The film uses historical photos, many from the Library of Congress, as the backdrops for the scenes in which the actors were placed via green screen. A process which director Salvador Litvak calls 'CineCollage'. See more »
I was moved by this film. As someone who has lived in the DC area my entire life, has visited Ford's Theater on numerous occasions, and has been to Gettysburg, Antietam, and other civil war battlefields more times than I can remember, I felt that seeing Tom Amandes' portrayal of Lincoln this evening brought me closer to understanding Lincoln the man than I have ever been. Amandes' Lincoln was not overplayed, but real and genuine. Litvak was bold in creating his Lincoln as a man of faith and emotion, natural charisma and strength. Lincoln's melancholy made him more endearing, not distant. Penelope Ann Miller's Mary Todd was also genuine, a person of real emotion, not the disconnected and distant caricature that she has been portrayed in previous films. Lea Coco was masterful in walking the line between obsessive, monomaniacal protector and best friend of the most indispensable man of his time. No spoiler here, but Coco's finest hour came towards the end of the film in my opinion, when he as Lamon visibly let down his guard for the first time, no longer able to protect his friend. What an amazing piece of art this film is. Seeing the actual images of Civil War soldiers in the hospital behind Lincoln in one scene tapped an emotional well in me as I realized that these were real people, real faces of the men who fought and died for their country, and for this I must say that the Cinecollage method that Litvak has brought to life is a treasure that is capable of connecting us with our history in a way that is unique and of deep value. I applaud the creator and cast for the wonderful film and eagerly await the opportunity to see it again.
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