Adil, a young Muay Thai kick-boxer, has just fled an honor fight-to-the-death. Ilham, an assassin who is also Adil's stepbrother, is promptly hired by the organizer of the death match to kill the fugitive. Looking for somewhere to hide and recover, Adil and a childhood friend take shelter in the Bunohan boxing club where Adil started his career. Ilham, meanwhile, has never been back to Bunohan since the day he left many years ago. Upon returning, memories of loneliness and abandonment flood his mind, and he experiences waves of resentment and regret. Bakar, the third brother, has also come home from the city; ostensibly a respectful schoolteacher, he is in reality a greedy and ruthless person, and is trying to convince his father to sell a burial ground to a construction company.Written by
Ever since Dain Said's highly-anticipated sophomore effort BUNOHAN (known internationally as RETURN TO MURDER) has made fascinating round in last year's prestigious Toronto Film Festival, this locally-made movie had been earning high praise from reputable top critics especially Variety and The Hollywood Reporter. And here it is -- let me just say BUNOHAN is simply a unique effort unlike most locally-made movie you often seen in the cinema. It's a kind of genre-defying movie that is deeply poetic and not the kind of a typical kickboxing movie you might expect at the first place (thanks to the misleading trailer campaign). Mind you, BUNOHAN is strictly an art-house effort that is hardly mainstream and might bore off many casual viewers who are particularly impatient with meditative plot structure. It's certainly admirable, but not nearly enough to rank this as one of the best Malaysian movies ever made...
Read more at http://caseymoviemania.blogspot.com/2012/04/bunohan-2012.html
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