Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998... Read allSteve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.
- Nominated for 2 Oscars
- 28 wins & 115 nominations total
- Jandali
- (as Mihran Shlougian)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe three sequences in the film were filmed on 16mm, 35mm, and digital to illustrate the advancement in Apple's technology across the sixteen years of Jobs' life depicted.
- GoofsIn the first act, Steve Jobs talks about the issue of Time Magazine naming "The Computer" as Person of the Year, instead of him and the Macintosh. Despite the scene taking place on Jan 24th, 1984, that issue came out in December of 1982 and the Time's Person of the Year from 1983 was Ronald Reagan and Yuri Andropov.
- Quotes
Andy Hertzfeld: We're not a pit crew at Daytona. This can't be fixed in seconds.
Steve Jobs: You didn't have seconds, you had three weeks. The universe was created in a third of that time.
Andy Hertzfeld: Well, someday you'll have to tell us how you did it.
- Crazy creditsThe film's title is never shown in the opening or closing credits.
- SoundtracksTimes They Are a-Changin'
Written by Bob Dylan
Found 'Steve Jobs' to be a good and interesting film, albeit not one that will appeal to all viewers as can be seen from the polarising reviews. There is a lot to like here, and the good points are actually excellent. At the same time, considering the involvement of such fine talent and subject matter, 'Steve Jobs' also had potential to be, and perhaps should have been, more than good, great even. There are also a few issues here, and fairly sizeable ones, though there is much more good than there is bad.
There could have been more complexity to Jobs himself, difficult to do for a perfectionist who was very difficult to work with. Can definitely understand the criticism of 'Steve Jobs' being a pretty one-dimensional portrait of the man that magnifies his flaws. For something featuring heavily, his personal/family life could have been better explored and delved into more, there is heart with the relationship between Steve and Lisa but the final fifteen minutes or so to me came over as contrived rather than emotional and although Katherine Waterston does a good job her role is underwritten.
At times, the film is jumpy and also could have shown more of the launches themselves and showed how they were received rather than being told afterwards, for a film so heavily reliant on the backstage/behind the scenes aspects. Actually really liked the script on the most part, it is though talk-heavy and with scenes having a lot to take in there are instances where it's not easy keeping up. Also didn't buy Jobs/Scully's final scene together, which went against what was seen with their acrimonious confrontations before.
However, 'Steve Jobs' is very well made visually. It's unfussy but never cheap, actually it is very slick. It may feel like a filmed play, which is also down to the structure of the film, but for me it wasn't a problem. Boyle directs in a restrained fashion, while showing plenty of engagement with his material. The music is both low-key and lively when used.
While not perfect, Sorkin's script is one of the high points of 'Steve Jobs'. It's thought-provoking, intriguing smart and rapid-fire, with plenty of wit, intensity and snappy put-downs. The story, following an unconventional yet fascinating three act structure dealing with three different launches that Jobs revolutionised, goes at an energetic pace and is kept afloat by the intensity of the characters (especially Jobs and Joanna). Things move quickly and there is plenty to be interested by, one just can't help feeling that some aspects could have been delved into more. Jobs and Joanna have plenty of intensity in their chemistry, while Woz's final scene and the big scenes between Jobs and Scully are especially powerful.
Other than Sorkin's script, 'Steve Jobs' best asset is the acting. Fassbender may not look like Steve Jobs but he is nonetheless terrific and is an incredibly compelling presence. Winslet's performance is tense and deeply felt. Michael Stuhlbarg steals scenes in his not large screen time, while Seth Rogan demonstrates why he should do more dramatic roles and films and Jeff Daniels has not been this good in quite some time. Waterston does well with limited screen time and her role underwritten.
Concluding, good film but not a great one. 7/10 Bethany Cox
- TheLittleSongbird
- Apr 20, 2018
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Cuộc Đời Steve Jobs
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $17,766,658
- Opening weekend US & Canada
- $521,522
- Oct 11, 2015
- Gross worldwide
- $34,441,873
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39:1