Having reached the lowest point in his life, a self-destructive man on the brink of demise receives an unexpected call from his estranged sister to look after her young daughter for the night. Could this be the beginning of a new reality?
Sadly, having reached the lowest point in his life and on the brink of demise, the self-destructive outcast, Richie, desperately wants out. However, as nothing is over yet, an unexpected call from his estranged sister, Maggie, offers a new lease of life, even though it is only a fleeting one. Strange as it may seem--as Richie is the last person she would ever call--a distraught Maggie needs Richie, of all the people, to look after her young daughter, Sophia, for the night. However, as the two alienated relatives timidly reconnect under New York's silvery night lights, much to their surprise, a subtle and delicate relationship will start to bloom. Could this be the beginning of a new reality?Written by
Originally, a different song was meant to be featured in the bowling alley scene. The scene was choreographed with that song as basis. However, the artist wouldn't agree to give the rights for the song to be used in the film, so at the last minute, Shawn Christensen had to write and record a new one to be used as a replacement, while keeping up with the tempo of the scene. See more »
Here's a list of appropriate places you're allowed to take me. If you take me somewhere that is not on the list there'll be hell to pay. Here's some money for you to spend on me and on me only. If you spend it on anything else - like drugs - there'll be hell to pay. You're not allowed in the apartment until you drop me off at ten-thirty. If I'm not back home by ten-thirty on the dot, there'll be hell to pay.
Well, I'm glad we got that out of the way. My name is Richard and I am your uncle.
See more »
No wonder this won an OSCAR; watched the short and the full movie both 2x
I think that this is a beautiful story that show themes such as life, death, love, pain, hopelessness, hope, loneliness, depression, emptiness, discovering a reason to live for, and - second chances.
The story felt so real it must be based on real events, even though it is never claimed it is based on a true story, I personally am sure it must be. Nobody comes up with such a ridiculously plausible plot out of the imagination. The ending was good too. Overall, a meaningful story that left me thinking and wondering about life, and may leave you doing the same.
Shawn Christensen - he wrote the story, directed, and was one of the two protagonists. I think he wrote a fine story, and directed it well, and his acting of a 'terminally' hopeless man was believable enough and good enough to carry the story.
Fátima Ptacek - she did a great job; enjoyable to watch. Great acting. If Shawn the darkness, she was the light of this film.
Emmy Rossum - I thought she did a great job too, especially towards the end, that scene she absolutely nailed it.
Supporting cast - they did fine. Ron Perlman (from Hellboy) and Paul Wesley (from Vampire Diaries) were in this film; I wonder how they were afforded to be in it. Their acting was fine.
Producer Damon Russell and Cinematographer Daniel Katz, and everyone else who helped make this beautiful film - thanks.
Movie theme song - "Sophia So Far" by Goodnight Radio (2013). I am so thankful the movie released this full version of the song. It is first played during a really nice scene in the movie and also at the end of the film. This song instantly makes one think about the film.
Conclusion: I think this is a beautiful story with multiple underlying themes about things like hope, love, life, death, and second chances. Watched it 2x so far, will surely watch it again in the future. It is a good film and it is worth a watch and recommending.
1 of 1 people found this review helpful.
Was this review helpful to you?
| Report this