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Flatliners (2017)

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Five medical students, obsessed by what lies beyond the confines of life, embark on a daring experiment: by stopping their hearts for short periods, each triggers a near-death experience - giving them a firsthand account of the afterlife.

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Cast

Cast overview, first billed only:
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Ray
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Alex
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Cyrus Gudgeon
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Irina Wong
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Brad Mauser
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Girl on Bicycle
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Sophia's Mother
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Marlo's Brother
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Storyline

Medical students begin to explore the realm of near death experiences, hoping for insights. Each has their heart stopped and is revived. They begin having flashes of walking nightmares from their childhood, reflecting sins they committed or had committed against them. The experiences continue to intensify, and they begin to be physically beaten by their visions as they try and go deeper into the death experience to find a cure. Written by heatmiser73

Plot Summary | Plot Synopsis

Taglines:

Cross the line. Death will follow you back. See more »

Genres:

Drama | Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated PG - 13 for violence and terror, sexual content, language, thematic material, and some drug references | See all certifications »

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Details

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Release Date:

29 September 2017 (USA)  »

Also Known As:

Línea mortal: Al límite  »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$6,574,326, 1 October 2017, Wide Release

Gross USA:

$16,866,403, 16 November 2017
See more on IMDbPro »

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2.39 : 1
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Did You Know?

Trivia

In July 2016, it was announced that Kiefer Sutherland, who starred in the original, would return in the new film. Sutherland later disclosed that he was reprising his role from the original film, adding that the new film is actually a sequel rather than a remake. Despite the announcement, Sutherland played a character with a different name than in the original, with no reference to the specific events of the previous film. See more »

Goofs

In the morgue when Marlo calls Courtney's cellphone, it shouldn't be able to ring because of a dead battery. Later in the movie, in the cafe we see that Courtney never stopped, and dropped her phone when she was haunted by her dead sister in her own house. So the phone never stopped filming until the battery died.

Courtney's phone shouldn't necessarily have been running out of battery power if she didn't stop filming. Many phones will run out of internal memory way before they run out of power when filming in full resolution, especially when the limited internal memory hasn't been expanded with an extra SD memory card. Furthermore, most phones still use the FAT32 file system, which limits the size of a single file to 4GB max. These and many other scenarios could have caused the phone to stop filming after 5 to 15 minutes and after that switch to the default inactive state that could keep the phone running for a few days when not used. See more »

Quotes

[in the evening before his flatline]
Jamie: It's a great day to die!
See more »

Connections

Referenced in Midnight Screenings: Flatliners (2017) See more »

Soundtracks

Sweet Dreams
Written by Børns (as Garrett Borns) and Thomas Schleiter
Performed by Børns (as BØRNS)
Courtesy of Interscope Records
Under license from Universal Music Enterprises
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User Reviews

 
The undiscovered country… which they shouldn't have returned to.
6 October 2017 | by See all my reviews

The movies have depicted the hereafter in varied ways over the years. From the bleached white warehouses of Powell and Pressburger's "A Matter of Life and Death" in 1946 and Warren Beatty's "Heaven Can Wait" in 1978 to – for me – the peak of the game: Vincent Ward's mawkish but gorgeously rendered oil-paint version of heaven in 1998's "What Dreams May Come". Joel Schmacher's 1990's "Flatliners" saw a set of "brat pack" movie names of the day (including Kevin Bacon, Julia Roberts, William Baldwin and Kiefer Sutherland) as experimenting trainee doctors, cheating death to experience the afterlife and getting more than they bargained for. The depictions of the afterlife were unmemorable: in that I don't remember them much! (I think there was some sort of spooky tree involved, but that's about it!)

But the concept was sufficiently enticing – who isn't a little bit intrigued by the question of "what's beyond"? – that Cross Creek Pictures thought it worthy of dusting off and giving it another outing in pursuit of dirty lucre. But unfortunately this offering adds little to the property's reputation.

In this version, the lead role is headed up by Ellen Page ("Inception") who is a great actress… too good for this stuff. Also in that category is Diego Luna, who really made an impact in "Rogue One" but here has little to work with in terms of backstory. The remaining three doctors – Nina Dobrev as "the sexy one"; James Norton ("War and Peace") as "the posh boy" and Kiersey Clemons as the "cute but repressed one", all have even less backstory and struggle to make a great impact.

Also putting in an appearance, as the one link from the original film, is Kiefer Sutherland as a senior member of the teaching staff. But he's not playing the same character (that WOULD have been a bloody miracle!) and although Sutherland adds gravitas he really is given criminally little to do. What was director Niels Arden Oplev ("The Girl with the Dragon Tattoo") thinking?

In terms of the story, it's pretty much a re-hash of Peter Filardi's original, with Ben Ripley ("Source Code") adding a few minor tweaks to the screenplay to update it for the current generation. But I will levy the same criticism of this film as I levied at the recent Stephen King adaptation of "It": for horror to work well it need to obey some decent 'rules of physics' and although most of the scenes work (since a lot of the "action" is sensibly based inside the character's heads) there are the occasional linkages to the 'real world' that generate a "WTF???" response. A seemingly indestructible Mini car (which is also clearly untraceable by the police!) and a knife incident at the dockside are two cases in point.

Is there anything good to say about this film? Well, there are certainly a few tense moments that make the hairs on your neck at least start to stand to attention. But these are few and far between, amongst a sea of movie 'meh'. It's certainly not going to be the worst film I see this year, since at least I wasn't completely bored for the two hours. But I won't remember this one in a few weeks. As a summary in the form of a "Black Adder" quote, it's all a bit like a broken pencil….. pointless.

(For the graphical version of this review, please visit bob-the-movie- man.com. Thanks.)


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