A young female hacker awakens from a traumatic event that she scarcely remembers, and an iPhone glued to her hand. On the phone, a countdown is ticking away to zero. What happens at zero? ...
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CODE 2600 documents the Info-Tech Age, told by the events and people who helped build and manipulate it. It explores the impact this new connectivity has on our ability to remain human while maintaining our personal privacy and security.
A young female hacker awakens from a traumatic event that she scarcely remembers, and an iPhone glued to her hand. On the phone, a countdown is ticking away to zero. What happens at zero? Who is she, and why has she become an extension of the device? As the minutes tick away, our heroine must race against time to put the pieces together before the mysterious, pending zero-hour strikes.Written by
We first sit through five minutes of a broadcast interview over city scenery. Waiting for something to happen here is an immediate disappointment, especially after reading the exciting plot description.
Finally, a girl wakes up in a trashed apartment, with no memory and an iPhone glued to her hand. It has a mysterious countdown on its screen. We learn that she's one of a cadre of computer hackers, one of whom is an unhinged revolutionary.
Due to some unnecessary side stories, we're given the impression that there's something complex going on, but there isn't. Some blatant Fight Club references later, the conclusion is about as obvious as you'd hoped against.
To those of us who know a little something about the technology, several plot holes are evident. For example, at one point, our heroine attempts to hack the program, and in the process of doing so "kills" it with a simple command, then re-starts it; which would seem to defeat the purpose. If you CAN kill it, AND are willing to suffer the unknowable consequences, you might as well just leave it deactivated.
Considering the low budget, the camera work is good enough to impress. Nevertheless, the story isn't interesting, and much of it is filler. Some sort of vague philosophical question regarding the state of technology is presented, but is not explored beyond certain characters stating their general disdain for it. It looks like someone wanted to say something short but also wanted to make a feature-length film, and decided to mangle the two together.
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