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10 user 24 critic

Found Memories (2011)

Histórias que Só Existem Quando Lembradas (original title)
Not Rated | | Drama | 1 June 2012 (USA)
Trailer
1:43 | Trailer
Each citizen of Jotuomba plays an integral role in village life. Madalena is responsible for baking bread; each morning she stacks her rolls as Antonio prepares the coffee. The two share a ... See full summary »

Director:

Júlia Murat (as Julia Murat)

Writers:

Maria Clara Escobar, Júlia Murat (as Julia Murat) | 1 more credit »
19 wins & 8 nominations. See more awards »

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Cast

Cast overview:
Sonia Guedes Sonia Guedes ... Madalena
Lisa Fávero Lisa Fávero ... Rita (as Lisa E. Fávero)
Luis Serra Luis Serra ... Antonio (as Luiz Serra)
Ricardo Merkin Ricardo Merkin ... Padre Josias
Nelson Justiniano Nelson Justiniano ... Moacir
Antonio Dos Santos Antonio Dos Santos ... Carlos (as Antonio dos Santos)
Evanilde Souza Evanilde Souza ... Marieta
Manoelina Dos Santos Manoelina Dos Santos ... Aparecida (as Manoelina dos Santos)
Juliao Rosa Juliao Rosa ... Ze
Maria Aparecida Campos Maria Aparecida Campos ... Anita
Pedro Igreja Pedro Igreja ... Bruno
Elias Dos Santos Elias Dos Santos ... Hilario (as Elias dos Santos)
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Storyline

Each citizen of Jotuomba plays an integral role in village life. Madalena is responsible for baking bread; each morning she stacks her rolls as Antonio prepares the coffee. The two share a morning ritual of arguments and insults, followed by an amicable cup of coffee on the bench outside Antonio's shop. At midday the church bells ring, summoning the villagers to mass. In the early evening, they all share a meal together. And so life proceeds in Jotuomba, the days languidly drifting into one another. The only variations seem to be in the weather. One day Rita arrives looking for a place to stay. She came upon the village while traveling through the valley, following the unused railroad tracks. She is a photographer, intent on capturing the village's special allure. Initially reticent, the townsfolk gradually open up to her, sharing their stories and allowing themselves to be photographed. Rita is comfortable with technologies old and new, and Madalena teaches her to knead dough by the ... Written by TIFF

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Official Sites:

Official site [France]

Country:

Brazil | Argentina | France

Language:

Portuguese

Release Date:

1 June 2012 (USA) See more »

Also Known As:

Found Memories See more »

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Box Office

Opening Weekend USA:

$3,874, 3 June 2012

Gross USA:

$10,575

Cumulative Worldwide Gross:

$40,729
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Soundtracks

Fita Amarela
Written by Noel Rosa
Performed by Francisco Alves, Mario Reis
Courtesy of Odeon
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User Reviews

 
Premise without plot does not a movie make
15 March 2012 | by turmoilrotSee all my reviews

Some films just beg to be shorter and this is definitely one of them. What you get with HISTORIAS QUE SO EXISTEM QUANDO LEMBRADAS is basically a glorified Twilight Zone premise stretched out to fit feature length: a young photographer arrives to a rural village in the Brazilian county-side full of old people where it's revealed that no one can die. It might have worked if it had been a short film but, as is, there's just not very much there. It never really moved beyond that premise with real plot. To fill up the time, they force in all these stray scenes of exchanges between the girl and the villagers--scenes full of cloying poetry and insights that would be better suited to a greeting card. The girl wanders around, takes some pinhole pictures, watches the villagers do their daily rituals of survival over and over and over again, etc. After an hour of this you just want to yell at the screen: "I GET IT! LIVING FOREVER AND BEING FORCED TO DO THE SAME THING OVER AND OVER AND OVER AGAIN IS BORING AND A HORRIBLE BURDEN!" What might have stood out or worked if it was say, a half hour, gets flattened to lullaby level of tedium in 100+ minutes. That's the dominant adjective for this movie: flat. It just never feels very organic. It's clearly a manufactured film with a manufactured narrative. The writing is very basic and exhaustingly formula driven. I was hoping it would take advantage of all the dark and shadowed possibilities its theme invites or become the real mystery that it promised to be...but there is no payoff. If it weren't for the very lovely lensing provided by Lisandro Alonso's usual cinematographer, Lucio Bonelli, I'm afraid the director wouldn't have much of a film at all. The visuals really do carry this thing. And the actors do a fine job, considering what little they have to work with. I really wanted to like this one, but I'm sorry to say it just put me to sleep. Maybe skip this one and seek out Bonelli's other work instead (like the gorgeous LIVERPOOL).


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