Twilight Portrait

A woman screams in the night as a young, upper-class couple sleeps. The sound is not coming from far away but from inside the woman, Marina, lying there. Spouse, relatives and friends are senseless and indifferent to who she really is. Marina carries on an affair, drinks heavily, and doesn't care either. A rude awakening is in store for everyone.

As Marina is walking home in heels after a night of debauchery her purse is stolen. Going to the police sitting in a patrol car for help only brings unwelcome attention. Marina is gangraped. In the aftermath something inside her snaps and she acts in unexpected ways. Marina leaves her family and pursues one of the depraved officers who raped her. To give someone love who has none of it, to feel powerful, to reevaluate her life, to live authentically, all this and more, or something else entirely, it is difficult to say. Tell me what you think. My head is spinning.

Twilight Portrait is raw, multi-layered and dark. The emotional impact is like a hammer blow. Twilight Portrait took me out of my usual sphere in many ways; the Russian language and culture, more than one woman's perspective, extreme violence and more. The rape scene includes only sound, but it is more deeply jarring this way. The story is based on an actual incident. The characters are multi-dimensional and fascinating. In the indifference of people to each other, the corruption and impunity of those in the public trust and our inability to listen to our hearts, we need to change. Seen from the front rows at the Toronto international film festival.

I saw this film as part of the Rotterdam Film Festival 2012. The police force is used here as the main target while portraying Russian society. Firstly, we have the main plot in the form of three policemen raping around when they get the chance. This alone might be dismissed as an exception to the rule (the proverbial rotten apples). But secondly, we also observe how a law abiding citizen is treated when reporting a stolen passport, where the attitude of the police completely defeats the purpose of bringing a crime to the their attention.

But it is not only the police, albeit on itself enough to leave us with a depressed feeling. The film extends above observations to society in general. For example, it demonstrates you can't expect decent service as a paying customer in a restaurant. And most bystanders are not very helpful either for someone in need, the one exception we see only serving to prove the rule.

Life goes on, even after a radical experience like a rape. Rather than telling family and friends about the dire event, we see it burn inside the victim and change her behavior in many ways: as a social worker (suspecting sex abuse everywhere), and as a family member (insulting all guests one-by-one at a party for her birthday). Following the latter she gets the usual advice to "take a break".

Instead, she proceeds in an unexpected manner, by approaching one of the raping police men. What initially starts as an act of revenge in the elevator (we see her entering with a broken bottle in hand), suddenly turns into a love affair. She even lives with him for a few weeks, cooks his dinner, scrubs his bath tub, and more things for which we cannot begin to understand her underlying motives.

This could have been a great movie, were it not that several scenes were shown out of sequence, thereby causing some confusion. This was not a matter of flash back or forward, which we can cope with as a generally accepted way of story telling. I rather fear it being an attempt to throw a new format on us, about which the professional critics can write and applaud its newness. We, the general public, have our rights too, and want to understand what is going on and how the plot fits together. Nevertheless, I gave the maximum score for the audience award when leaving the theater, due to its contents and particularly how we got some insight in Russian society of today.

Let me first say, I watched the movie in two sittings, the first time I watched it till the moment of her change. I say this, because if the movie has a flaw, it's that it is too slow.

I found it, by searching for some weird twilight zone kind of movies, and if you manage to watch it all the way through, it does have some aspects of this, but it is mostly grounded in reality, which of course will turn off the more hardcore fiction fans.

The movie shows the bleak, depressing reality of the countries from the eastern block, in the most pessimistic manner possible. Because of this, I think the movie will be mostly appreciated by people from these countries, but if you're an international movie fan, that considers to be interested in the harsh reality of our cultures, please have a go at it.

The cinematography and score are really plain, it's made almost like a documentary, with extremely realistic acting and atmosphere. The movie shines at showing how a seemingly good life, judged by the societal expectations of the culture, can be a real hell for some people, and in the latter part it gets more philosophical, about what does it actually mean to hate someone, and what life offers to those who choose to not follow a behaviour considered normal by society.

I liked the movie as a whole, but I won't lie that it's perfect, the first 40 minutes especially are quite a drag, but after the setup is done and you get involved with the characters it becomes something else. I also like the ending, because it makes the whole thing quite a contemplative and romantic story.

It's a good movie, I'm glad I watched it, I won't forget it anytime soon, I will recommend it to people with more nuanced view on life, but for those who think movies are for entertainment firstly, I won't even mention it.

Having seen such a wonderful film at the Stockholm Film Festival as "Twilight Portrait" I was quite embarrassed when my countrymen showed themselves to be culturally handicapped when asking director Angelina Nikonova and co-writer/lead actor Olga Dykhovichnaya, at the screenings Q/A, some of the most obvious questions ever. This cultural (including literature, art and cinema) ineptitude is the only explanation I can possibly have for this, since "Twilight Portrait" is an excellent movie on many different levels.

Above all Nikonova and Dykhovichnaya have made a movie that, in the vein of Gogol and Dostoevsky, comments on a country that they love, but a society that they desperately want to improve. The flaws of modern Russian society are accurately addressed by the creators, and what is foremost eminent about this targeting is that, even though festival writers want to accentuate the gender issue, it applies to all levels of inadequacy - no matter if it is police corruption (genderless) or male chauvinism.

Psychology plays an enormous part of this movie and in an age where heavily make-uped pirates or vampires facing teenage dilemmas is the norm, I hope AN and OD applies the philosophy "It is not HOW MANY people you impress, but rather WHO you impress that matters" to their filmmaking, otherwise they are going to be disappointed. Most people will find this movie boring and slow, because they are used to shallow, fast moving plot. Some scenes are truly harrowing and not for the common viewer.

Nikonova use some techniques that are characteristic for Michael Haneke and she masters them quite well, which makes me confide in her ability to make good movies. Haneke is, according to me, the world's premier director, and anyone who successfully can be influenced by his work is a huge friend of mine.

A last note on this movie is that I've seen quite a lot of modern Russian productions (including the work of Ilya Khrzhanovskiy, Andrei Zvyagintsev and Alexander Zeldovich), though it is really rare that I get moved in the way that "Twilight Portrait" moved me. Perhaps it is because I recognize the truthfulness in Nikonovas description of modern Russia, and if anyone less subjected to empiricism concerning this country watches it, it must be the best window into an unknown world created in a long time.

I LOVE YOU... I LOVE YOU... wonderful how these three words in the film are used as an emotional weapon.

Beautiful raw and psychological drama that fascinates till the end of the movie. Besides the average visuals in the first few minutes, the rest of the film is visually well made. A fine Eastern bloc atmosphere by the way, which shows us the sad reality of Russian society today (as we may believe Angelina Nikonova, director).

Twilight Portrait is not an advertisement for Russia and his fine society. Nice cops though ;)... I just booked my ticket for holiday... who's next?