| Cast overview, first billed only: | |||
| Romain Duris | ... | Colin | |
| Audrey Tautou | ... | Chloé | |
| Gad Elmaleh | ... | Chick | |
| Omar Sy | ... | Nicolas | |
| Aïssa Maïga | ... | Alise (as Aïssa Maiga) | |
| Charlotte Le Bon | ... | Isis | |
| Sacha Bourdo | ... | La souris | |
| Vincent Rottiers | ... | Le religieux | |
| Philippe Torreton | ... | Jean-Sol Partre | |
| Laurent Lafitte | ... | Le directeur de société (as Laurent Lafitte de la comédie française) | |
| Alain Chabat | ... | Gouffé | |
| Zinedine Soualem | ... | Le directeur de l'usine d'armement | |
| Natacha Régnier | ... | La marchande de remèdes | |
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Marina Rozenman | ... | La duchesse de Bovouard |
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Mathieu Paulus | ... | Le Chuiche (as Matthieu Paulus) |
Set in a charmingly surreal Paris, wealthy bachelor Colin spends his time developing his pianocktail (a cocktail-making piano) and devouring otherworldly dishes prepared by his trusty chef Nicolas. When Colin learns that his best friend Chick, a fellow acolyte of the philosopher Jean-Sol Partre, has a new American girlfriend, our lonely hero attends a friend's party in hopes of falling in love himself. He soon meets Chloe and, before they know it, they're dancing to Duke Ellington and plunging headfirst into a romance. Their whirlwind courtship is tested when an unusual illness plagues Chloe; a flower begins to grow in her lungs. To save her, Colin discovers the only cure is to surround Chloe with a never-ending supply of fresh flowers. Written by Production
I went in to the theater without checking out the reviews beforehand, completely open-minded. I was drawn in by the word "surrealist" in the description, and curious to see whether the movie was going to compare with the early day movies like the 1902 A Trip to the Moon. This was when the totally new possibilities of film were being enthusiastically embraced, and for those long-gone creators the sky was the limit. I wasn't disappointed. It is fabulous how the director has created the most absurd situations and effects, giving the viewer the feeling of bouncing from one surrealist painting into another. It looks like a movie which must have been incredibly time-consuming to bring together, and in my mind Michel Gondry has totally succeeded. Bravo also to Marie-Charlotte Moreau, for her wonderful editing to bring about this beautiful result.