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12 Years a Slave (2013)

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In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.

Director:

Steve McQueen

Writers:

John Ridley (screenplay by), Solomon Northup (based on "Twelve Years a Slave" by)
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595 ( 26)
Top Rated Movies #197 | Won 3 Oscars. Another 236 wins & 326 nominations. See more awards »

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Cast

Cast overview, first billed only:
Chiwetel Ejiofor ... Solomon Northup
Dwight Henry ... Uncle Abram
Dickie Gravois Dickie Gravois ... Overseer
Bryan Batt ... Judge Turner
Ashley Dyke ... Anna
Kelsey Scott ... Anne Northup
Quvenzhané Wallis ... Margaret Northup
Cameron Zeigler Cameron Zeigler ... Alonzo Northup
Tony Bentley ... Mr. Moon
Scoot McNairy ... Brown
Taran Killam ... Hamilton
Christopher Berry ... Burch
Bill Camp ... Radburn
Mister Mackey Jr. Mister Mackey Jr. ... Randall
Chris Chalk ... Clemens
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Storyline

Based on an incredible true story of one man's fight for survival and freedom. In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty personified by a malevolent slave owner, as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon's chance meeting with a Canadian abolitionist will forever alter his life. Written by Fox Searchlight

Plot Summary | Plot Synopsis

Taglines:

The extraordinary true story of Solomon Northup


Motion Picture Rating (MPAA)

Rated R for violence/cruelty, some nudity and brief sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA | UK

Language:

English

Release Date:

8 November 2013 (USA) See more »

Also Known As:

Twelve Years a Slave See more »

Filming Locations:

New Orleans, Louisiana, USA See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$923,715, 20 October 2013, Limited Release

Gross USA:

$56,671,993

Cumulative Worldwide Gross:

$187,733,202
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS (Digital DTS Sound)| Dolby Digital | SDDS | Dolby Surround 7.1

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In Italy, promotional posters for the film featured Brad Pitt and Michael Fassbender, instead of leading actor Chiwetel Ejiofor. When the media broke the story, with many organizations and other sources discussing the "racist" posters, the studio explained that Pitt and Fassbender are better known in Italy than Ejiofor. See more »

Goofs

When Solomon is being sold to Master Ford, the two nude women in the background both have shaved pubic hair, something virtually impossible in the 1840s. See more »

Quotes

[first lines]
Overseer: Alright now, y'all fresh niggers. Y'all gonna be in the cuttin' gang.
See more »

Connections

Featured in 2014 MTV Movie Awards (2014) See more »

Soundtracks

Miller's Reel
Arranged by Nicholas Britell and Tim Fain
Performed by Tim Fain
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Frequently Asked Questions

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User Reviews

 
Roll Jordan Roll
18 October 2013 | by dvc5159See all my reviews

A random and encounter has led Solomon Northup from living freely in New York to being kidnapped and sold into slavery in Louisiana, getting handed over to various slave owners. There, Solomon witnesses numerous acts of cruelty that no man should ever face.

As I stared at the movie screen with full dread, I was reeling back at certain scenes I had just witnessed. There were good films and television shows about slavery before, and they had various nuances at how to tackle slavery. This film is part of said resurgence of the sub- genre, hot on the heels of "Django Unchained" and "The Butler". But while the former relinquishes on Spaghetti Western entertainment more than attempting to address the issue in a political light as the latter, Steve McQueen's "12 Years a Slave" shuts those two up, and perhaps the entire sub-genre, for good. I doubt any future slavery-themed film will be as harrowing as this one was.

Steve McQueen is a fearless filmmaker, continuing his streak of unfiltered brutality within human depths. He frames his actors' faces in extreme close-up, the eyes staring into despair, the nostrils fuming in aggression. Naked flesh are shown not because of erotic content, but rather because of desperation and futility. Long takes and wide shots are not uncommon in his films, and here they showcase a plethora of fantastic scenes and performances that work to discomfort the viewer as much as possible. McQueen doesn't just allow the audience to tackle slavery, he guts the audience and leaves them for the consequences. This is an extremely uncomfortable film to watch. Beautifully shot locations are placeholders for unsettling sequences before and after, contemplated by Hans Zimmer's poignant and at times horrifying score. This all works to create a nightmarish time and place where hell walks on Earth.

Central to all of this is the performance of Chiwetel Ejiofor as Solomon. Ejiofor showcases that he is a natural force to be reckoned with in this film, after a decade of mostly supporting characters. He spaces out in despair as the camera lingers onto him for solid minutes, not a word spoken. Another sequence shows him mourning the death of a fellow worker, in which the singing of the surrounding group compels him and shakes him down to tears. These scenes follow earlier ones where he is a classy, free man in the upper states, mingling happily with the crowd and partaking in fanciful music sessions. It is a tour-de-force performance.

A fine ensemble of established and up-and-coming actors surround Ejiofor in his limelight - Paul Dano, Paul Giammati, Alfre Woodard, Sarah Paulson, even Brad Pitt and Benedict Cumberbatch, but none so ferociously as McQueen regular Michael Fassbender as the despicable, sadistic plantation owner Edwin Epps. So excellent and terrifying is Fassbender's portrayal of such a merciless and barbaric person, that the mere sight of him will either cause audience members unfamiliar to him to flinch.

I was left speechless as the credits rolled. A lesser film would have added tacked-on sentimentality/exaggeration and politically influenced claptrap. Not this one. This is a movie to watch as a reminder of how powerful the human spirit can endeavor, and how lucky all of us have grown past that dreadful time in history. The full effect of it has not been felt in movies before, until now.


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