When I say low expectations, I'm talking about the general public and all the people who have abandoned the MCU ship in recent years, and not without reason. After all, the vast majority of projects haven't been entirely convincing, especially on the television front.

The box office failure and critical acclaim of the last Captain America film didn't help the hype either.

However, we have a film that shines brightly. It's been a long time since we've had a Marvel film that didn't need others and their connections to be popular.

There's a breath of fresh air, and the MCU has the opportunity to capitalize on it.

The premise is a simple film; the execution stands out quite a bit above average.

While it greatly develops the characters of Yelena and Bob, and not so much others like Ghost or Bucky, we have a strong plot and a transition during the first two acts that keep us on edge and entertained.

A particular fear I had was the inclusion of Red Guardian and his humor, which had already failed me in previous projects. However, here he contributes, and that's appreciated.

The third act is very risky. We were coming off the Captain America movie, where, thanks to the power of the script, he was able to face Red Hulk. Here, at first glance, it seems that the power of friendship is what resolves the plot, but this is more than that... for me, everyone's embrace of Bob is the catharsis of acceptance. That's why I loved the third act so much, and I didn't miss the blows or epic battles. Anyone who has suffered from deep depression knows that no matter how hard you fight and try day after day against that emptiness that drags you down, often only those around you know that you are more than the shadow you appear to be. Accepting your condition, accepting that trying to overcome it has never worked, but rather, on the contrary, eats away at you and separates you from society even more. When you're like this, you realize that embracing it and seeking help to reach that embrace is the only thing that can save you. That depression is a part of you, and instead of trying to beat it down, the best thing is to accept it and learn to live with it.

Maybe I'm overanalyzing this last part, but it really seems much deeper to me than thinking that the script could have resolved everything.

Even at the end, we have time for the writers to show us an effective way to limit a character's power, and not with the classic "I was on another planet when all this happened," as they did perfectly with Sentry, "If I unleash my power, I'll also unleash that monster." Simply brilliant.

At the end, there are two post-credits scenes, one of which has a direct connection to "Fantastic 4" and which opens the debate to many questions about what we'll see in July.

I sincerely appreciate what Marvel did with "Thunderbolts*," now I wait for what's next.

Florence Pugh was the best thing in Black Widow, and she's easily the best thing in Thunderbolts. Every moment that she's onscreen (and luckily she's onscreen a lot), she shines up the place.

And Thunderbolts really does need some sunshine. From the opening Marvel logo it's a dark affair, both in visual style (the ugly saturated look makes its entrance in the MCU) as in subject matter. Don't let the funny oneliners and random banter fool you, there's a lot of pain in this new rag tag team.

Thunderbolts does have a lot of fun with its underdog position. It's easy to see that Feige and co hope this team will be a new GOTG phenomenon. Unfortunately the movie feels a bit too tired to be able to do that. Despite all the reviews and ads proclaiming this will be the renaissance of the MCU: It's really just the Marvel PG 13 version of Suicide Squad.

The acting is very good, the visual effects look less rushed then they did in the previous films and I really had a good time. But there remained that nagging feeling that I was watching a movie that knew all the right notes but somehow just wasn't able to sing.

I walked into the theater with rock-bottom expectations. Let's be real, the last few MCU movies haven't exactly been blowing anyone away. I figured this one would be another forgettable installment, and honestly, the only reason I was there was Florence Pugh. If anyone could salvage whatever mess they'd thrown together, it was her.

But to my surprise, I really liked it. Like, really liked it. It even hit me emotionally, which I did NOT see coming. The film tackled mental health in a way I wasn't expecting, reminding us that bottling everything up isn't the answer. Instead, it encouraged facing your struggles, surrounding yourself with people who truly care, and letting them lift you up when you need it most.

Of course, it wasn't all serious. David Harbour brought the humor with his signature one liners, making sure things stayed fun. What I thought would be just another MCU letdown turned into something that actually stuck with me. Maybe, just maybe, the franchise still has some surprises left.

I went into this movie with no expectations. It wasn't until the A24 trailer released that I felt excited enough to commit to seeing this at the cinema (unlike Brave New World which I will be watching on Disney+ when it releases). Sebastian Stan and Florence Pugh are fantastic actors, and The Winter Soldier is one of my favourite characters in the franchise. So, I figured why not give this movie a chance, despite the sting of unenjoyable messes that Disney has released to the world since Endgame.

It's difficult to explain the problems with this film without spoilers, and so I'm simply going to reflect my main frustrations.

Firstly, nothing in this movie makes any sense. None of the characters behave in ways that are consistent with their characters or even build any sense of character. Any character could be saying what's being said or be doing what's been done. All that changes is the skin. These characters are pulled through a pre-written storyline that offers them no growth or development. They move to the next place where the story needs them to be. And we, the audience, and simply meant to accept that.

Secondly, this movie acts darker than it actually is. Attempts to tackle challenging and complex issues are wrapped in Disney's usual comedy wrapper, and the events of the movie essentially eradicate any real feeling of depth. Remember when Quantumania ended and you were left expecting something "more" to happen to match the threat that had been presented? That!

Thirdly, this movie relies far too heavily on the talent of the cast to sell it. Time and time again, this movie sets up what could have been genuinely memorable moments...only to rip them away.

Overall, this movie is a very low risk-low reward installment. If you enjoyed Quantumania, Iron Man 2, Black Widow, and Thor 4, you might rate this movie quite highly. If you were expecting something new, dark, and risky, you'll be disappointed.

Okay, so Marvel definitely succeeded to up thier game in this movie. They took it to a completely different category of storytelling. I was certainly impressed with the symbolism and how they portrayed "depression" and a human-being's darkness. Beautifully done in terms of tackling mental issues and shedding light into this topic. Also, the cast and assembling the ragtag team of misfits was great and funny. Good team dynamic as they were able to make them click and sync together beautifully. I loved the movie, it made my eyes tear up at some moments that were emotionally deep and genuine. Bravo Marvel Studios, you certainly nailed this one.

Marvel is back - and Thunderbolts might just be the shot of adrenaline the MCU desperately needed.

This is hands-down the best Marvel film in a while. It feels fresh, with a grittier, more grounded energy that breaks free from formula. The action scenes are seriously enjoyable - raw, chaotic, and beautifully choreographed without ever feeling overproduced.

But it's the character dynamics that really shine. Watching this band of misfits clash, connect, and collide makes for some of the film's most compelling moments. There's heart, humor, and tension, all carried by an incredibly strong cast who seem to be having as much fun as we are.

Whether you're a diehard Marvel fan or just want a damn good time at the movies, Thunderbolts delivers.

I wasn't going in to this film with much expectation which I think was a good thing because it really knocked it out of the park. The story didn't have to be anything complicated and luckily wasn't held down by any of the Multiversal storylines too. And its execution was really great. The whole film was well paced and its overall message was the highlight of the whole thing. The cast was topnotch, especially Florence Pugh (because when isn't she). I was relieved that the comedy in this film didn't overdo itself (I'm forever scarred by Thor: Love and Thunder) and that the writing never got corny or eye-roll inducing.

Overall a very good and enjoyable Marvel movie.

Based on initial positive reviews, I was hoping that this film would reignite the Marvel flame. Boy, was I ever wrong. The underlying premise of inadvertently uniting a team of unlikely loners/losers/antiheroes to stand up to a common threat is now so ridiculously recycled, it makes me wonder if the writers at Marvel/Disney have either flat out given up, or maybe there's something more sinister at work. Are Marvel/Disney writers being threatened by executive producers to stick to a preset formula in order to maximize box office revenues, with any deviation from preset formula resulting in loss of job and future writing prospects in Hollywood? It sure seems like it.

I left the theatre feeling empty and unfulfilled. This film puts Marvel phases one to three to shame. Save your money and wait for it on Disney +

This film has something... It has something endearing about it and is fairly memorable, I think.

First, I love this whole erratic chemistry, but strong chemistry nonetheless ; and the way they assembled this team of misfits is obviously not without reminding us of these oh so tasty ensemble action movies from the 90s !!...

And yeah, we have already witnessed these various characters in different situations (at the exception of a particular one), so we know what they are capable of and how things could eventually go south in and off the field quite likely, but at the same time we also have never seen them put in such a chaotic situation as a newly formed (and seemingly dysfunctional) team...

But this movie's biggest strength lies in its emotional core and the way each of the different protagonists face the events that happen on their path...

So it truly feels good to experience each of all this -not so- little moments and how the characters distinctively react and grow from there ; it's really nice to see how they all evolve, step by step, whether it is as a team or on their individual journeys... Yes, you feel the growth in strength of the team as a whole, how they understand each other, but moreover they instinctively end up figuring out the part they have to play for the sake of all... And this comes from each of their inner struggles and subsequently from the self discoveries that arise from that ; which is a process that is truly enjoyable to see all along the movie... Especially because Marvel Studios know how to craft these entertaining human interactions, through hilarious banters and zany situations indeed (which of course make the various connections tangible and tasty), but also by progressively carving relatable characters with life trajectories that give them a greater depth once mysteries unveil and stakes progressively rise...

To be noted that the political themes (control, manipulation, corruption) as well as the introduction of a particularly iconic new character, both are a slow burn that offer a great richness to the story, once its dynamics take a new turn and the threat that was hanging over it from the shadow becomes concrete ; with some very crisp and effectively impactful scenes and moments (whether it Is through the juicy dialogues or the cool action scenes, which all have a precise purpose as well as a language that viscerally demonstrates the extent of the impact of this series of choices and events)...

That was for sure a very enjoyable ride all the way, and what must be emphasized is how the whole movie is filled with a fair amount of deeply humane emotions (the psychology behind each of the characters and how each of them try to carve their way in order to find a bigger purpose in their existence despite the burden of the dark pages of their life)...which gives this film an extra soul that is everything but insignificant and takes its story to a higher level. In the end, the movie offers a pretty organic trajectory to all the main characters ; and it gives a lot of sense and meaning to what we just saw as well as future of these characters and the Marvel Cinematic Universe moving forward (the two post-credit scenes give you some more of that taste while obviously inviting you to watch the new future stories to come)... Purely delightful and quite satisfying overall ! Definitely.

I'll keep it short, but there's a lot to say here. Despite all the hype, I found the film to be largely underwhelming, especially when it came to one of the most anticipated characters: Sentry. Fans had been speculating for months about his role, imagining how his arrival would shift the balance of power in the MCU and introduce a truly complex, unstable force to the narrative. Instead, what we got was a watered-down version of the character with little substance and even less impact. Sentry didn't bring anything new or compelling to the table. His screen time was limited, his backstory was glossed over, and his powers, while visually impressive at moments, ultimately felt hollow because there was no emotional or narrative weight behind them. It was a classic case of style over substance, and the result was disappointing.

On the flip side, Florence Pugh was absolutely amazing. She continues to be a standout in everything she does, and this film was no exception. Her character brought much-needed energy and charisma to every scene she was in. There's a natural authenticity in her performance that makes her incredibly watchable. Whether she was delivering dry humor or engaging in intense action sequences, she was always believable and grounded. She managed to rise above the script and direction, giving the audience something to actually care about. If there was one redeeming aspect of the film, it was her.

Unfortunately, even Florence's strong performance couldn't save the film from feeling like a very big anti-climax. The buildup promised so much-massive stakes, game-changing reveals, and emotional payoff. But what we got instead was a third act that fizzled out rather than exploded. It was all far too safe, far too predictable. It felt like the writers were more interested in setting up future projects than giving this story a satisfying conclusion. Key moments that should have been shocking or powerful just kind of... happened, and then moved on. There was no time to process or feel anything, and that left the entire experience feeling emotionally flat.

The post-credit scene was the final nail in the coffin. Predictable and uninspired, it felt like something we've seen a dozen times already. Instead of giving us a tantalizing glimpse of what's to come or throwing in a twist to get people talking, it simply reinforced what we already knew. It was more of a checklist item than a genuine hook. At this point, Marvel's post-credit scenes are starting to feel obligatory rather than exciting, and this one was no exception.

And perhaps the most disappointing part of all was the film's over-reliance on the tired "power of friendship" trope. That theme can be powerful when executed well, but here it felt forced and unearned. Characters who barely had chemistry or meaningful development were suddenly treating each other like lifelong allies. There was no gradual build-up, no significant shared experiences that would justify the level of trust and emotional weight the film tried to place on their relationships. It came across as a lazy shortcut to emotional payoff, rather than something the characters or the audience had actually earned.

In the end, this film had potential. It had great actors, intriguing characters, and the chance to do something bold. But instead, it played it safe and leaned on formulaic writing and hollow spectacle. With a better script and stronger direction, it could have been a standout entry. But as it stands, it's just another forgettable installment that will be quickly overshadowed by what's coming next.

By the power of friendship ahh plot but I liked it lol I was worried this might be flop as well after watching the new cap movie, but idk this worth my money at least(especially in this economy). No multiverse things, no magic or socery, no high tech was what I liked about this movie. I really enjoyed a lot of hand to hand fight scenes. I was starting to feel like Marvel keeps bringing bigger threats that are way beyond us human and Earth, and yes I love to see them but I think I kinda missed just Earth level threats and characters fight against them.

Shame that they didn't show much of Sentry or the void but understandable.

This whole plot giving Bob emotional supports to beat the situation could be a bit lame... tho I was touched by it genuinely. I never thought a Marvel movie could give me this kinda message.

Love the void's design, glad they didn't put black paint all over him lol he really looked like a shadow.

I was luckily able to see the film in the United Kingdom a day early. The film is fun but doesn't shy away from the glum. It doesn't shy away from struggling with mental health. The amount of action and level of acting is great, Lewis Pullman is a delight to watch and hope to see more of his portrayal of Bob Reynolds. The start of the film felt way too long and the end rushed to the finish line. I'd say it's up there in the top five of best MCU films to come out in phases 4 and 5 with this being the final film of phase 5.

Some things were rather predictable. That End Credit scene is worth watching!

Thunderbolts really brought back that classic Marvel vibe I've been missing. I'm such a sucker for a team of antiheroes, and this crew just works. The chemistry is chaotic in the best way. Messy, funny, a little dark, and somehow still hopeful. It doesn't try to be too big, it just leans into the characters, and that's what makes it hit.

Every time Bucky showed up, I swear I sat up straighter. There's just something about him. He doesn't have to say much, but you feel everything. He's still carrying so much weight, trying to find his place in a world that keeps changing, and honestly, same. I could watch a whole movie of just him silently judging everyone while being the reluctant dad of the group.

And Florence stole every damn scene. Yelena is chaotic, dry, hilarious, weirdly heartfelt, and painfully relatable. I'd follow her into any fight, even if she's roasting me the whole way. If this is the future of Marvel, more heart, more grit, more flawed outcasts then I'm absolutely here for it.

Right from the start, the movie strikes a solid balance between serious, emotional storytelling and well placed humor. It never feels all over the place or confused about what it's trying to be. There are some heavy moments, especially around mental health, and I really liked how the film didn't shy away from letting those scenes hit hard. Lewis Pullman's character brings that theme to the forefront in a way that feels meaningful without being sappy. When the story needs to get dark or even a little sad, it leans into it in a way that gives the movie real emotional weight.

The cast honestly might be the film's biggest strength. Everyone feels well cast, and the team has good chemistry that makes their interactions feel natural. Sebastian Stan's return as Bucky is reliably solid, bringing depth to the character with his usual quiet intensity. He brings that familiar weight to the character. Wyatt Russell really surprised me this time around. His take on John Walker is a lot more layered, showing the character's ego and anger without making him one-dimensional. He's actually very fun to watch. Florence Pugh, as always, delivers throughout the entire film, and excels in the more serious scenes. She has mastered the art of carrying emotional weight without overplaying it, and her presence adds depth to the group.

On the visual side, the movie looks great. Nothing felt cheap or rushed. The action scenes stood out to me, really clean and hard-hitting. A couple of them somehow brought a new energy that felt fresh for Marvel. The choreography was tight, and the way those moments were shot made them even more fun to watch. And the score deserves real credit. It rarely gets much attention in Marvel movies, but here it really stood out.

I was hoping for a fresh unique take of Marvel formula, but i left disappointed. About 75% of the movie felt like an extended version of the trailer, you can clearly connect the dots. And the remaining 25% which was the final act was underwhelming, there is no "Wow" moment, no smart moves, jokes are not even funny. I dont see anything special about the characters, its funny because that girl that teleports, i dont even know her name, and its as if she doesnt even matter in the movie. Its like the movie didnt even care to introduce her. No backstory, no real moment to shine. She's supposed to be part of the team right? She just there doing zero context. This is really disappointing, i could've just watched this on TV.

So this is what maturity looks like in the Marvel Cinematic Universe. After years of leaning on forced quips and sitcom-style dialogue, Thunderbolts arrives promising something different. Something deeper. Something grittier. But beneath the darker color grade and the serious expressions, it's still the same Marvel formula. New paint, same blueprint.

It's ironic, maybe even overdue, that Marvel finally tried copying DC after more than a decade of DC trying to be Marvel. But instead of carving out a new direction, Thunderbolts plays like a sterilized version of Suicide Squad. The rough edges are gone. What remains is a movie that wants to feel bold but is constrained by its PG-13 rating and its real mission, which is selling action figures to teenagers.

The marketing pushes the idea of character development. That's generous. Most of these characters already had entire shows dedicated to their arcs. If they didn't connect with audiences in six to ten hours of streaming content, they're not going to do it in two. What we get instead are a few familiar poses, another sarcastic exchange, and some recycled trauma. It's not development. It's repackaging.

The story structure is painfully familiar. A shady government mission. A team of broken toys. A world-ending threat. Cue the third-act group therapy session and a last-minute save. This is Marvel's 36th film, and it plays like it was assembled by an algorithm trained on Marvel's greatest hits. That might not be a cinematic crime, but it's getting harder to care.

Sure, there are a few laughs. Some of the lines land. The cast has chemistry. There are brief moments of tension before everything melts into overprocessed CGI. But when you strip away the fan service and the built-in affection for these characters, the skeleton underneath is generic and forgettable. This story could have been outlined on a napkin in fifteen minutes.

The film clumsily stitches together characters from earlier titles and calls it synergy. You get three super soldiers, a sidelined Black Widow, and a handful of underdeveloped powers that never quite make visual sense. To raise the stakes, the writers throw in a god-level threat and hope no one asks why. If one Winter Soldier was enough to carry a film, then three of them plus a demigod must be worth your time, right?

But the real issue isn't just recycled plots or overused archetypes. Hollywood has always done that. The problem is scale. This movie cost nearly 200 million dollars. That budget could have supported twenty other films with original ideas, new voices, and something real to say. Instead, we get a lifeless monument to franchise maintenance.

There was a moment when Marvel seemed to grasp that the audience wanted more. You could see it in Daredevil, in the early promise of Moon Knight, and in the strange ambition of WandaVision. But then came She-Hulk, Thor: Love and Thunder, and a wave of content that treated depth like a liability.

Thunderbolts wants to be the pivot point. It wants to announce that Marvel is ready to evolve. But it still follows the same playbook. It markets itself as bold while playing it safe. It pretends to break the mold while filling in the same tired blanks. Maybe that's enough for those happy with recycled thrills and darker lighting. But if you're hoping for something new, all you'll find here is the same old noise in a lower key.

I'm so confused. This was the same cliche as Kraven The Hunter, and Captain America Brave new world...I actually think the last few marvel films that released are way better than this film, both of the "Suicide Squad" films blow this out the water....this movie had nothing new to offer, the acting and characters were great, but they ended up wasted...the story was the exact same as every other super hero story...the trailer was so much better...I can't wait for Superman and the next REAL AVENGERS FILM...at this point, only Spiderman and The Avenger films are worth seeing...No Way Home, Deadpool and Wolverine, Logan.... TOP TIER CINEMA...this? No good...