The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
In the MARSHLAND a serial killer is on the loose. Two homicide detectives who appear to be poles apart must settle their differences and bring the murderer to justice before more young women lose their lives.
The story of a man who fooled an entire country. A tale of cheats and impostors, taking its inspiration from true facts and from one of the most intriguing characters of recent decades: the spy Francisco Paesa.
Miquel García Borda
Inspectors Velarde and Alfaro must find what appears to be a serial killer. This hunt against the clock will make them realize something they'd never thought about: neither one of them is that different from the killer.
Antonio de la Torre,
El Niño is a young boy who lives in La Línea de la Concepción, close to Rock of Gibraltar, repairing and testing motorboats. After a night of party with his friend El Compi, they meet Halil, a young Muslim who has an uncle, Rachid, a drug dealer. Convinced by El Compi, El Niño accepts to be a drug mule, crossing it from África to Spain in a motorboat. In the opposite side of the law is Jesús, a veteran police officer who, helped by his partner Eva, is looking for El Inglés, an important drug dealer who operates in the Rock of Gibraltar.Written by
I went into this film having seen some of the directors other work. I loved "Celda 211" and the crazy adventure-fantasy "El Corazon del Guerrero" (absolute must see). So I had pretty high hopes.
I was however slightly disappointed. A pretty bland and in my opinion uninspired film. Yes, it had some great action sequences, even though I wouldn't go as far as to call this an action movie, and some great locations and visuals. But it was a pretty routine rise and fall story of a trio of young friends wanting to make it in the big boys business. For me it was lacking the tension this type of 'cops and criminals' film needs. An edge and rawness that "Celda 211" most definitely did have.
The best parts for me were amongst the policemen and -women. They were also the best played out and parts acted. Louis Tosar is always great and I hope we will (and already are) be seeing more of him in international productions. It was the young ones that didn't quite nail it. A trio of pretty simply written characters (even reminding me of early John Woo characters, like in "A Better Tomorrow"). The Halil character was just to young and innocent looking for the part, the overzealous Compi was the cliché dumb guy and sometimes pretty annoying and the steelblue eyed Nino didn't really have that many expressions and came over pretty wooden. Even when he meets and eventually courts the beautiful Amina, his demeanor doesn't change at all. All this plus an underused (permanently hidden behind sunglasses) Ian McShane made a potentially great story a disappointing view.
Comparable in subject matter but way more exhilarating are "The Business" and the recent "Gibraltar".
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