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Ne nous soumets pas à la tentation (2011)

A teenager girl intrudes a quite couple's life.


Cheyenne Carron


Cheyenne Carron

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Cast overview:
Jean-François Garreaud Jean-François Garreaud ... Tristan / Husband
Guillemette Barioz Guillemette Barioz ... Rachel / Wife
Agnès Delachair Agnès Delachair ... Anna / Sarah
Swann Arlaud ... Stéphan / Anna-Sarah's boyfriend
Karina Beuthe Orr ... La soeur de Rachel (as Karina Beuthe)
Nicky Naudé ... Le barman
Boris Baum Boris Baum ... L'homme mystérieux / The mysterious man (as Boris Gielbaum)
Walter Shnorkell ... Le chauffeur de taxi


Anna (Agnès Delachair), a young and adventurous teenage girl pretends to have a scooter breakdown to get into the life of Tristan (Jean-François Garreaud), a grizzled and austere lawyer, married to a still austere woman, Rachel (Guillemette Barioz). But the adulterous joke that pulls the Swiss man of fifty from his monotonous life turns short on the return of the deceived wife. Pale figure and drawn features, she strangely accommodates the presence of Anna, deeply hurt but fascinated by the young woman. The story takes a disconcerting slope by discovering the secret links that unite these three characters far from the creaky vaudevilles. Written by lament

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Release Date:

21 December 2011 (France) See more »

Also Known As:

Lead us not into temptation See more »


Box Office


€300,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Cheyenne Films See more »
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Technical Specs




Aspect Ratio:

1.78 : 1
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User Reviews

Pretty effective French thriller
1 October 2015 | by lazarilloSee all my reviews

This French movie has a VERY familiar French-movie plot of a precocious teenage girl seducing a middle-age married man. That is really just a jumping-off point as the movie is told from three different perspectives--the man, the girl, and the man's wife--and a very different story eventually emerges. The multiple POV device is hardly new, but goes all the way back to "Citizen Kane", "Rashomon", and Stanley Kubrick's "The Killing", but it has been used most recently and famously in films like "Pulp Fiction". It doesn't always work and at times does little than make a film insufferably pretentious, but it does work here for the most part. Rather than the three stories contradicting each other (a la "Rashomon") the stories here are more like different puzzle pieces out of which the REAL story eventually emerges. It becomes obvious eventually that the wife and the girl have some kind of previous relationship even though it's not revealed until the very end.

Agnes Delchair, who plays the wife is the best actor in the movie, but she unfortunately stays rather opaque and mysterious until the end of the movie and her back story ends up being kind of rushed and includes her having an unnecessary relationship with the girl's jackass boyfriend. Guillemette Barioz fares better as the young seducer. Her character is a university-age "teen" seducer as opposed to the more perverse young teen seducer suggested by the lurid promotional materials, and the actress looks mature even for a university student. Her character goes through several interesting changes from a seemingly hapless waif to a sociopathic schemer, and finally to a character who is sympathetic but for an entirely different reason. She also has some nice nude/sex scenes, but for some reason, they take place in HER story whereas you'd think the sex would be much more memorable for the older man and appear in HIS story. Unlike with most young girls in movies like this, she does at least have a MOTIVE for getting sexually involved with a much older man.

Jean-Francois Garread, who plays the husband, is a pretty hapless and uninteresting character who is closer to elderly than middle-aged (his wife is already a much younger woman). The movie would definitely have been improved by a stronger and younger actor in this role, like say Mathieu Americ. Swann Artaud, who plays the abusive boyfriend and fourth character is flat-out miscast since he's skinny and effete and frankly Barioz looks like she could eat him for breakfast and pick her teeth with his bones afterward. This role would have benefited greatly from a scary thug as opposed to the typical French pretty-boy. Still, despite some miscasting and rushed reveals of the last story, this is pretty effective overall.

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