A young FBI agent infiltrates an extraordinary team of extreme sports athletes he suspects of masterminding a string of unprecedented, sophisticated corporate heists. Deep undercover, and with his life in danger, he strives to prove these athletes are the architects of the mind-boggling crimes that are devastating the world's financial markets.
While shooting second unit footage at the Jaws surf break in Maui, the crew was fortunate enough to catch one of the largest wave breaks of the last decade, being ridden by the world's top big wave surfers. See more »
At the final chase scene where Utah catches up with Bodhi at the train station and they stare at each other from across the tracks, Bodhi has windblown hair hanging down in his face, but a subsequent cut back to him shows his hair is perfectly combed back, looking perfectly groomed. See more »
I believe that like me, the people behind these robberies are extreme athletes, using their skills to disrupt the international financial market. And they don't care who gets killed in the process.
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Impressive action sequences let down by almost everything else.
A Gen Z update to Kathryn Bigelow's 1991 cult classic, this remake is essentially an episode of Fast and Furious in which the vehicular exploits have been replaced with an assortment of extreme sports sequences. Constructed with an alarming amount of real footage and physical stunt work, the numerous action set pieces are rather impressive; a high octane wing-suit gliding scene and the tension-building rock climbing finale topping the list. Yet the impact of these daredevil stunts is wasted on a film that fails on almost every other level. Stemming from Kurt Wimmer's truly awful screenplay, every second not spent traversing a mountainside, soaring through the air or surfing a mammoth wave is cringe worthy and/or yawn inducing. Wimmer's dialogue attempts to be philosophical and Zen-like, but with clichéd stinkers like "the only law is gravity" and "everyone dies, it's just a matter of how", it's nothing short of unintentionally hilarious. Replacing the eternally cool Patrick Swayze was always going to be tough, however Edgar Ramirez does a solid job as charismatic eco-warrior Bohdi. The same can't be said for low-budget-Chris-Hemsworth hunk Luke Bracey though, who is so wooden as Johnny Utah he makes Keanu Reeves look like Daniel Day Lewis. This modern update boasts a handful of genuinely fantastic action sequences, yet they're not enough to warrant a recommendation in what is otherwise a limp and incoherent thriller.
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