After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions - Joy, Fear, Anger, Disgust and Sadness - conflict on how best to navigate a new city, house, and school.

Directors:

Pete Docter, Ronnie Del Carmen (co-director)

Writers:

Pete Docter (original story by), Ronnie Del Carmen (original story by) | 7 more credits »
Popularity
661 ( 90)
Top Rated Movies #160 | Won 1 Oscar. Another 99 wins & 116 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Amy Poehler ... Joy (voice)
Phyllis Smith ... Sadness (voice)
Richard Kind ... Bing Bong (voice)
Bill Hader ... Fear (voice)
Lewis Black ... Anger (voice)
Mindy Kaling ... Disgust (voice)
Kaitlyn Dias ... Riley (voice)
Diane Lane ... Mom (voice)
Kyle MacLachlan ... Dad (voice)
Paula Poundstone ... Forgetter Paula (voice)
Bobby Moynihan ... Forgetter Bobby (voice)
Paula Pell ... Dream Director / Mom's Anger / Additional Voices (voice)
Dave Goelz ... Subconscious Guard Frank (voice)
Frank Oz ... Subconscious Guard Dave (voice)
Josh Cooley ... Jangles (voice)
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Storyline

Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions - Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school. Written by Pixar

Plot Summary | Plot Synopsis

Plot Keywords:

joy | sadness | anger | memory | disgust | See All (149) »

Taglines:

Meet the little voices inside your head. See more »


Motion Picture Rating (MPAA)

Rated PG for mild thematic elements and some action | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Pixar's 6th Film to use both Computer Animation and Traditional Animation, as seen during the Tunnel of Abstract Thought that Joy, Sadness and Bing Bong go through. The other previous 5 had been Monsters, Inc. (2001), The Incredibles (2004), WALL·E (2008), Brave (2012) and Monsters University (2013). See more »

Goofs

Sadness's glasses have no earpieces, yet stay on throughout the film. Given that everything about the character design of the emotions is stylized, there's nothing wrong with this. See more »

Quotes

[first lines]
Joy: Do you ever look at someone and wonder, "What is going on inside their head?" Well, I know. Well, I know Riley's head.
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Crazy Credits

During the credits, the "inside" emotional workings/characters of several minor characters from the film are shown, including Riley's teacher, a bus driver, a dog and a cat. See more »

Alternate Versions

Also released in 3D version See more »

Connections

Referenced in Sardonicast: Doctor Sleep, Naked Lunch (2019) See more »

Soundtracks

Exotico Speedo
Written by Laurent Lombard
Courtesy of APM Music
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User Reviews

 
Tears of Joy
20 September 2015 | by OliverGingerSee all my reviews

Before I start, I will say this; I'm writing this after coming back from a second viewing of Inside Out. Both viewings were out of choice. That's not a unique thing, but I very rarely watch films more than once at the cinema, mainly because life is short, or rather, life is too quick for me. But there's two main reasons why people watch some films more than once at the cinema, especially where I come from; either the film was interesting, detailed, or multi-layered and needs to be seen again to sink in properly, or, it was really, really good.

In this case, for me, it's the latter. That's not to say that the film isn't interesting, detailed or multi-layered, but the reason that was repeating in my head to see it again was 'it's really, really good.' But is it? Yes, yes of course it is... Speaking with a bunch of friends with whom I saw it the first time, a risky phrase was unanimously agreed upon, which was that we 'trust the Pixar team to do the right thing.' Needless (totally needless) to say that expectations were high, and frankly, they were surpassed.

Even though the film is what we come to expect from Pixar (the universal moral themes, the perfect balance between comedy and sadness, and visually stunning animation and action sequences), I didn't feel that I had seen it all before, and neither was it repetitive nor 'ordinary'. The film hits all the high notes, with perfect intonation, and with discipline and passion. As touched on before, the balance between humour and sadness is strong and impressive; the amount of emotions that the film displays and takes us through is varied and immersive, yet not overwhelming. The film executes such clever ideas with simplicity and ease, leaving us to feel for the characters rather than worry about the 'science' of it all, or even being worried about 'not getting it'.

The animation is constantly eye-drawing and detailed; the characters' glistening skin is particularly wondrous. And what great characters they are. Riley is brilliantly sympathetic throughout, even with her difficult mood swings, and the supporting characters are perfectly entertaining. One might think that the superficial nature of the characters (Anger is angry, Fear is always scared etc.) would become old quickly, however the fun never diminishes, thanks to a witty script, expressive animation, and very strong voice performances from the entire cast.

However, to top all this off, the real gem comes from the character of Joy, surely a strong contender in the list of Pixar's greatest characters. Even though we are inside the head of Riley for the majority of the film, and the events that drive the movie are essentially her reactions to her new world (moving from Minnesota to San Francisco), the story is Joy's. Being probably the most flawed character in the film (paradoxically, maybe), it's her journey we care about the most, and she ends up being the most in-depth character in the film, occasionally questioning her actions in the first half (well, the cynics will be), and becoming the most sympathetic by the end. Amy Poehler's outstanding performance makes Joy simultaneously the strongest and weakest character in the film (emotionally, that is).

After all of this, the freshness of the ideas, the simplified neuroscience, the technical brilliance (saying that, Giacchino's score is probably the most subtle thing in the film, exquisitely putting the finishing touches on the most emotional scenes), fleshed out characters and universal themes, all of this comes together simply to entertain us, to let us escape, and to release us emotionally, which it does by making us laugh and cry in an even and fair manner.

And you will laugh. And you will cry. And it is fun to do so. Thank god we're living in a time when Pixar is making these films.


384 of 813 people found this review helpful.  Was this review helpful to you? | Report this
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Frequently Asked Questions

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Details

Country:

USA

Language:

English | Portuguese

Release Date:

19 June 2015 (USA) See more »

Also Known As:

The Untitled Pixar Movie That Takes You Inside the Mind See more »

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Box Office

Budget:

$175,000,000 (estimated)

Opening Weekend USA:

$90,440,272, 21 June 2015

Gross USA:

$356,921,711

Cumulative Worldwide Gross:

$858,071,350
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color | Color (Rec. 2020) (some scenes)

Aspect Ratio:

1.85 : 1
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