| Cast overview, first billed only: | |||
| Cian Barry | ... | Young Steve Battier | |
| Alix Wilton Regan | ... | Young Alice | |
| Nik Xhelilaj | ... | Young Boris | |
| Pedro Granger | ... | Young Carlos | |
| Christopher Goh | ... | Young Li | |
| Genevieve Capovilla | ... | Young Maria | |
| Dafne Fernández | ... | Young Kate | |
|
|
Reuben-Henry Biggs | ... | Young Okot |
| Cloudia Swann | ... | Young Yasmin | |
| Débora Monteiro | ... | Young Jorge | |
| Rutger Hauer | ... | Steve Battier | |
| Chris Tashima | ... | Mr. Chan | |
| Soraia Chaves | ... | Sarah | |
| Victoria Guerra | ... | Driver | |
| Duarte Grilo | ... | Editor | |
In a future not too far away, Steve Battier (Rutger Hauer), an elderly, terminally ill multi-millionaire, accepts the offer of a company - R.P.G. - that in exchange for a high monetary sum, provides a very select group of clientèle the chance to be young again. For ten hours, ten millionaires from around the world, men and women of fame and power, are transferred to attractive and healthy younger bodies, to live in a world of temporary rejuvenation, in a game of real thrills, where every hour someone must die. After returning to the body of a man of twenty-three-years-old, enjoying the pleasures of sex, and experiencing the adrenaline of violence and power over life and death, Steve is willing to do anything to stay young forever. But what we may have experienced is not always what appears to be. Written by mgnfilmes
What is the matter with you people? This cerebral thinking person's gem of a metaphysical film has lofty themes and piquant dialog--quoting Sartre at one point and speculating on what Hitler knew at twenty years of age for heaven's sake. Shades of Bergman or Bunuel! The entire premise is deeply personal as well as universal--what does anyone really know at twenty of the inherent treachery of human interaction and aren't we all trapped in some prison or another--whether it be old age or the naivete of youth? This film makes good use of low budget sci fi sets, as well as carries on the European auteur tradition of tackling the grand themes of philosophy. The fragile balance between trust and suspicion, cooperation and competition, love and hate are so explicitly explored here, how could anyone miss it?