A group of young scientists are working on a secret project that may allow them to travel ahead in time. They test it by sending one of their own ahead one hour. He returns pleading with ... See full summary »
After being shot, Tom wakes from a coma to discover that fragments of his smart phone have been embedded in his head, and worse, that returning to normal teenage life is impossible because he has developed a strange set of superpowers.
From the creators of The Signal (Sundance 2007) comes Synchronicity, a mind-bending 'Sci-fi Noir' in the tradition of Dark City, Blade Runner, and Alphaville. When physicist Jim Beale invents a machine that can fold space-time, a rare Dahlia appears from the future. He must now find the flower's identical match in the present to prove his machine works. Jim soon discovers that the Dahlia lies in the hands of a mysterious girl, who seduces him into revealing his secrets. Convinced that he's fallen prey to a femme fatale trying to steal his invention, Jim travels back in time to stop her betrayal before it happens. But once in the past, Jim uncovers a surprising truth about the machine, the girl, and his own reality.Written by
When Jim goes to Abby's apartment for the first time, you can read on the intercom :"Sebastian, J.F. #2019". J.F. Sebastian is a character from Blade Runner (1982), set in 2019, and directed by Ridley Scott. Just above is "Scott, Anthony #2012". Anthony Scott, aka Tony Scott, director known for Top Gun (1986), Spy Game (2001) and Crimson Tide (1995), among others, died in 2012 and was Ridley's younger brother. See more »
When the limousine drives through the city, on-coming traffic is to the left. In one "filler-shot", of a city intersection lit by Chinese language signs; not depicting the aforementioned limo, on-coming traffic is to the right. See more »
[from control booth]
Balance metric pressure at 057.
[working in full suit]
Metric pressure sustaining 057. Releasing valves.
Prepare to load M.R.D.
Radioactivity meters online, ready for exposure.
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I'm giving it 10 stars because the movie was far better by the end than I thought it would be at the start.
From the start though our cinematic sensibilities pick up quickly that there is not an "Independence Day" budget attached.
With a slew of time-travel themed movies recently relying on great story telling and acting and others on big budgets and vacuous stars I wasn't sure where this one would fall but immediately one was struck by it's style. A noir look and compelling soundtrack. But as the recursive story picked up - well written and a fine cast - any misgivings were forgotten.
This is an original story with not just fine twists but also perhaps a first in the time travel genre it's quite sexy. Great chemistry between the two main characters added up to a compelling tale that crossed interestingly between lust and science.
Not since Forbidden Planet haha joking but the soundtrack again is worth mentioning and will make a second viewing as enjoyable as the first. Sci-fi has been burdened by the heavy handed scores of John Williams for far too long. Ben Lovett provides a beautifully apt real si-fi soundtrack to a real sci-fi film.
Don't be misled by simplistic reviewers, it is a quite clever concoction of ideas but spread out across it's time frame with all the right moments well embedded the story is well told.
Jacob Gentry is a person of future interest.
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