Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
Based on an incredible true story of one man's fight for survival and freedom. In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty personified by a malevolent slave owner, as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon's chance meeting with a Canadian abolitionist will forever alter his life.Written by
Michael Kenneth Williams had an emotional breakdown while filming what eventually became a deleted scene in the movie, as he related on the The Arsenio Hall Show (2013). The stress of recreating such painful material caused him to collapse to the ground after a take, where he screamed and cried for an extended period as one of the stunt coordinators comforted him. See more »
When Solomon Northup was playing the violin in the early scenes, the violin strings were made from synthetic material. The material at the time would have been catgut. See more »
Alright now, y'all fresh niggers. Y'all gonna be in the cuttin' gang.
See more »
It's rare that a movie lives up to its hype, even rarer that the hype is transcended by the actual achievement. 12 YEARS A SLAVE does both. Aided by powerful performances and cinematography, director McQueen exposes the barbarity of dehumanisation, of treating people as property. Reviews focus on the brutality on display, and it's true that the film is not easy to watch, with its powerful juxtaposition of sublime scenery and human degradation. But to me the final scene is the most powerful of all: we are party to the kind of raw emotion that in the hands of lesser artists could easily descend into tawdriness or sentimentality. Here, as in the rest of the film, it is raised up high, as high as cinematic art can go.
31 of 49 people found this review helpful.
Was this review helpful to you?
| Report this