Col. Katherine Powell, a military officer in command of an operation to capture terrorists in Kenya, sees her mission escalate when a girl enters the kill zone triggering an international dispute over the implications of modern warfare.
Colonel Katherine Powell is a UK-based military officer in command of a top secret drone operation to capture terrorists in Kenya. Through remote surveillance and on-the-ground intel, Powell discovers the targets are planning a suicide bombing and the mission escalates from "capture" to "kill." But as American pilot Steve Watts (Aaron Paul) is about to engage, a nine-year old girl enters the kill zone triggering an international dispute, reaching the highest levels of US and British government, over the moral, political, and personal implications of modern warfare.Written by
Sergeant Sadiq, the NCO assessing collateral damage, wears a Royal Artillery Tac Flash (Red and Blue) on his right sleeve which is correct and in keeping with the Artillery's role for the British Army's Drone surveillance aircraft. He would not normally be allowed to wear a beard however except for religious reasons or because of a medical condition. See more »
Kenya's gun laws prevent ownership of even toy guns; an exception being if one's home has been broken into repeatedly, in which case a shotgun is permitted (after a rigorous approval process). The notion that people would be standing guard with a gun (much less driving around with a mounted machine gun) is nonsense, and this takes place only a few miles from downtown. See more »
It surprised me quite a bit. Political war thrillers have been so overdone, but this one really managed to work by narrowing its scope. With films like this, and real-life disasters that kill dozens of people, it's easy to overlook the importance of every single human life. This film is aiming to remind us of just how significant, and atrocious, times of war are, and rightly so, the film does not come with any easy answers. I loved how the film was completely focused on one single event, and while I can see how some might think it was stretched out too much, I felt like moral and emotional weight of the situation on all of these characters called for it. Maybe I would say that the film gets a bit too sentimental at times (we don't need to be reminded with the many shots of the characters' faces or the music), but for the most part it really works. And oh Aaron Paul, you're just the perfect actor to play characters who are trying to help children.
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