5.7/10
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79 user 160 critic

Song to Song (2017)

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Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.

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1,674 ( 164)
8 nominations. See more awards »

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Cast

Cast overview, first billed only:
... BV
... Faye
... Cook
... Rhonda
... Amanda
... Miranda
... Zoey (as Berenice Marlohe)
... Duane
... Lykke
... Emma (as Olivia Applegate)
Dana Falconberry ... Faye's Sister
... BV's Mother Judy
... Mrs. Gansmer
... Angry Woman
... BV's Brother
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Storyline

Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.

Plot Summary | Add Synopsis

Taglines:

Love. Obsession. Betrayal.

Genres:

Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality, nudity, drug use and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Official Facebook | Official site |  »

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Language:

Release Date:

17 March 2017 (USA)  »

Also Known As:

Weightless  »

Filming Locations:

 »

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Box Office

Opening Weekend USA:

$53,945, 19 March 2017, Limited Release

Gross USA:

$443,684, 1 June 2017
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

| (archive footage)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Bérénice Marlohe is the second Daniel Craig era Bond Girl Terrence Malick has directed, having also been in Skyfall (2012). The first was Olga Kurylenko, who starred in Quantum of Solace (2008) and To the Wonder (2012). See more »

Quotes

[Last line]
Faye: This. Only this.
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Connections

Features Ménilmontant (1926) See more »

Soundtracks

Symphony No. 2
Resurrection"
Written by Gustav Mahler
Performed by Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach (as Polish National Radio Symphony Orchestra)
Conducted by Antoni Wit
Courtesy of Naxos
By arrangement with Source/Q
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User Reviews

 
Nice visuals but utterly self-indulgent
27 March 2017 | by See all my reviews

I always go to a Terrence Malick movie hoping to find once again something akin to the transcendent vision firmly grounded in the real world that I encountered when I first saw "Days of Heaven" (1978), a movie that combined gorgeous cinematography with a compelling plot. My hopes were dashed yet again with "Song to Song." The visual beauty is here, but the movie feels bloated, self-indulgent, and disconnected. Malick's technique of splicing together seemingly random footage overlaid with barely audible interior monologue has by now become formulaic, and he seems incapable, unwilling, or afraid to deliver a sustained scene in which characters actually exchange meaningful dialogue. And speaking of characters, one after another is introduced for no apparent reason, as if quantity could make up for the fact that none of them are developed, and their utter shallowness foreshortens any depths the movie might be trying to plumb. Finally, the movie went on so long that I left feeling too exasperated and exhausted to hold on to the shreds of visual beauty that it offered.


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