IMDb RATING
6.2/10
6.6K
YOUR RATING
Circumstances force a young divorcée to move back in with her parents in suburban Connecticut, where an affair with a younger guy rejuvenates her passion for life.Circumstances force a young divorcée to move back in with her parents in suburban Connecticut, where an affair with a younger guy rejuvenates her passion for life.Circumstances force a young divorcée to move back in with her parents in suburban Connecticut, where an affair with a younger guy rejuvenates her passion for life.
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- 1 win & 3 nominations total
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i'm not use to writing reviews but hey, this is a really good watch, interesting movie, great cast, i loved it. @ least it's a story we can all relate to, i think Melanie Lynskey Killed it, best role i have ever seen her in. as the movie progress you get captured in the story telling and you can't just wait to see what happens in the next scene, not the kind of movie you'll fall asleep watching. very good acting, and don't expect to see some wild "sex scenes" when i read the plot initially my mind went straight to seeing Melanie Lynskey "wildin out" i know, i know .. but overall the movie is great, I loved it, go see it.
A great performance by Melanie Lynskey is tainted by "dirty", completely unnecessary R-rated content that could have and should have been omitted to make this a clean PG-rated film.
While showing us a sad middle-aged divorcee slowly turning her life around by flinging with a teenager, this film preaches that guys are jerks, parents are hopeless, modern art is beautiful, modern artists are important, what Jeremy pretends to be is a great thing, how Gwen behaves about it is even greater, and also that are weed and anti-depressants are wonderful.
There's so much unrealistic profanity that it gets silly, and there are some indie trope traps, but it's an interesting film nonetheless. It's low-key and mostly well-crafted, with very good performances also from Sarah Chase, Blythe Danner, and Julie White.
Edit: After a year, an additional viewing, and lots of additional pondering, I will add that I now think this film is not about Amy but rather her parents. Amy gets most of the screen time, but it's actually about mom and dad having struggled for years through a stressful, unhappy marriage, and the effects this has had on everyone.
Amy's mom is miserable and a major insomniac. Amy's dad is in denial and manipulates. The parents seem to have given up at attempting to communicate with one another many years ago. Amy is a bit of a wreck with almost no self-esteem. And Amy's brother is a spoiled ingrate.
All of this, if you watch and listen closely, stems from decades of the bad marriage.
While showing us a sad middle-aged divorcee slowly turning her life around by flinging with a teenager, this film preaches that guys are jerks, parents are hopeless, modern art is beautiful, modern artists are important, what Jeremy pretends to be is a great thing, how Gwen behaves about it is even greater, and also that are weed and anti-depressants are wonderful.
There's so much unrealistic profanity that it gets silly, and there are some indie trope traps, but it's an interesting film nonetheless. It's low-key and mostly well-crafted, with very good performances also from Sarah Chase, Blythe Danner, and Julie White.
Edit: After a year, an additional viewing, and lots of additional pondering, I will add that I now think this film is not about Amy but rather her parents. Amy gets most of the screen time, but it's actually about mom and dad having struggled for years through a stressful, unhappy marriage, and the effects this has had on everyone.
Amy's mom is miserable and a major insomniac. Amy's dad is in denial and manipulates. The parents seem to have given up at attempting to communicate with one another many years ago. Amy is a bit of a wreck with almost no self-esteem. And Amy's brother is a spoiled ingrate.
All of this, if you watch and listen closely, stems from decades of the bad marriage.
I don't know why is this movie so criminally scored. It's a well told, well directed and well acted original story. It does lose focus a bit towards the very end, but it remains engaging and sweet in essence.
The plot is simple but also tactfully told, moves along well and it's peppered with touching moments of honesty. The protagonist's role is refreshingly crafted and accordingly acted. It has a clear structure and a detailed pacing through which we are given numerous invitations to delve in the protagonist's emotional state and even to indulge in soul searching nostalgia.
I'm really surprised at how this movie got such a low score. I treated these scores with a certain respectability when reviewing the possible movies I might spend my free time with. Outraged, I say!
The plot is simple but also tactfully told, moves along well and it's peppered with touching moments of honesty. The protagonist's role is refreshingly crafted and accordingly acted. It has a clear structure and a detailed pacing through which we are given numerous invitations to delve in the protagonist's emotional state and even to indulge in soul searching nostalgia.
I'm really surprised at how this movie got such a low score. I treated these scores with a certain respectability when reviewing the possible movies I might spend my free time with. Outraged, I say!
Amy (Melanie Lynskey) has left her husband and moved back with her parents (Blythe Danner, John Rubinstein). She is depressed and unmotivated. She can barely get up the will to dress nicely for a dinner party. At the party, she begins an affair with 19 year old Jeremy (Christopher Abbott). She becomes energized as she risks discovery of the inappropriate affair.
This is Melanie Lynskey's movie and her best performance ever. As always she is her lovable vulnerable self. But she stretches to encompass the many different emotions of her character. The only problem is the perfectly crafted speeches she gives. It's a thin line between poignant emotional truth and too perfect hokey monologue. Luckily Amy is a middle age character, not the usual emo teen. So I'm willing to go with the former, and buy that she's a lit major. Melanie Lynskey finally returns to a lead role in a movie. And she is amazing in it. I hope she will get more chances at the leading lady role in the future.
This is Melanie Lynskey's movie and her best performance ever. As always she is her lovable vulnerable self. But she stretches to encompass the many different emotions of her character. The only problem is the perfectly crafted speeches she gives. It's a thin line between poignant emotional truth and too perfect hokey monologue. Luckily Amy is a middle age character, not the usual emo teen. So I'm willing to go with the former, and buy that she's a lit major. Melanie Lynskey finally returns to a lead role in a movie. And she is amazing in it. I hope she will get more chances at the leading lady role in the future.
This film screened at the 2012 New Hampshire Film Festival in Portsmouth, NH and several of the people I spoke to after really enjoyed it. I will admit that I felt it was slow at times. However, for anyone who has been through a divorce or knows someone who has been through a divorce, this is a fun film that I think can help a lot of people. I saw myself in some of the characters and I saw my friends and family. Two friends who saw the movie said that one scene came right out of their own lives after they got divorced. So while it may not be for everyone, I highly recommend this film to people who can relate to the material and think they might enjoy seeing the difficult subject of divorce treated with intelligence, humanity and humor.
Storyline
Did you know
- TriviaThe title is a reference to a Groucho Marx song of the same name.
- GoofsAbout 21 minutes in, in the morning scene . . . after the dinner party the night before . . . John Rubinstein's character Stan, is quite tan whereas the night before he was rather pale.
- ConnectionsFeatures Animal Crackers (1930)
- SoundtracksThe Fox / Make Something Good
Written and Performed by Laura Veirs
Courtesy of Raven Marching Band Records
By Arrangement with Terrorbird Media
- How long is Hello I Must Be Going?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Привіт, мені вже час
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $106,709
- Opening weekend US & Canada
- $23,904
- Sep 9, 2012
- Gross worldwide
- $354,939
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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