Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.
As Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, he is sued by the twins who claimed he stole their idea, and by the co-founder who was later squeezed out of the business.
The story of Ray Kroc, a salesman who turned two brothers' innovative fast food eatery, McDonald's, into the biggest restaurant business in the world, with a combination of ambition, persistence, and ruthlessness.
John Lee Hancock
John Carroll Lynch
His passion and ingenuity have been the driving force behind the digital age. However his drive to revolutionize technology was sacrificial. Ultimately it affected his family life and possibly his health. In this revealing film we explore the trials and triumphs of a modern day genius, the late CEO of Apple inc. Steven Paul Jobs.Written by
During the Mac launch in 1984, John Sculley tells Steve Jobs that Apple's board of directors sent him as "the Steve whisperer" to calm Jobs down. The slang term "whisperer," used to refer to someone with an affinity for communicating with something stubborn, did not enter popular usage until the release of the novel "The Horse Whisperer" in 1995, and the subsequent film adaptation which was released in 1998. See more »
Boyle And The Cast Do Their Best But The Film Is Fundamentally Uncinematic
A few years ago I watched Danny Boyle's 127 HOURS and lamented that we are still to see Boyle's great masterwork . Credit to Boyle being interested in a story that wasn't very cinematic featuring a man trapped in one location which would make a great documentary of true life survival on the Discovery channel but doesn't lend itself to great cinema . With a biopic on Steve Jobs Boyle has his work cut out with this one especially since the narrative limits itself to three corporate launches and there's no way a director can use the language of cinema to tell a cinematic story if the foundations aren't there
To be fair Boyle does his very best to try and bring something to the table . He is one of the great technicians of cinema . The editing is fine as is the cinematography and he brings a few flourishes such as captions on walls . He also along with screenwriter Aaron Sorkin and actor Michael Fassbender bring a bit of character development to Steve Jobs . The central protagonist of 1984 is something of a rat who doesn't care about his ex-partner and the child they possibly had together and doesn't care about anyone except himself . By the time the end credits roll Jobs is if not likable then merely less unlikable
Many people have commentated that the concept probably belongs on a theater stage rather than a cinema screen and I'm inclined to agree . It's also difficult to empathise with a protagonist/antagonist whose function is to market products of corporate capitailism but since my favourite product I have is my I-pod I shouldn't really criticise too much
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