The musical fantasy about Elton John's breakthrough years, from his time as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupi... Read allThe musical fantasy about Elton John's breakthrough years, from his time as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin.The musical fantasy about Elton John's breakthrough years, from his time as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin.
- Won 1 Oscar
- 25 wins & 89 nominations total
Peter O'Hanlon
- Bobby
- (as Pete O'Hanlon)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Rocketman decides to focus on Elton John's character evolution more than anything else, chronicling his life from when he was a wee-little boy to his glory days as the colorfully decorated, piano-playing, musically blustering star. One detail I must address that really hoisted the exploration of John's life was, in reality, the "R" rating.
You get to see a respectful and psychological turn in his persona, you get to witness the heartbreaking "addictions" that he constantly forces himself into, you get to view the uncut collision of him dealing with his sexuality, and you even get to feel that loss of love that Elton had felt when he persistently questioned his relationship with peers. All of these affairs are dispensed without and blockades or any desires of censorship and I must commend the filmmakers for going about this risky decision.
And sure, Rocketman is arguably quite the corn-fest at times, but the movie is able to take these cheesy elements of the typical rockstar biopic and format it into a creative fashion that characterizes more charismatic and less repetitive exhibitions. Which brings me to my next point...
I am so pleased that Rocketman turned out to be a nearly full-on musical? I mean, it had to find some way to be different from Bohemian Rhapsody, right? Whenever a musical note comes on it's not just there for Elton John fan-a-holics. The songs always pertain to the presented events transpiring on screen. The methods they use to present the songs as well, offer some more than compulsive and devouring visuals. I also appreciated how they redid all the songs to fit the scenes in a more appropriate manner. It makes the film seem less like a compilation of Elton's original greatest-hits and more like a rendition of what each song means to the story.
Now, Taron Egerton's performance in this is...wow, wow, wow, wow, WOW. He is just bleeding with range and chaotic pizazz in this encapsulation of a contrasted human individual. If someone is worthy of an Oscar nomination this year, it's this guy.
Rocketman doesn't entirely rely on nostalgia like most of its kind does-that implying that sometimes it does, however-and most of its misfit adventures proved about in the story seem earned rather than glossed over at a maximum pace of negligence. Definitely check this one out, especially if you're an Elton John fan!
You get to see a respectful and psychological turn in his persona, you get to witness the heartbreaking "addictions" that he constantly forces himself into, you get to view the uncut collision of him dealing with his sexuality, and you even get to feel that loss of love that Elton had felt when he persistently questioned his relationship with peers. All of these affairs are dispensed without and blockades or any desires of censorship and I must commend the filmmakers for going about this risky decision.
And sure, Rocketman is arguably quite the corn-fest at times, but the movie is able to take these cheesy elements of the typical rockstar biopic and format it into a creative fashion that characterizes more charismatic and less repetitive exhibitions. Which brings me to my next point...
I am so pleased that Rocketman turned out to be a nearly full-on musical? I mean, it had to find some way to be different from Bohemian Rhapsody, right? Whenever a musical note comes on it's not just there for Elton John fan-a-holics. The songs always pertain to the presented events transpiring on screen. The methods they use to present the songs as well, offer some more than compulsive and devouring visuals. I also appreciated how they redid all the songs to fit the scenes in a more appropriate manner. It makes the film seem less like a compilation of Elton's original greatest-hits and more like a rendition of what each song means to the story.
Now, Taron Egerton's performance in this is...wow, wow, wow, wow, WOW. He is just bleeding with range and chaotic pizazz in this encapsulation of a contrasted human individual. If someone is worthy of an Oscar nomination this year, it's this guy.
Rocketman doesn't entirely rely on nostalgia like most of its kind does-that implying that sometimes it does, however-and most of its misfit adventures proved about in the story seem earned rather than glossed over at a maximum pace of negligence. Definitely check this one out, especially if you're an Elton John fan!
This is not a movie about a rock star with their music simply part of the facts of the story. It is a musical in the truest sense, that uses his own music to show his tribulations through the eyes of a man during the troubled years of his life. The movie is not always chronological and in some cases is more figurative than historical. In this way it can convey Sir Elton John's life and struggles in a way that the viewer may understand on a more personal level. The acting, writing and singing are superb.
The star did not try to truly imitate Elton but instead preforned the pieces in his own style that he molded as closely as possible to the original. It sounds odd, but it works.
As always you can never sum up any life, book or story in a 2 or so hour movie, but this comes close. You leave feeling like you really got to know the real, yet flawed, human Elton John. Overall a wonderful movie.
He was AMAZING in the spirit of an fabulous Elton John biopic musical.... and Jamie Bell was awesome.. as usual!
Although classical music and opera is more my cup of tea/forte, that has never stopped me from having always admired Elton John and loving most of his songs. "Your Song", "Something About the Way You Look Tonight", "I'm Still Standing" and pretty much all the songs in 'The Lion King' are especially great, one of the few exceptions being "Crocodile Rock". He is/was also a quite interesting man, both stage persona and personal life, and the period that is primarily focused on is a very compelling one and worthy of being told on film.
'Rocketman' was not a perfect film, but on the most part it was thoroughly enjoyable and at its best dazzlingly executed when seeing it in the cinema earlier this year. As far as films released in 2019 goes, 'Rocketman' is to me in the better half. Even if accuracy and the chronology can be called into question, it still makes John and his personal life, detailing his childhood, early career and how it came to be and the troubled period of his career, quite fascinating. As well as being worthy of a lot of admiration in its own right.
Not everything works. For my liking, the last twenty minutes or so are executed too tidily.
While John and Bernie Taupin are well rounded and fully realised characters, the other characters, despite being well acted by particularly Bryce Dallas Howard, felt like underdeveloped caricatures (i.e. the parents' cold behaviour towards Reggie not being explained).
However, 'Rocketman' has so many things working in its favour and more so than the bad. First and foremost, Taron Egerton. A totally committed and quite brilliant performance full of confidence, swagger, flair, subtlety and nuance, not to mention a great singing voice, treating John with respect without impersonating him. The scene where he opens up to his mother and his reaction to her cold response was heart-breaking in particular. Jamie Bell is the other performance worthy of note and the relationship between John and Taupin is handled beautifully, with the right amount of intensity but also taste. One can tell how well they clicked and feel their mutual affection and it really drives the film and at times the heart of it.
It looks great too, beautifully photographed and John's flamboyant costumes are a sight to behold, one of the bigger examples being that unlike-anything-you've-seen-before one in the therapy. The songs are as magnificent as one expects and staged with a lot of brio and confidence without being overblown. The very moving "Your Song", performance and the understated staging, being a big standout in this regard, another powerful part being with what is done with the opening of "Yellow Brick Road", done so truthfully and mirroring what is going on at that present moment without spelling it out too much and showing how much Taupin cares for John. Heck, the film even manages to make "Crocodile Rock" tolerable in one of the film's more exuberant moments.
The script manages to be both entertaining and sincere, underneath all the flashiness there is depth too. There may be conventional moments in the story (a lot of biopics though are like that), but the scenes showing off John's unique showmanship are difficult to look away from and the story detailing John's troubled personal life at the time is powerful. A great job is done showing who John is, what he is and how his mind worked when dealing with troubles and when he was writing and performing. Dexter Fletcher's direction is adept.
Summing up, a very, very good and often great film that just misses out on being brilliant. 8/10
'Rocketman' was not a perfect film, but on the most part it was thoroughly enjoyable and at its best dazzlingly executed when seeing it in the cinema earlier this year. As far as films released in 2019 goes, 'Rocketman' is to me in the better half. Even if accuracy and the chronology can be called into question, it still makes John and his personal life, detailing his childhood, early career and how it came to be and the troubled period of his career, quite fascinating. As well as being worthy of a lot of admiration in its own right.
Not everything works. For my liking, the last twenty minutes or so are executed too tidily.
While John and Bernie Taupin are well rounded and fully realised characters, the other characters, despite being well acted by particularly Bryce Dallas Howard, felt like underdeveloped caricatures (i.e. the parents' cold behaviour towards Reggie not being explained).
However, 'Rocketman' has so many things working in its favour and more so than the bad. First and foremost, Taron Egerton. A totally committed and quite brilliant performance full of confidence, swagger, flair, subtlety and nuance, not to mention a great singing voice, treating John with respect without impersonating him. The scene where he opens up to his mother and his reaction to her cold response was heart-breaking in particular. Jamie Bell is the other performance worthy of note and the relationship between John and Taupin is handled beautifully, with the right amount of intensity but also taste. One can tell how well they clicked and feel their mutual affection and it really drives the film and at times the heart of it.
It looks great too, beautifully photographed and John's flamboyant costumes are a sight to behold, one of the bigger examples being that unlike-anything-you've-seen-before one in the therapy. The songs are as magnificent as one expects and staged with a lot of brio and confidence without being overblown. The very moving "Your Song", performance and the understated staging, being a big standout in this regard, another powerful part being with what is done with the opening of "Yellow Brick Road", done so truthfully and mirroring what is going on at that present moment without spelling it out too much and showing how much Taupin cares for John. Heck, the film even manages to make "Crocodile Rock" tolerable in one of the film's more exuberant moments.
The script manages to be both entertaining and sincere, underneath all the flashiness there is depth too. There may be conventional moments in the story (a lot of biopics though are like that), but the scenes showing off John's unique showmanship are difficult to look away from and the story detailing John's troubled personal life at the time is powerful. A great job is done showing who John is, what he is and how his mind worked when dealing with troubles and when he was writing and performing. Dexter Fletcher's direction is adept.
Summing up, a very, very good and often great film that just misses out on being brilliant. 8/10
Not really sure where I sit with this one. A gripping tale of one of music's biggest icons. While Egerton shines as the glorious John, all the surrounding characters seemed to be simple generic caricatures of staples from this kind of stories. And the story blazes by, many of the acts with little explanation of motives. It follows the basic by the numbers of the musical biopic, never really seeming to let the weight of one single action hit with the viewer before moving onto the next tragic act. While the characters and story seemed to ring a bit formulaic and hollow, Egerton's performance is able to carry the gravitas. And the music, oh the music. John's catalog is beautifully strewn throughout the film in all its glory, though Taron's vocals struggle in parts and he is outsung by his supporting cast at points. And in the end, the conclusion and resolution come, yet once again seemingly easily and out of nowhere as had the conflict earlier in the film. A great story of a great artist that just seemed to miss on a few points for me. Did I enjoy the movie? Yes. It just seemed like a cliff notes version of what could have been a deeper and more compelling story.
What Surprised the 'Rocketman' Cast About Elton John
What Surprised the 'Rocketman' Cast About Elton John
Rocketman stars Taron Egerton, Bryce Dallas Howard, and Richard Madden reveal the most surprising thing they discovered about Elton John while filming the musical biopic.
Storyline
Did you know
- TriviaTaron Egerton does all of his own singing in the film.
- GoofsNear the end of the film, it is implied that the song and music video for, "I'm Still Standing" depicts Elton celebrating having finally become sober and conquering his addictions. But he did not give up alcohol until after filming the music video; in fact, Andy Taylor of Duran Duran recalled getting drunk with Elton John on martinis in Cannes during filming, and throwing a massive all-night party in which Elton's personal assistant's hotel suite was, "leveled." Waking up the next morning, a hungover Elton surveyed the damage and asked, "What happened?" The assistant replied, "You happened!," and Elton gave up alcohol shortly afterwards.
- Quotes
Elton John: Real love's hard to come by. So you find a way to cope without it.
- Crazy creditsStills of Taron Egerton from scenes in the film are compared to real life images of Elton John throughout the end credits.
- ConnectionsFeatured in Good Morning Britain: Episode dated 14 May 2019 (2019)
- SoundtracksThe Bitch Is Back
Written by Elton John & Bernie Taupin
Published by HST Publishing Ltd and Rouge Booze Inc.
Administered by Universal Music Publishing Ltd
Produced by Giles Martin
Performed by Taron Egerton & Matthew Illesley
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Người Hoả Tiễn
- Filming locations
- Royal Albert Hall, South Kensington, London, England, UK(exterior scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $96,368,160
- Opening weekend US & Canada
- $25,725,722
- Jun 2, 2019
- Gross worldwide
- $195,320,400
- Runtime2 hours 1 minute
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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