Kelly + Victor
- 2012
- 1h 35m
IMDb RATING
5.6/10
1.1K
YOUR RATING
Kelly and Victor meet at a nightclub and start a sexual relationship, the excitement of which removes them from the dull ordinariness of their lives.Kelly and Victor meet at a nightclub and start a sexual relationship, the excitement of which removes them from the dull ordinariness of their lives.Kelly and Victor meet at a nightclub and start a sexual relationship, the excitement of which removes them from the dull ordinariness of their lives.
- Won 1 BAFTA Award
- 1 win & 2 nominations total
Deb Judic
- Party guest
- (uncredited)
Featured reviews
I really thought that there were some things that were out of bounds in the film genre, but I guess I was wrong. This film gives one explanation on how some men can get addicted to erotic asphyxiation. There is a sentence I thought I'd never say. Kelly (Antonia Campbell-Hughes) is a strange girl who apparently grew up with some major issues. I mean, I have had some wild times in my day, but nearly strangling someone during sex is not anything that I have ever thought about. Strangling them after we were done, now that's a different story (smile). Kelly looked like she was about twelve years old. She was really super thin and had absolutely no shape about her. At one point she was sitting in front of some food and I was thinking, please let this poor child put some kind of nourishment in her mouth. Apparently the lack of sustenance did not hamper her ability to over-power; I guess she had the same bone structure as Wolverine. As for Victor (Julian Morris), he seemed like just an average single guy looking to score. He hooks up with Kelly who introduces him to this violent form of sexual expression. I guess you don't know what you like until you have it for the first time. Things get even tougher if it becomes an obsession and everyone knows how hard it is to kick when you are obsessed. Not only was this an independent film, but it was a foreign film as well. There was a lot of sex and nudity in this film, but that is not unusual for films from other countries (especially Europe). I can remember seeing nudity on television at a very young age (not sex; but just body parts) and it seemed normal. It always makes me chuckle when movie-goers are surprised when an unexpected body part flashes across the screen. I am glad that we are not giving ratings for this film because there were times that some of the scenes were uncomfortable to watch. The one thing that I will give the director is that he did manage to touch on a subject that is not well known and possibly misunderstood. Luckily, I watch enough of Crime Scene Investigation stories that I have seen this affliction before. I am not sure if this film will be in wide release in this country, but it may do very well in Wales.
I'm not sure why this had to be set in Liverpool, the two main protagonists where clearly not from L'pool, terrible accents, (London, Ireland). If they wanted a poverty settings there is way more in London, the it's grim up North tired cliche was not required . There is nothing here you won't have seen before, predictable and attempting to shock.
I was interested in this because it was mostly shot locally. It's a slow burner with some really weak scenes along the way, but it builds in masochistic tension quite impressively and has a well worked climax (smirk). Campbell-Hughes doesn't carry with her the normal type of sexual charisma that erotic films usually need. Instead she's got this subversive thing that keeps you on edge.
There's something 'everyman' about Julian Morris that makes you identify with him but he can occasionally border on the amateur in some of the weaker scenes.
A mixed but worthy addition to the UK indie scene.
There's something 'everyman' about Julian Morris that makes you identify with him but he can occasionally border on the amateur in some of the weaker scenes.
A mixed but worthy addition to the UK indie scene.
It really feels like they wanted to shock the audience but didn't give it enough substance to have any sense. Specially on Victor character, it's very hard to find any reason for his actions and has no ral development. In the other side for Kelly character, even as her has a lttle more development, it isn't enough to understand her actions or find any reason to told her half story. And the ending..oh, the ending.. without giving any spoilers, it's VERY unsatisfying.
It really feels like they just wated to show some sex scenes and be "controversial" but any meaning besides that is missing.
So, What's the point? Yeah, a little sex snd many too long shots of nothing and silence.
It really feels like they just wated to show some sex scenes and be "controversial" but any meaning besides that is missing.
So, What's the point? Yeah, a little sex snd many too long shots of nothing and silence.
There was an MP in the UK some years ago who was found by the police hanging from the back of his kitchen door with an orange in his mouth and his trousers round his ankles. Auto-eroticism gone wrong that was, and you have to wonder if something similar is on the cards for "Victor" (Julian Morris) as he hooks up with "Kelly" (Antonia Campbell-Hughes). They are in the sack pretty much immediately after they meet, and she introduces him to a few hitherto unknown kinks. Not only does he get off on them, he starts to need them to orgasm at all - even on his own. With "Kelly" unable to discern what may or may not be an acceptable limit and his increasing addiction, you begin to wonder if their game is heading for disaster. It's been done on a fairly shoestring budget, by the looks of it, but the camera loves Morris and there's quite a compelling effort, especially as the film concludes, from Campbell-Hughes. There's some sex, but it's photographed harmlessly enough to give us the idea and not really the detail. Unfortunately, there's a lot of padding here, and by half way through when we've all got the message we could skip to the denouement swiftly, I reckon. It's really only got enough scope for a short feature, maybe 45 minutes tops, but is still a solid effort from auteur Kieran Evans though as he tackles a taboo subject in a fashion that's just about worth a watch.
Storyline
Did you know
- TriviaTrack 14 on the mix CD Victor makes for Kelly is "Dancing by the Water Day" by American musician Viking Moses from the 2006 full-length album "Crosses".
- ConnectionsFeatured in The EE British Academy Film Awards (2014)
- How long is Kelly + Victor?Powered by Alexa
Details
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.78 : 1
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