When their father passes away, four grown siblings are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother and an assortment of spouses, exes and might-have-beens.
Luke and Kate are coworkers at a brewery who spend their nights drinking and flirting heavily. One weekend away together with their significant others proves who really belongs together and who doesn't.
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
Two free-spirited and aging models with an unlikely friendship realize through various humiliating experiences that modeling has a shelf-life. Under-qualified for nearly every other career,... See full summary »
As a young New York City couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes.
While settling his recently deceased father's estate, a salesman discovers he has a sister whom he never knew about, leading both siblings to re-examine their perceptions about family and life choices.
As he eases into adulthood at the age of forty, Conrad Valmont (Jason Bateman), the over-educated, under-employed heir to the Valmont Hotel fortune, is cut off from his allowance following his parents abrupt divorce and tossed out into the unforgiving streets of the Upper West Side. Luckily, he is taken in by his old friend Dylan (Billy Crudup), and returns the favor by immediately falling for Dylan's girlfriend Beatrice (Olivia Wilde). As Conrad attempts to woo Beatrice while keeping both their relationship and his bank balance secret, Dylan tries to set him up with Jocelyn (Jenny Slate). Ever committed to the charade that he eventually finds difficult to maintain, Conrad quickly realizes his charm can only extend so far into debt. Now deep into an extensional reflection, will it take losing everything to make Conrad realize what he can truly become?Written by
When Conrad presses the recording button on his tape deck and speaks in the microphone, the tape is not rolling. The needles for the volume level don't move either. See more »
I, I think that there's something wrong with me. For some reason, I find that the girls that I like as human beings I'm not sexually attracted to, and the ones that I am sexually attracted to I don't particularly like as human beings. And on the rare occasion when one falls in both categories, they usually have a boyfriend or a husband - and Lord knows I've got enough of that bad karma to last me a lifetime.
Barry the Therapist:
These are classic Freudian symptoms, Conrad. Haven't you ever read about ...
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549th Review - If You Miss By Just A Millimeter 10 000 Times...
The Longest Week is a lesson that it's possible to have ideas, a great cast, a good script and then put it all up on screen and miss - dreadfully.
The Longest Week comes with a healthy dose of frustration as we delve into the incredibly narcissistic world that our three main protagonists live in. It borrows from the New York film book but is too much in love with the world it wants to send up and we fall, not for the characters, but asleep.
This film is not a mess - it looks great, the acting is great, the constant narration is annoying, but more than that is a vast sense of alienation between the screen and the viewer - it's an unbridgeable abyss caused by a palpable sense of ennui and boredom.
All in all, the next film will work - this goes from charm to smarmy to boring very fast and never gets us to care one jot.
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