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Much Ado About Nothing (2012)

PG-13 | | Comedy, Drama, Romance | 14 June 2013 (UK)
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A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.

Director:

Joss Whedon

Writers:

Joss Whedon (written for the screen by), William Shakespeare (play)
1 win & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Amy Acker ... Beatrice
Alexis Denisof ... Benedick
Nathan Fillion ... Dogberry
Clark Gregg ... Leonato
Reed Diamond ... Don Pedro
Fran Kranz ... Claudio
Jillian Morgese ... Hero
Sean Maher ... Don John
Spencer Treat Clark ... Borachio
Riki Lindhome ... Conrade
Ashley Johnson ... Margaret
Emma Bates ... Ursula
Tom Lenk ... Verges
Nick Kocher ... First Watchman
Brian McElhaney ... Second Watchman
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Storyline

Leonato (Clark Gregg), the governor of Messina, is visited by his friend Don Pedro (Reed Diamond) who is returning from a victorious campaign against his rebellious brother Don John (Sean Maher). Accompanying Don Pedro are two of his officers: Benedick (Alexis Denisof) and Claudio (Fran Kranz). While in Messina, Claudio falls for Leonato's daughter Hero (Jillian Morgese), while Benedick verbally spars with Beatrice (Amy Acker), the governor's niece. The budding love between Claudio and Hero prompts Don Pedro to arrange with Leonato for a marriage. In the days leading up to the ceremony, Don Pedro, with the help of Leonato, Claudio and Hero, attempts to sport with Benedick and Beatrice in an effort to trick the two into falling in love. Meanwhile, the villainous Don John, with the help of his allies Conrade (Riki Lindhome) and Borachio (Spencer Treat Clark), plots against the happy couple, using his own form of trickery to try to destroy the marriage before it begins. A series of comic... Written by http://muchadomovie.com/#story

Plot Summary | Plot Synopsis

Taglines:

Shakespeare knows how to throw a party. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sexuality and brief drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English

Release Date:

14 June 2013 (UK) See more »

Also Known As:

Beaucoup de bruit pour rien See more »

Filming Locations:

Santa Monica, California, USA

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Box Office

Opening Weekend USA:

$171,941, 9 June 2013, Limited Release

Gross USA:

$4,327,763, 4 October 2013
See more on IMDbPro »

Company Credits

Production Co:

Bellwether Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Joss Whedon wanted to incorporate Steadicams for filming, but was unable to due to timing and budget constraints. See more »

Quotes

Dogberry: Well , masters good night.
See more »

Connections

Version of Lletres catalanes: Molt soroll per no res (1976) See more »

Soundtracks

Sigh No More
Lyrics by William Shakespeare
Music by Joss Whedon
Performed by Jed Whedon and Maurissa Tancharoen
See more »

Frequently Asked Questions

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User Reviews

Shakespeare has it both ways, and Whedon delivers.
24 June 2013 | by jdesandoSee all my reviews

"Sigh no more, ladies, sigh no more, Men were deceivers ever, One foot in sea and one on shore, To one thing constant never." Much Ado about Nothing

Deception for good and bad is the stuff of the popular Shakespearean comedy, Much Ado about Nothing. Joss Whedon's modern dress adaptation preserves in lovely fashion the Bard's meanings while making them readily applicable to modern times. The airy location at Whedon's Santa Monica estate, with its easily overheard conversations, allows men and women to deceive and be deceived and be caught but not fast enough to prevent some major hurt.

The battle of the sexes is best evidenced in the verbal roughhousing of Benedick (Alex Denisof) and Beatrice (Amy Acker): "I wish my horse had the speed of your tongue" (Benedick). The battle takes a grim toll when evil Don John (Sean Maher) sets up Claudio (Fran Kranz) and Hero (Jillian Morgese) for her infidelity and his refusal to marry her because of it. Contrarily, deception brings Beatrice and Benedick into a loving relationship, so the game of love is apace and indiscriminate.

Shakespeare has it both ways, a considerable feat, to bring the right lovers together and punish those who would destroy the love. The film shows in revealing angles (those bird's eye shots from the ceiling area are effective giving the overheard and peeping-tom points of view) and close-ups the ambiguities of love. Even when Benedick falls under love's aegis, that state continues to be difficult for both him and his love.

The striking black and white strips the romance of unnecessary frivolity while reminding the audience of the halcyon days of screwball repartee that such stars as Katharine Hepburn and Cary Grant made high art:

Beatrice: "I would not deny you, but by this good day, I yield upon great persuasion, and partly to save your life, for I was told you were in a consumption."

Benedick: "Peace. I will stop your mouth."

Shakespeare plays out the battle of the sexes with his genial finesse, never forgetting the divisive nature of love:

"Friendship is constant in all other things, save in the office and affairs of love." Claudio

Although I am a devotee of Kenneth Branagh's 1993 adaptation, Whedon's takes a comfortable place in my favorite canon.


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