Barfi!

This is a fable, a beautifully shot, light, airy, bubbly fable. It will make you laugh. A lot. And cry, or mist up, a little. If you're still not a fan of Ranbir, you will walk away as one. And the background songs just don't stop playing in your head.

There are some deeper layers, as well. Why is it in India that we cannot take care of our disabled children ? Why do we get threatened by them, so scared of social approbation that we are willing to abandon our own flesh and blood, despite having the means to look after them ? Why is it that playing safe seems to be ingrained in our blood ? In love, 9 times out of 10, we will choose the guy who is rich and doesn't make us cry to the guy who is poor but makes us laugh ?

Ranbir, a deaf, mute, has never let this inhibit him. He is always happy and always upto something, not all if it legal, much to the chagrin of the local cop, Saurabh Shukla, who blames him singlehandedly for reducing his waist size from a respectable 52 to a mundane 42. He falls in love with the elite, gorgeous girl, visiting Darjeeling, Ileana. She is engaged to be married to Jishu, a prize catch, the dream of every girl in college. But she has never encountered anyone as free spirited as Ranbir.

Ranbir, though, is the son of a lowly driver. Who works for another elite, powerful family. Who have an autistic daughter, Priyanka. Who has been left in an old age home, Muskaan, run by the gentle, ageing, Haradhan Bandhopadhyay. When Priyanka's nana, the man who runs the house with an iron fist, but has a soft corner for his grand daughter, decides to bring her back due to his ill health, the lives of all the characters get affected and change…

The photography and the music is so good that I'm out of superlatives here. Am sure tourist traffic to Darjeeling is going to increase and the music of this film will be played many years from now, a rarity in todays world, where songs struggle for a shelf life beyond three months. Am not so sure about the editing. The flashbacks, the talking heads. Not sure they were needed in a story which was reasonably fast paced and as entertaining as this. Its almost become a fad now, to not tell a story linearly…

Ranbir is amazing. Gets every expression just right. Whether his happy face, the ridiculous expressions he uses to make others laugh, his angry 'speech', or his bewildered look when things go wrong, as they have a tendency to do with him. Ileana is stunning in western dresses, early on in the film. She is nice as the adarsh Bengali nari later on, but didn't think much of her older avatar. Undeniably a great actress. Priyanka proves her acting chops once again, conveying her battles with her inner demons appropriately

Special praise for Saurabh Shukla. The film would've been flat without his Hardy to Ranbir's Laurel. Or Bhola Raja Sapkota, Ranbir's comrade in arms and translator in chief. Or Rupa Ganguly, Ilena's mother, who understands her daughter's predicament and does what she thinks is best for her.

Amongst the moments of the film are the opening credits (set to the song 'Film shuru), the comic chase sequences between Saurabh and Ranbir. The Darjeeling scenes between Ranbir and Ileana – on the train, or cycle or even the horse. And the scene when Haradhan bawls his eyes out, when the apple of his eye, Priyanka leaves the ashram, is just touching beyond belief.

After a long time, a film which doesn't just show perfect, rich, urban people. But people who, despite their imperfections, seem determined to be happy. There is a lesson in there for all of us. More at ww.apurvbollywood.blogspot.com

India's official entry to the Oscars - Barfi! might as well have been an acronym for: Breathtaking (cinematography), Astounding (acting), Ruthless (breaking of stereotypes about the disabled), Fantastic (music), and Invigorating (feeling in your heart as you leave the theater).

This is essentially a love triangle between Barfi (played endearingly by Ranbir Kapoor), a hearing and speech impaired son of a poor chauffeur, Jhilmil (played brilliantly by Priyanka Chopra), an autistic girl almost abandoned by her rich parents, and Shruti the narrator of the tale of love (played convincingly by debutante Illeana De Cruz), the soon to be married tourist visiting Darjeeling along with her parents.

The writer and director - Anurag Basu uses non linear storytelling to traverse between 1972, 1978, and 2012 Darjeeling, Calcutta, and little known places of Bengal as they three protagonists try and grapple with Love and its various heart rendering implications to their lives. For a film with hardly any dialogs, 'Barfi!' amazingly manages to say a lot, using a combination of sign language, facial expressions, first person narration, and sometimes simply stunning silences to convey a gamut of emotions.

Several sequences stand out for their sheer brilliance, be it Barfi's reaction at Shruti's choice of her fiancé (Jishu Sengupta in a small but significant role), Shruti and her mother's (played beautifully by the veteran Roopa Ganguly) exchanges on certain choices in Love, Barfi and Jhilmil's night in the forest illuminated by fireflies, Barfi's cutting off of the lamp posts to test the loyalty of his friends, Jhilmil's fantasy about getting married as she watches a 'Chau Dance' in a village, Daju's (Haradhan in a superb supporting role) tear stricken face as he finally accepts Jhilmil's fate and let's her go, the unfolding of the photograph's at Shruti's house to finally reveal the truth about her entire life, and lastly, the finale. All these, and many more, are sure to be etched as a memory, not in your mind, but rather in your heart.

This film shows how one can find happiness in the small things in life, and how disabilities, be in financial, mental, or physical can never really appear as a handicap to an otherwise soaring spirit that does not know how to give up on life. This film reminds us that falling in Love is natural, while staying in Love a decision that must be taken with the heart, rather than the mind. And finally, this is a film that tries, without trying too hard, to help you understand that the language of Love does not necessarily require the wisdom of words.

One might argue that certain portions of the film are 'inspired' from other films. For example, certain dialogs between Shruti and her mother might remind you of the Notebook, certain mannerisms of Barfi as he tries his best to escape the bungling cop (played aptly by Saurabh Shukla) cause you to recollect sequences from the films of Charlie Chaplin, while the way Barfi tries to entertain Jhilmil & Shruti remind you of Singing in The Rain and Mr Bean. Yet, Barfi manages to stand on its own for the way it interprets these classic scenes and the logicality of their inclusion in the proceedings.

The Hair and Makeup department, however, especially when it tries to show the same actors playing aged characters, is the only one that takes a slight dent. Yet almost everything else manages to come together in unison to more than compensate for this slight glitch. And it does so, at numerous places managing to make you think, smile, cry, and sigh, sometimes all at the same time, and in quick succession.

Watch it for the performances (especially that of Ranbir and Priyanka), the vision of the director Anurag Basu and cinematographer Ravi Varman, the terrific score of the music director Pritam Chakravarty, and last but not the least for the innumerable ways in which Love has been expressed between the characters. Trust me - this is the perfect example of art that can forever stay in your heart.

Barfi is that gem which has the capacity of making blood in your heart rush just like children rush through the school gates at the ring of bell. All you have to do is to open yourself and let it do the magic.

It offers everything that is there to take from a pure cinematic experience: real characters, genuine relationships, a simple yet poignant story and a soulful score. It offers much more th an this if you can indulge yourself into it a little more. It has acting that connects you straight with the characters and makes you feel for/with them; each frame is a lyrical composition not only by the presence of colors but through their absence as well, the screenplay is such that it either allows the emotions to be overwhelming or would take you out of the scene (completely depends on the viewer).

I can only wish to visit the Darjeeling of 70's as portrayed in the movie and I am sure Basu would not have had any problems filming the Kolkata part of the movie as it is the only city which has majority of its elements from that period still intact (No pun intended). Basu has always been good at using earthly elements in his scenes and he reinforces that here too. The manner in which rain, texture of clouds, stones, bright sun have been used to complement various moods in scenes is just exemplary.

What makes this movie a winner is the unending list of scenes which will make you laugh, cry and sometimes do both at the same time. Dialogue through expression and enactment has been integrated so beautifully in the movie that you sometimes forget that you are watching a movie where two of the protagonists are incapable of communicating conventionally. It's a movie which celebrates one of the most prized feelings of each human being: the joy of being loved, through a story of people who could have easily decided not to embrace it. Priyanka is at her uninhibited best and Ileana plays her bit to the tee. Needless to say that no other present day actor could have done justice to the role of Barf!

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It does not revolutionize Bollywood in any way nor is it an example of superlative cinematic brilliance. There are flaws, and lots of them. But, at the same time it's a lesson in the long-lost art of simple filmmaking without being pretentious. The effort is so genuinely heartwarming that it comes out through the characters in the film. I've been extremely critical of Ranbir Kapoor in the past. Maybe he is dumb, but he can surely act! In Junior Kapoor, we do see glimpses of his grandfather. His goofiness is so bloody infectious. He does not play the sympathy-card, he just lets the film carry him along instead of trying what Bollywood heroes desperately try to do - to carry the film on their shoulders. The character is central, not the hero. One of the very few Hindi films I've seen where the audience connects with the character, and not the hero. Ileana is effortlessly sweet and quite unexpectedly brilliant. Saurabh Shukla delivers a standout and stellar performance. The strength of the film lies in the characterisation - so under-toned, and pitch-perfect to counter-balance the trappings of melodrama. The cinematography is breathtaking and so is the music. The visual imagery adds to the emotional quotient of the film. The earnestness of Anurag Basu does suffer a blow because of the predictability of the plot since the temptation of repetitiveness unwittingly underwhelms the magic created in the first half, and, of course, the disappointing performance of Priyanka Chopra. Instead of under-emoting, she overdoes it. Somehow she goes retard trying to portray an autistic girl. Don't judge this film through the prism of cerebral dissection and critical analysis. For once, listen to your heart, not the critics.

Barfi:in a word, a magnificent Indian movie..the features that should be in a movie are present in this movie. An Indian made movie that should be watched well, proving that love can't be expressed only with sanity and language.. Charlie Chaplin movies came to my mind in the first minutes of the movie.