Two bumbling store clerks inadvertently erase the footage from all of the tapes in their video rental store. In order to keep the business running, they re-shoot every film in the store with their own camera, with a budget of zero dollars.
Set in a charmingly surreal Paris, wealthy bachelor Colin spends his time developing his pianocktail (a cocktail-making piano) and devouring otherworldly dishes prepared by his trusty chef Nicolas. When Colin learns that his best friend Chick, a fellow acolyte of the philosopher Jean-Sol Partre, has a new American girlfriend, our lonely hero attends a friend's party in hopes of falling in love himself. He soon meets Chloe and, before they know it, they're dancing to Duke Ellington and plunging headfirst into a romance. Their whirlwind courtship is tested when an unusual illness plagues Chloe; a flower begins to grow in her lungs. To save her, Colin discovers the only cure is to surround Chloe with a never-ending supply of fresh flowers.Written by
The original French title for this movie, L'écume des jours, translates literally to "the foam of the days" but more colloquially means "the froth" or "the remnants" of daydreams. The English-language title, Mood Indigo, is the title of a 1930 jazz composition by Duke Ellington, the musician who is often mentioned in this movie. See more »
When Nicolas brings breakfast to Chloé and Colin the first time, the long shot from the back of the bedroom shows him entering the bedroom but there are no people up on the bed. The close shot from the end of the bed shows Chloé and Colin receiving the tray. See more »
If we screw this moment, we try the next. And if we fail the next... we have our whole lives to get it right.
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I went in to the theater without checking out the reviews beforehand, completely open-minded. I was drawn in by the word "surrealist" in the description, and curious to see whether the movie was going to compare with the early day movies like the 1902 A Trip to the Moon. This was when the totally new possibilities of film were being enthusiastically embraced, and for those long-gone creators the sky was the limit. I wasn't disappointed. It is fabulous how the director has created the most absurd situations and effects, giving the viewer the feeling of bouncing from one surrealist painting into another. It looks like a movie which must have been incredibly time-consuming to bring together, and in my mind Michel Gondry has totally succeeded. Bravo also to Marie-Charlotte Moreau, for her wonderful editing to bring about this beautiful result.
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