It's been 20 years and Harry Dunn has found something out - he has a daughter! Lloyd Christmas, his equally dim-witted friend, takes one look at a picture of her, develops a crush, and insists the two track her down. What ensues when Harry finally agrees is a bizarre encounter with an old lady and more hilarity because of their sheer stupidity.Written by
No CGI was used for the full body paint on Rob Riggle to blend in with the hotel hallway. It took six hours to paint him and blend in accurately with the vending machine. See more »
Despite the firecracker exploding in the hearse only Harry loses his hearing. The noise should have also deafened both Lloyd and Travis. Plus the firecracker should blown up the car killing all three men. See more »
SPOILER: After the end credits, Harry and Lloyd are riding in the Zamboni, complaining that they got the wrong milkshakes (when in fact, they are drinking each others' milkshakes). They toss them backwards for the shakes to hit the truck of their old nemesis Sea Bass. He follows them as a text comes up for a faux fourth installment, "Dumb and Dumber For", coming in the summer of 2034, followed by a camouflaged Captain Lippencott walking out of the text. See more »
As a big fan of Dumb and Dumber, I went into Dumb and Dumber To trying not to let wistfulness paint the sequel too positively. Those worries quickly dissipated, as To is a forced and aggressively unfunny gross-out comedy. It's the absolute worst kind of sequel: the kind that repeats old jokes to try and get a cheap cheer of nostalgia. All the while, laziness and overt offensiveness abound, with jokes never reaching higher than the lowest of low hanging fruit. It disappoints completely, like a desperate old rock singer trying to hit the same notes he used to, but consistently falling flat. While the first was a brilliantly inspired bit of comedic stupidity, Dumb and Dumber To is just plain stupid. We find our puerile protagonists older but none-the wiser, still getting in over their heads yet unwittingly finding their way through it. Plot is not the movie's aim, and it doesn't need to be. What it does need to be, however, is funny. Unfortunately the jokes are understandably irreverent, yet also socially inept and rarely successful. Worst of all is that Daniels' Harry and Carrey's Lloyd have completely lost the chemistry that once bound them. They've become purely sad parodies of their former selves. Maybe I'm taking this too seriously. I mean, the Farrelly's have proved to be nothing more than perpetual 10-year-olds, and they manage one or two moments of contrived laughter. But one or two laughs in a 100-minute movie just isn't enough. Clearly the filmmakers think the audience is as dumb as their leads. We're not.
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