Identity Thief (2013)
Melissa McCarthy is heading another action comedy. The “Ghostbusters” star will topline and produce New Line’s “Super-Intelligence,” The Hollywood Reporter confirms.
Slated to begin production in July, the project sees the Oscar nominee playing Carol Peters, a former corporate exec whose life changes overnight when she’s “selected for observation by the world’s first super-intelligence — an artificial intelligence that may or may not take over the world.”
The two-time Emmy winner is re-teaming with her husband and frequent collaborator Ben Falcone on “Super-Intelligence.” He’ll direct the pic and produce alongside her via their On the Day banner. McCarthy previously starred in Falcone’s “Tammy” and “The Boss,” and their next project, college-set comedy “Life of the Party,” hits theaters May 11.
McCarthy also has two dramas on the way, Andrea Berloff’s Irish mob story “The Kitchen” and Marielle Heller’s biopic of
There are few things in life as crushingly reliable as a Jason Bateman comedy.
From the very beginning, expectations are kept firmly in check. There’s not a single person under any misapprehension with what they’re settling in for with one of these plainly titled films – Horrible Bosses, Identity Thief, Couples Retreat, Office Christmas Party – and the ensuing 100 minutes is usually passable if impossible to remember soon after, like eating at a Pizza Hut. Bateman remains an engaging comic presence but his latter forays into dramatic material, such as his awards-worthy douchebaggery in The Gift and his morally conflicted antihero of Ozark, tease at more beneath the overplayed mugging.
The post ‘Baywatch’ Blu-ray Review: Silly Remake Of Classic TV Show Is Over-The-Top appeared first on uInterview.
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
August 29th? It’s Judgment Day! Or at least it would have been, 20 years ago in 1997, if not for the brave actions of mental patient Sarah Connor, her juvenile delinquent son John, and a reprogrammed T-800 killing machine sent back from the future, who didn’t even have a name, poor thing. To commemorate their selfless work, Terminator 2: Judgment Day has been newly remastered in gorgeous 4K, and also rejiggered for 3D, which is entirely superfluous: it adds nothing to the film, but at least it doesn’t detract from it
Press Release: John Cho (the “Star Trek” franchise) has been cast on Season Two of The Exorcist, premiering Friday, Sept. 29 (9:00-10:00 Pm Et/Pt) on Fox.
Opening an entirely new chapter in the iconic franchise, Season Two of The Exorcist finds Father Tomas Ortega (Alfonso Herrera) and a newly collarless Marcus Keane (Ben Daniels) out of Chicago and on the road, searching out evil.
We still have a few blessed months before we’re bombarded with Christmas-themed advertising, but here’s some holiday news worth celebrating in June: Melissa McCarthy is set to topline and produce “Margie Claus,” a holiday musical she co-wrote. The Hollywood Reporter writes that New Line has picked up the comedy project.
The Oscar winner will play the title character, Santa Claus’ wife Margie. After Santa goes missing while delivering presents on Christmas Eve, Margie swings into action. She puts together a rescue team and ventures away from the North Pole — for the first time in decades — to save Santa and Christmas.
Described as a “broad holiday family musical that New Line hopes will be in the same spirit (and have the same success) as another company Christmas movie, ‘Elf,’” “Margie Claus” will be directed by McCarthy’s frequent collaborator — and husband — Ben Falcone.
The film is scheduled for release on November 15, 2019.
McCarthy received an Oscar nomination in 2012 for smash hit “Bridesmaids.” “The Heat,” “Identity Thief,” “Spy,” and “Tammy” are among her biggest box office successes. Her upcoming projects include college-set comedy “Life of the Party” with “Love’s” Gillian Jacobs, R-rated puppet comedy “The Happytime Murders,” and Marielle Heller’s follow-up to “The Diary of a Teenage Girl,” “Can You Ever Forgive Me?”
Melissa McCarthy to Star in Christmas Musical “Margie Claus” was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story.
Reed was notified of the decision last week, he said, concluding a career at the paper that lasted more than 25 years. His last reviews, for “Alien: Covenant” and “Wakefield,” ran May 19. Reed’s editor at the Observer did not return a request for comment.
“The shocking truth is that the Observer has been going down the drain financially for quite some time,” Reed said via email, adding that he felt the future of the paper was thrown into doubt after investment banker Arthur Carter sold it to 25-year-old Kushner in 2006. The young mogul left the paper after his father-in-law, Donald J. Trump, was elected President of the United States last fall.
It’s hard to believe this is the same guy who made King of Kong – although entirely believable that it comes from the director of Horrible Bosses and Identity Thief. Seth Gordon’s retro reboot of the ‘90s sandy soap opera strives for look-at-how-dumb-things-were irony but just comes off as mean-spirited and juvenile. It’s more Carry On than 21 Jump Street.
The basic plot is straight out of a Baywatch episode, albeit stretched graphene-thin across two punishing hours. Led by Mitch (Dwayne Johnson) and his righthand woman, Stephanie (Ilfenesh Hadera), the Baywatch team are conducting trials at Emerald Bay. Three lucky contenders will get to join the squad and be trained as hero lifeguards.
Those in contention include the plucky Summer Quinn (Alexandra Daddario
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
These are the shoals upon which critics are broken. Those gently susurrating waves? The bastard power of water to wear everything down. Those lovely soft grains of sand on the beach? Every one of them a thoughtful film lover who has dedicated her- or himself to considering cinema, now ground down into a tiny tiny pebble.
Baywatch is a beach-slap fuck-you to anyone with a brain. Your gonads may be engaged if you are a heterosexual man (or a homosexual woman, though that will be accidental) who has not graduated from a tween sexuality in which disembodied boobs
The schedule’s changed. More of the top summer releases go for early May, and given that many studio blockbusters must divide their loyalties between the international and domestic calendars, the last weekend of May has lost some of its appeal.
Holding the record for the biggest-ever opening on Memorial Day weekend is “Pirates of the Caribbean: At World’s End” in 2007. This the first “Pirates” in six years; is the audience still there? (We’ve seen the pessimistic take on that question with “Alien: Covenant,” which came five years after its last.)
Read More: ‘Pirates of the Caribbean: Dead Men Tell No Tales’ Review: ‘Kon-Tiki’ Directors Right the Ship in Pleasantly Surprising Sequel
Baywatch was the most popular internationally syndicated TV series of the 1990s. And even though the drama about Southern California lifeguards often unfolded like self-parody — its appeal rested mainly on a swimsuit-clad Pamela Anderson running down the beach in slow motion and David Hasselhoff’s questionable emoting — it took itself as seriously as a show based on eye candy could.
This year’s movie version of Baywatch knows better than to do that. It’s consciously a comedy (the director, Seth Gordon, has given us Identity Thief, Horrible Bosses and TV’s The Goldbergs). And according to Zac Efron, one of the film’s stars, there are numerous other improvements.
“The movie has a little more to it,” Efron, 29, says during a chat on the Universal Studios backlot just outside Los Angeles.
The outlet spoke to T.I. at a New York event for the third season of NBC’s The Carmichael Show, where he nodded ‘yes’ when asked if he’d be involved in the sequel. Shooting on the project will reportedly start in less than two months at Atlanta’s Pinewood Studios; in 2014, Ant-Man became the first production to film at the location, and ever since, Marvel Studios has returned.
T.I.’s Ant-Man screen partners, Paul Rudd, Michael Peña and David Dastmalchian, are also set to reprise their roles as Lang, Luis and Kurt, respectively.
While opinions obviously differ, most would agree that Ant-Man is one of the funnier Marvel Cinematic Universe movies,
“Baywatch,” which premiered at the tail-end of the 1980s (and stumbled out of the gate, becoming a hit in syndication the way “Star Trek” did), was a muscle-beach soap opera that anticipated the sexy-youth-kitsch-for-adults appeal of “Beverly Hills 90210.” It was also an L.A. crime series where the law enforcers wore spandex swimwear; a cheeseball star vehicle that revamped the camp-stud Ken-doll mystique of the former “Knight Rider” hero David Hasselhoff; and, yes,
Created by Jordan Peele and John Carcieri, The Last O.G. sees Morgan as Tray, “an ex-con who is shocked to see just how much the world has changed when he is released on good behavior from a 15-year prison stint. Returning to his newly gentrified Brooklyn neighborhood, he discovers that his former girlfriend, Shay (Haddish), has married an affable, successful white man who is helping raise Tray’s twin sons who he never knew existed. Wanting nothing more than to connect with his kids, but having neither the money to support them nor himself, Tray falls
The film, about a group of hired killers who are trying to get rid of the world’s top hit man, is directed by Taran Killam. Currently in post-production, it is produced by Killam, Kim Leadford, Ash Sarohia and Steve Squillante, and financed by StarStream Media.
“This is a hilarious movie that left me in stitches. Everyone is perfectly cast and none more so than Arnold Schwarzengger,” said Bliss’ Wei Han. “We will make sure the movie gets the perfect distribution and marketing platform it deserves in China.”
Bliss, which spans finance, production and distribution, last year picked up Mel Gibson’s “Hacksaw Ridge,” which it turned into a major hit in China, with a $62-million gross.
With offices in Shanghai and Los Angeles,
Press Release: (Burbank, CA, May 2, 2017) — STXfilms, whose Bad Moms was 2016’s highest grossing R-rated comedy, teams with comedic genius Melissa McCarthy in The Happytime Murders, directed by Brian Henson. The announcement was made today by STXfilms Chairman Adam Fogelson and Sam Brown, President of Production for STXfilms, a division of Stx Entertainment.
The comedy is set
It’s telling that perhaps her biggest disappointment so far, “Ghostbusters,” still made $128 million domestically.
Continue reading Melissa McCarthy To Investigate A Muppet Mystery In ‘The Happytime Murders’ at The Playlist.
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